Chapter 1504: Later
ps: anti-theft
At the end of the day, with some time left, I went to see the preparations for the Chu-Han Trilogy.
In a studio similar to a large studio where various props were produced for this epic costume drama, and other attendants were dispatched, Simon and Chen Qing browsed various swords, guns, swords and halberds, playing with them from time to time, and said to the girl beside him: " Some filmmakers in China are too obsessed with the overseas market, especially in the mainland, and Zhang has been preparing for the Chu-Han trilogy, and has been unable to get rid of this rut, which is what worries me most about this project."
Chen Qing picked up a bronze dagger that looked like an antique after being worn out, skillfully played a sword in her hand, glanced proudly at her boss, and said: "It's not our fault, a few years ago The mainland market, um, is almost out of market, and the commercial nature of the film has also been suppressed to a minimum."
"Indeed," Simon had no choice but to nod, put down an iron long sword, walked to the next console, and continued: "I have actually reminded Zhang several times, and there is an idiom here that is, too much is too late, too much value will only lead to Bad thing. Moreover, let’s talk about this project, as long as it is done well, the problem of cost recovery in China will not be too big, and you can earn as much as you sell overseas, and there is no pressure at all.”
Until many years later, Zhang Guoshi actually did not give up his obsession with Hollywood. He always wanted to hit the Oscar for Best Foreign Language Film and so on, so he carefully produced Jinling Thirteen Hairpins, with a budget of 600 million yuan and a local box office of nearly 600 million yuan. , only 200 million yuan was recovered, and Bell was invited, and Hollywood, which he had been thinking about, didn't even splash the waves.
As for the Great Wall after that, it was a tragedy.
In fact, it is a question that Simon has repeatedly thought about. The biggest problem with these projects is that they are too catering. They always think about how to change to please overseas judges and audiences, so they torture human nature, and then standard popcorn. In the end, what results can there be? ?
Looking at those Chinese-language films that have been successful in Hollywood, in the final analysis, they are all their own things.
Again, what belongs to the nation belongs to the world.
Just like Crouching Tiger, Hidden Dragon, there is always an interpretation that Ang Lee's thinking fits the thinking of Westerners, so it can be successful.
Simon disagrees.
After a little review of the Western media and audience’s comments, it is not difficult to find that others like this movie because of the wonderful Chinese Kung Fu and the magnificent Chinese landscape. In the final analysis, the core of the movie is Chinese elements, not other pursuits. Chinese films in overseas markets have a Western core and tell Chinese stories, and the results are nondescript.
The two were chatting when the sound of high-heeled shoes rattled.
Looking over, it was Mo Wuling, so she greeted her. Chen Qing obviously winked at her boss on purpose, but Simon just ignored it.
Homecoming was officially completed at the beginning of this month. Recently, Mo Wuling has been watching the later stage of the project in Suzhou. Hearing that Simon is coming, he was actually very entangled. It's not basic etiquette.
After exchanging a few pleasantries, Mo Wuling thought that he should avoid suspicion and stand by Chen Qing's side, but unfortunately, his footsteps were not obedient. After realizing it, he had already stood on the other side of the man, and picked up a flail on the operating table. It's made of iron, and what's more, it's an ugly weapon.
Simply talk about it from left to right, and ask the man next to you in a relaxed tone: "What were you talking about just now?"
Simon said: "About this movie."
Mo Wuling nodded, she also participated in the screenwriting of the Chu-Han trilogy, and has been following up on this project, taking advantage of the situation and said: "The plan is to start in August, and it is said that it will be filmed continuously for a year. Think about it." It's all tiring, Director Zhang has been under a lot of pressure."
Simon nodded with a smile.
If you want this kind of scenery, you must bear the pressure, and it is also a pressure with considerable risks, because the possibility of screwing up is much greater than doing other things. Of course, if you do it well, you will gain more. The reason Zhang Guoshi was able to get the title of "National Teacher" was because of the pressure.
And another lifelong enemy of Zhang Guoshi is a model of repeated screw-ups without a share of the burden. Fortunately, he has a big heart and continues to do it again and again.
At the end of the day, with some time left, I went to see the preparations for the Chu-Han Trilogy.
