Chapter 1642 Those Feng Yun Directors

Tang Jili next to him was a little envious when he saw Yin Jun teaching Zhou Xingchi like this.

But there are not many people who can be visited by Yin Jun and then take the trouble to give pointers.

Not just in terms of filming, but also in terms of life. Is this a treatment that ordinary people can enjoy?

Speaking of which, Tang Jili felt that he was very lucky.

He entered the entertainment industry as a martial artist, and then worked hard in the industry for four or five years. From martial artist to assistant, and then to deputy director, he spent a lot of thought and effort.

Last year, he had a rare opportunity to make a movie for Wu Sicheng's company. The box office was not high, but he still made some money.

Just as he was preparing to continue his efforts, someone from Qilin Films suddenly came to the door and said that Jun Shao had written a movie and wanted him to shoot it.

This is really pie in the sky.

Tang Jili took the script and has been thinking about it from before the Spring Festival to now.

Because Yin Jun likes to do things carefully, he also specially made split-shot drawings.

After the results were handed in, general manager Yu Zheng looked at them for a long time and then told him to start filming.

Tang Jili was happy and a little nervous at the same time.

If you take good photos yourself, you will be taken seriously by Mr. Jun, and in the future you will be like Yuan Kui, Yu Yungang, Lin Lingdong, and Chen Xunqi, and you will be able to stand alone, which will be very majestic.

If he doesn't do well in shooting, I'm afraid he will be knocked back to his original shape and it will be difficult for him to stand up.

I originally thought that busy Yin Jun would go to the editing room to take a look after the movie was shot, but he didn't expect to come today, which really caught Tang Jili off guard.

Tang Jili is a smart man. From Yin Jun's behavior just now, he can see the main purpose of Yin Jun's visit today.

Liu Dehua and Yin Jun are the most familiar, and they don't see each other, otherwise Yin Jun would not give him the little princess of the Guan family in his arms and let him play with her.

This in itself is a form of trust.

The same goes for Zhou Xingchi.

Even though Yin Jun was encouraging and slapping him as soon as he came up, have you ever seen Yin Jun do this to a few people?

If he didn't value this young man, how could he act like this?

In comparison, Zhou Xingchi seemed a little dull, not talking much as usual at the scene.

But Tang Jili also knew that as long as Zhou Xingchi was not stupid, he could hear Master Jun's intention of nurturing him.

With so many things in his mind, Tang Jili still had a listening smile on his face.

Tang Jili, who is in his 50s, is a handsome guy, let alone when he was young.

Yin Jun looked at him and felt that it was a waste that this guy didn't star in art films.

"Director Tang..." After Zhou Xingchi finished speaking, Yin Jun asked Tang Jili, "Do you think it's strange why I would choose someone like you with only a simple assistant director experience to make a movie?"

"Master Jun, just call me Lizai." Tang Jili said politely.

Then he said, "I don't know the reason, but since you are willing to give me a chance, I will definitely do my best in every step and try not to disappoint you."

"As long as you are willing to use all your strength, you will not let me down." Yin Jun patted his shoulder, "I rarely see people wrong, so behave well and don't let everyone They are all disappointed! As long as you succeed, there will be more and more opportunities in the future, and you will get more and more!"

"yes!"

Tang Jili took a long breath and said seriously: "I will devote my life to treating my works religiously!"

For him, this is the heaviest commitment.

Since Yin Jun values ​​him so much, how dare he not try his best?

In life, if you can seize an opportunity, you can change your destiny.

Isn't now the time to change your destiny?

"Relax a little, don't be so exaggerated." Yin Jun said, "As directors, the most important thing is to establish our own style and make ourselves one of the best in this aspect. Then we can achieve a great career... If It’s about switching styles arbitrarily, and that’s not a good thing.”

"yes."

Tang Jili replied respectfully.

He knew that Yin Jun was teaching him and imparting experience to him.

At the same time, he also knew that what Yin Jun said was not necessarily correct.

This may be true for ordinary directors, or even excellent directors, but for Yin Jun, it is completely wrong.

Since Yin Jun's debut, he has not made many movies, but he has covered many themes.

There are action movies, youth movies, dramas, etc.

Coupled with Yin Jun's unique screenwriting talent, such a genius can basically film anything.

Even if one day someone told Tang Jili that Yin Jun was going to make a horror movie, Tang Jili would not doubt that Yin Jun could make the best horror movie in history.

But worship is one thing, but Tang Jili definitely wouldn't overestimate his abilities and felt that he could do it too.

The reason why geniuses are geniuses is because they are different from ordinary people.

Tang Jili knew that he had some talent, but he had to work hard to get ahead.

You must not compare with Yin Jun, otherwise you will make yourself uncomfortable!

Tang Jili was born in 1960, and is only 2 years older than Yin Jun in this life.

