415: Ordinary Is the Real Thing
"Have you arrived at Mei Manlu?"
"immediately."
"Fortunately, I made it in time."
"You like her that much?"
"Well, her mellow voice sounds very comfortable, and the sad and helpless feeling in the song can only be understood by us women."
"But I won't sing today, I will just share my story with my father."
…
Many Blueberry TV staff members secretly squeezed into Studio 2, some to watch the guests of the first episode of "The Story of Time", and some to watch Django.
"When the guests enter the venue, the lighting should be softer. Don't be too explosive and steal the guests' vision. Keep it slow to highlight the guests' expressions and emotions..."
Jiang Ge was at the stunt switchboard in the control room, directing the lighting team, camera team, sound team and other personnel.
"The lighting team is ready!"
"The camera crew is ready!"
"The sound crew is ready!"
…
They are all members of the "Hua Feng Film Crew". Even if they have not filmed with Jiang Ge, they have filmed with other directors. Basically, they can understand it once explained.
The program "Story of Time" is entirely produced by Huafeng Media and Weigo Culture, which is equivalent to borrowing the venue of Blueberry TV.
Especially the stage, Jiang Ge and Zhou Lingwei put a lot of thought into it.
In order to express the tranquility and soul-touching nature of the program "The Story of Time", there is no excessive flashiness and flashing materials in the design and use of materials. The focus is on the quietness and high-end sense of materials. The overall design focuses on the stage texture as the leading thinking direction. , adopts a theater-style structure, and pursues a sense of ritual in terms of styling. From the texture, color, and size of the pillars on the stage to the direction of every curve behind the auditorium and the texture under the lights, everything is just for Enhance the literary and artistic atmosphere.
Everything is ready, recording continues.
There are three Chinese-style artists in the first issue, namely Gu Yao, Mei Manlu, and Pei Jie, as well as a special guest, Jiang Ge’s old friend Hong Yi.
“The star I’m going to share a story with you next has been in the Chinese music scene for thirty-six years and won numerous awards. She was born in an ordinary rural family and debuted with a children’s song when she was ten years old. In her words , I have only done one thing in my life, sing a good song, let us welcome Mei Manlu with applause!”
The host on the stage is not Blueberry TV’s leading hosts Hua Shao, Yiyi, or other hosts, but Chu Pianpian, the vice president of Weigo Culture.
The initial candidates were indeed Hua Shao and Yi Yi, but after testing, it was found that the former talked too much and always made some jokes that he thought were funny but made others look bad, while the latter's hosting style was relatively bland and mostly used his own laughter. To adjust the cold atmosphere.
Chu Pianpian was Jiang Ge's temporary pick. Firstly, she studied broadcasting and hosting in college, and secondly, because she has a unique personality charm. She is as intellectual as a scholar and as emotional as a neighbor, so she is very suitable for hosting this kind of program.
Judging from the current recording situation, it is obvious that we have found the right person. She will always show a polite temperament by making full use of some details or handling them properly. Every smile and every frown is affected by a kind heart. Her every move Every word and deed contains respect for the audience and guests.
"The special effects in the stage performance area are ready..."
…
"Cut between camera No. 3 and camera No. 6..."
…
"Brighter the lights where the pianist is..."
…
Django remotely controlled and recorded the scene through a headset in real time.
After chatting briefly with Chu Pianpian, Mei Manlu began to tell her story.
"I remember when I was a kid, my family was in a rural area. TVs and CD players were almost unavailable in the countryside, let alone access to them. So if a theater troupe came to perform in the town during festivals, people from the surrounding villages would rush there. Go, it’s dark in the open air, it’s very spectacular. At that time, my father was still young. Whenever he heard the news, he would set up a carriage and take me with him, and run for several miles to join in the fun..."
On the stage at this moment, the special effects and visual design echo each other, making the overall artistic conception of the stage extend the artistic conception of the story. The rice fields, big trees, and dirt roads, under the dazzling sunset, seem to be covered with a The red coat looks particularly shiny and beautiful.
"When we arrived at the square, my father tied the carriage next to a tree on the roadside. Because there were too many people watching, the good seats were no longer available, so he had to stand far behind the crowd. I didn't have the legs of the bench for others to sit on at that time. Gao, my father put me on his neck until the performance was over."
Mei Manlu’s voice was strong, clear, and contagious: “I remember once watching the Peking Opera Journey to the West. I fell asleep while riding on my father’s neck. My saliva drooled all over my father’s head. My father patted my head. Legs, smiled and said, "Lulu! Wake up, your dad has become a water curtain hole"!
The story is very ordinary and ordinary, but it seems to be the past events that I have experienced.
"Many years have passed in a flash. I have a career, I have made money, and the number of times I go home gradually becomes less and less. The longest time I went home was after four years of working outside. After dinner, I said, 'Dad, Jingshan There is a New Year's Eve party in the park, let's go see it!" My father said to me, "Go on your own. I'm already in my sixties, my eyes are blurred, and my ears are not working anymore, so I won't go with you. Young people are joining in the fun, go and have fun.'"
Tears welled up in Mei Manlu's eyes, and she tried not to let them stay: "So I asked a few friends to go together. When the show was about to start, a father and daughter came next to them. The little girl was too short to sit down. After getting off the bed, he yelled that he couldn't see, just like his father did many years ago. The father said, "No one here has a better position than you!" while picking up the child and putting it on his neck. At this moment, The scenes with my father when I was a child appeared in my mind, and my eyes suddenly became wet. I no longer had the intention to watch the show, and I said goodbye to my friends and went home. "
Many of the one hundred viewers in the audience, as well as the staff of Blueberry TV around Studio 2, were stunned in place, remembering every detail of their relationship with their father.
but……
There is one person who has not been substituted into Mei Manlu's story, and that is Django, who is currently dispatching the scene: "Camera 1 and 4 capture the expressions of the audience in Area A."
Mei Manlu's eyes were filled with tears, and she continued with difficulty: "I came home, forgot to bring the key, and knocked on the door. My parents had already gone to bed. My father opened the door with his coat on and asked me, 'Why are you back so early? Movie Not good? ', looking at my father's gray hair and his obviously hunched back in the light, I burst into tears. I didn't answer anything, I just put the coat I was holding in my arms on my father's thin body. ”
yes.
A father's love is like the vast sea. Let yourself swim in the sea and tolerate everything you have. You have to worry about your children all your life and you will grow old before you know it.
"As time goes by, father's love is like a mountain, and the years are full of mercy. Thank you Mei Manlu for sharing."
Chu Pianpian controlled the field.
Next,
After a short interview, all the guests came on stage for the second session, where they shared and listened to four stories collected and screened from all over the country through phone calls and reading letters.