In a studio similar to a large studio where various props were produced for this epic costume drama, and other attendants were dispatched, Simon and Chen Qing browsed various swords, guns, swords and halberds, playing with them from time to time, and said to the girl beside him: " Some filmmakers in China are too obsessed with the overseas market, especially in the mainland, and Zhang has been preparing for the Chu-Han trilogy, and has been unable to get rid of this rut, which is what worries me most about this project."
Chen Qing picked up a bronze dagger that looked like an antique after being worn out, skillfully played a sword in her hand, glanced proudly at her boss, and said: "It's not our fault, a few years ago The mainland market, um, is almost out of market, and the commercial nature of the film has also been suppressed to a minimum."
"Indeed," Simon had no choice but to nod, put down an iron long sword, walked to the next console, and continued: "I have actually reminded Zhang several times, and there is an idiom here that is, too much is too late, too much value will only lead to Bad thing. Moreover, let’s talk about this project, as long as it is done well, the problem of cost recovery in China will not be too big, and you can earn as much as you sell overseas, and there is no pressure at all.”
Until many years later, Zhang Guoshi actually did not give up his obsession with Hollywood. He always wanted to hit the Oscar for Best Foreign Language Film and so on, so he carefully produced Jinling Thirteen Hairpins, with a budget of 600 million yuan and a local box office of nearly 600 million yuan. , only 200 million yuan was recovered, and Bell was invited, and Hollywood, which he had been thinking about, didn't even splash the waves.
As for the Great Wall after that,
It was a tragedy.
In fact, it is a question that Simon has repeatedly thought about. The biggest problem with these projects is that they are too catering. They always think about how to change to please overseas judges and audiences, so they torture human nature, and then standard popcorn. In the end, what results can there be? ?
Looking at those Chinese-language films that have been successful in Hollywood, in the final analysis, they are all their own things.
Again, what belongs to the nation belongs to the world.
Just like Crouching Tiger, Hidden Dragon, there is always an interpretation that Ang Lee's thinking fits the thinking of Westerners, so it can be successful.
Simon disagrees.
After a little review of the Western media and audience’s comments, it is not difficult to find that others like this movie because of the wonderful Chinese Kung Fu and the magnificent Chinese landscape. In the final analysis, the core of the movie is Chinese elements, not other pursuits. Chinese films in overseas markets have a Western core and tell Chinese stories, and the results are nondescript.
The two were chatting when the sound of high-heeled shoes rattled.
Looking over, it was Mo Wuling, so she greeted her. Chen Qing obviously winked at her boss on purpose, but Simon just ignored it.
Homecoming officially finished at the beginning of this month. Recently, Mo Wuling has been watching the later stage of the project in Suzhou. Hearing that Simon is coming, he was actually very entangled. It's not basic etiquette.
After exchanging a few pleasantries, Mo Wuling thought that he should avoid suspicion and stand by Chen Qing's side, but unfortunately, his footsteps were not obedient. After realizing it, he had already stood on the other side of the man, and picked up a flail on the operating table. It's made of iron, and what's more, it's an ugly weapon.
Simply talk about it from left to right, and ask the man next to you in a relaxed tone: "What were you talking about just now?"
Simon said: "About this movie."
Mo Wuling nodded, she also participated in the screenwriting of the Chu-Han trilogy, and has been following up on this project, taking advantage of the situation and said: "The plan is to start in August, and it is said that it will be filmed continuously for a year. Think about it." It's all tiring, Director Zhang has been under a lot of pressure."
Simon nodded with a smile.
If you want this kind of scenery, you must bear the pressure, and it is also a pressure with considerable risks, because the possibility of screwing up is much greater than doing other things. Of course, if you do it well, you will gain more. The reason Zhang Guoshi was able to get the title of "National Teacher" was because of the pressure.
And another lifelong enemy of Zhang Guoshi is a model of repeated screw-ups without a share of the burden. Fortunately, he has a big heart and continues to do it again and again.
At the end of the day, with some time left, I went to see the preparations for the Chu-Han Trilogy.
In a studio similar to a large studio where various props were produced for this epic costume drama, and other attendants were dispatched, Simon and Chen Qing browsed various swords, guns, swords and halberds, playing with them from time to time, and said to the girl beside him: " Some filmmakers in China are too obsessed with the overseas market, especially in the mainland, and Zhang has been preparing for the Chu-Han trilogy, and has been unable to get rid of this rut, which is what worries me most about this project."