Although the 24-year-old young man has been working hard in the film and television industry for four or five years, he was suddenly promoted to become a director, and the director was Yin Jun's script. If you say that he has no pressure, you must be bragging.

But Tang Jili was also someone who had gone abroad to see the world, and his answers were neither humble nor overbearing, which made people feel very comfortable.

Yin Jun still admires Tang Jili's directing talent very much.

He is the director of "Red Zone". Although Cheng Long is in charge of the whole movie, his ability to produce that kind of flavor suits Cheng Long's strengths perfectly.

He is also the director who has collaborated with Cheng Long the most, having made 5 films for Cheng Long.

"Twelve Zodiac Signs" was also shot by him.

There are so many instant directors in Hong Kong, and Tang Ji-li's style is also very obvious, which is a combination of humor and action.

Cheng Long's movies are very good-looking and very interesting, but the problem is that he made too few movies. When he was young, he could only make one movie a year at most.

It was only after I got older that I started shooting two or three movies a year.

But at that time, I was already earning pension money, and the level of excitement was greatly reduced, not as good as the peak period.

So Yin Jun decided to train Tang Jili and let him make more Cheng Long-style movies, the sooner the better.

This will help genres such as "kung fu comedy" become a signature of Chinese-language films earlier.

Otherwise, no matter how hungry the young man is for talent, he will not promote a 24-year-old director who has never directed alone.

There is only one Cheng Long, but superstars like Yuan Biao and Hong Jinbao can also take Cheng Long's place to some extent.

Moreover, Tang Jili's role is definitely not limited to movies.

Not many Xiangjiang directors have done well in the United States, but Tang Jili has been far ahead in terms of viewership and critical acclaim for two consecutive American dramas. That is a real talent.

There is nothing else, but Yin Jun has a lot of scripts.

Especially American dramas, Yin Jun’s safe contains thirty or fifty, and all of them are super classics.

The American director Yin Jun doesn't like it very much. Half of the Americans who can be used in American dramas are done by pinching their noses. How can it be possible for an American director to dominate everything?

"Happy Hotel", ABC's trump card, is no longer filmed by Tang Shuxuan himself, but the director and producer responsible for the specific filming work are all Chinese, which proves Yin Jun's attitude.

If it is just to make money, American dramas have no meaning at all to Yin Jun.

Let Americans get used to seeing Chinese faces in TV series and movies, let them accept and understand Chinese culture, and have more respect for each other. This is Yin Jun's purpose.

Yu Yungang and Chen Xunqi were filming in the United States, but they were still too weak.

After Tang Jili exercised for several years, it was just enough time to fill up with new strength.

Thinking of American TV series, Yin Jun also thought of several other Xiangjiang directors who have outstanding achievements in Hollywood movies and American TV series.

Needless to say, Feng Delun, who is only 10 years old now, will not have the ability to be an excellent director within twenty years.

The first is of course Yuen Kui from the Hong Family Class. As of 2018, he was still filming movies back and forth between Hollywood and mainland China.

Although he is not a first-rate director in Hollywood, he can still be considered a second-rate director.

This director is already the longest-serving and most stable person in Hollywood.

Wu Yusen is a typical person who starts with an anticlimax and ends with a finish. He had such a good start with "Operation Broken Arrow" and "Mission: Impossible 3", but he actually made a weird work like "Windtalker" and finally left in despair.

It's really a pity.

During the years when Cheng Long was in Hollywood, Hong Kong movies were really bad, so Hung Kam-bao took the Hung family class to provide martial arts instruction for Cheng Long.

Then the Americans saw that Hong Jinbao was talented in this area, so they asked him to direct an American TV series. The ratings were quite good, ranking among the top five that year.

But there is a big gap between Hung Jin-bao's filming philosophy and that of Americans, so he reluctantly left after one more film.

This is another one.

The other one is named Yu Rentai.

The one who filmed "Fearless" for Jet Li.

But his specialty is not action movies, but horror movies.

He once worked as a production assistant in the news department at ABC, so he is quite familiar with American dramas.

So after the decline of Xiangjiang movies, Yu Rentai went directly to the United States and made amazing horror films such as "The Ghost Bride" and "Freddy vs. Jason".

Yin Jun feels that if Yu Rentai continues to develop, he may not be much worse than the great master Wen Zhiren.

Now Yu Rentai is filming movies in Hong Kong. This year's "Aura" filmed by Zhou Runfa and Ye Qianwen is his work, which has a good box office and reputation.

Yu Rentai is also 34 years old, which is the time when he can be of great use.

Just when Yin Jun was about to finish his work, he recruited Yu Rentai to come to the United States to work on his specialty of horror films.

The scripts have been prepared for him. Three horror movies will definitely scare the hell out of horror movie lovers.