Chen Qing picked up a bronze dagger that looked like an antique after being worn out, skillfully played a sword in her hand, glanced proudly at her boss, and said: "It's not our fault, a few years ago The mainland market, um, is almost out of market, and the commercial nature of the film has also been suppressed to a minimum."
"Indeed," Simon had no choice but to nod, put down an iron long sword, walked to the next console, and continued: "I have actually reminded Zhang several times, and there is an idiom here that is, too much is too late, too much value will only lead to Bad thing. Moreover, let’s talk about this project, as long as it is done well, the problem of cost recovery in China will not be too big, and you can earn as much as you sell overseas, and there is no pressure at all.”
Until many years later, Zhang Guoshi actually did not give up his obsession with Hollywood. He always wanted to hit the Oscar for Best Foreign Language Film and so on, so he carefully produced Jinling Thirteen Hairpins, with a budget of 600 million yuan and a local box office of nearly 600 million yuan. , only 200 million yuan was recovered, and Bell was invited, and Hollywood, which he had been thinking about, didn't even splash the waves.
As for the Great Wall after that, it was a tragedy.
In fact, it is a question that Simon has repeatedly thought about. The biggest problem with these projects is that they are too catering. They always think about how to change to please overseas judges and audiences, so they torture human nature, and then standard popcorn. In the end, what results can there be? ?
Looking at those Chinese-language films that have been successful in Hollywood, in the final analysis, they are all their own things.
Again, what belongs to the nation belongs to the world.
Just like Crouching Tiger, Hidden Dragon, there is always an interpretation that Ang Lee's thinking fits the thinking of Westerners, so it can be successful.
Simon disagrees.
After a little review of the Western media and audience’s comments, it is not difficult to find that others like this movie because of the wonderful Chinese Kung Fu and the magnificent Chinese landscape. In the final analysis, the core of the movie is Chinese elements, not other pursuits. Chinese films in overseas markets have a Western core and tell Chinese stories, and the results are nondescript.
The two were chatting when the sound of high-heeled shoes rattled.
Looking over, it was Mo Wuling, so she greeted her. Chen Qing obviously winked at her boss on purpose, but Simon just ignored it.
Homecoming was officially completed at the beginning of this month. Recently, Mo Wuling has been watching the later stage of the project in Suzhou. Hearing that Simon is coming, he was actually very entangled. It's not basic etiquette.
After exchanging a few pleasantries, Mo Wuling thought that he should avoid suspicion and stand by Chen Qing's side, but unfortunately, his footsteps were not very obedient. After realizing it, he had already stood on the other side of the man, picked up the fuck
A flail on the platform. Well, I didn't move it for a while, but it turned out to be an iron weapon, and what's more, it was an ugly weapon.
Simply talk about it from left to right, and ask the man next to you in a relaxed tone: "What were you talking about just now?"
Simon said: "About this movie."
Mo Wuling nodded, she also participated in the screenwriting of the Chu-Han trilogy, and has been following up on this project, taking advantage of the situation and said: "The plan is to start in August, and it is said that it will be filmed continuously for a year. Think about it." It's all tiring, Director Zhang has been under a lot of pressure."
Simon nodded with a smile.
If you want this kind of scenery, you must bear the pressure, and it is also a pressure with considerable risks, because the possibility of screwing up is much greater than doing other things. Of course, if you do it well, you will gain more. The reason Zhang Guoshi was able to get the title of "National Teacher" was because of the pressure.
Chen Qing picked up a bronze short sword made of old antiques, skillfully played a sword in her hand, glanced at her boss proudly, and said, "It's not our fault, the mainland market a few years ago, um , the market is almost gone, and the commercial attributes of the film are also kept to a minimum."
"Indeed," Simon had no choice but to nod, put down an iron long sword, walked to the next console, and continued: "I have actually reminded Zhang several times, and there is an idiom here that is, too much is too late, too much value will only lead to Bad thing. Moreover, let’s talk about this project, as long as it is done well, the problem of cost recovery in China will not be too big, and you can earn as much as you sell overseas, and there is no pressure at all.”