1440 Lifting Weights Lightly

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The scene just now was undoubtedly brilliant, and Damien could clearly feel it.

It turns out that the opposite scene can be so superb. Damien could already feel it when he was filming the scene where Fletcher slapped Andrew in the face; but today it has taken it to a higher level, active and passive, superior and inferior, control and control. Anti-control, restraint and breaking free, all the tension permeates the performance of the two actors, and completes the changes with ups and downs with the progress of the drum beat, which is amazing.

Damien couldn't take his eyes off Renly.

Lightweight, maddened, and masterful, Renly's performance truly brings out the essence of art, not only with Andrew's drum set, but also with Renly's acting.

Even if Damien is an outsider in acting, he knows that for an actor, it takes countless energy and physical strength to break out in such a state; moreover, an actor cannot maintain his peak state all the time, just like an athlete It is impossible to break world records forever.

But Damien's first thought was this: He needed to add close-ups.

To be more precise, he needs to supplement the performance details of the two actors and capture all the details of the confrontation and transformation, especially Renly's performance. If it only shows drumbeats in the camera, then this Such a waste. Originally, Damien thought that drumming was drumming, and that all the performances and emotions were hidden in the drums. It was very difficult to perform, but he obviously underestimated and underestimated Renly.

There are countless thoughts surging in my mind, so that when I blurt out, the words become, "But...but we still need to take additional shots."

No head, no tail, unclear, all the eyes of everyone present were cast over, staring at Damien incredulously, like a man behind his back.

Even without these sight reminders, Damien realized that he had caused a misunderstanding. He closed his eyes in annoyance, quickly organized his thoughts, then cleared his throat and quickly explained, "It's not your acting problem, you guys The performance is excellent! Perfect, I'm serious, it's perfect!"

"It's just that I need to add some close-ups of the shots, Renly's eyes, hands and back, the tension of these details is really outstanding, I hope to be able to use a fast editing method to fit the drum beats and make this scene. The tension is further pushed to the extreme." Damien quickly expressed his thoughts, "Of course, the same is true for jk, I need to make some extra close-ups."

Andrew's transformation.

Fletcher's transformation.

And the transformation of jazz bands and drumming.

If you can combine the three and use the editing method of film art to complete the arrangement and combination, this is bound to be a very interesting thing. Damien was already eager to try.

"I know, you guys are working very hard right now, but...but..." Damien got embarrassed as he spoke, and tore his instant noodles angrily.

Looking at Damien who kept scratching his head, he almost pulled out his hair, nervous and annoyed, completely in a dilemma, the smile on the corner of Renly's mouth rose slightly, after all, he did not continue to be troubled. Mean, said in a relaxed tone, "I have no problem."

Shooting and acting, that's the job of an actor.

In many cases, the actors are actually pawns in the director's hands. Even if the actors win the show and become famous, they still have to repeat the shooting over and over again for the pictures and shots in the director's mind. A really good director should know how to use actors skillfully and bring out the talents and abilities of actors.

Damien is already a merciful director, the "detached" director Tony Kaye is simply a model of negative teaching materials, and the "King of Sunglasses" Wang/Jia/Wei is a typical example of torturing actors.

When filming "Spring/Guang/Zia/Xie", Liang/Chao/Wei didn't know anything, even the characters and script were uncertain, it was because of Wang/Jia/Wei's At the invitation, he agreed to go to Buenos Aires to shoot this work——

Of course, at the beginning of the shooting, even the director himself didn't know what he wanted to shoot. There was only one frame, and this frame had changed beyond recognition in the later shooting, and he was almost thinking about it while shooting.

At that time, Liang/Chao/Wei had other film appointments. It was for Wang/Jia/Wei and Zhang/Guo/Rong that he went to Argentina to shoot this work. After staying in Argentina for a period of time, he must rush back to Hong Kong/Hong Kong after the time expires.

The King of Sunglasses nodded in agreement.

But after entering the crew, the King of Sunglasses filmed while filming, thinking and filming. A scene was filmed back and forth 70 or 80 times. He didn't tell the two actors what he was looking for, so he let them Wandering in front of the camera is an endless torment for the actors and crew. Later, the scene was filmed for nearly two weeks, but it was all deleted in the finished film, and not a single scene was recorded. left.

This also caused Liang/Chao/Wei to run out of time and have to go back early. The King of Sunglasses directly seized Liang/Chao/Wei's passports and refused to let them go. He kept Liang/Chao/Wei on the crew for a long time, so that the latter almost became depressed. Afterwards, Liang/Chao/Wei almost fled back to Hong Kong/Hong Kong, and scolded and complained about the King of Sunglasses.

However, the King of Sunglasses didn't care at all.

When I came to film "In the Mood for Love", I found Liang/Chao/Wei again.

Compared to the King of Sunglasses, Damien is really a very amiable director, even guilty and shy. This is really a very interesting thing.

Looking at Damien in front of him, a smile bloomed on the corner of Renly's mouth.

Those who are familiar with Renly can feel that at this moment, it is Renly who is sitting behind the drum, not Andrew. At this moment, although Renly's energy and physical strength are slightly tired, the overall state is still maintained. After being stable, the whole person still seems to be full of vitality and vitality, which is really a rare situation.

Not to mention, the line between Renly and Andrew was always blurred when the filming of "The Bursting Drummer" started, making people stupidly unclear. Sometimes, in the face of Renly, "Andrew" shouted. He still blurted out involuntarily, and later he was imprisoned and surrounded by paparazzi; but today, this feeling is slowly fading.

It's an ethereal feeling, like meeting a pair of twins, sometimes you can't tell them apart, but sometimes you can recognize them right away. It is the temperament of the other party, and it is also your own intuition.

This is not an illusion. The same is true.

Renly is now awake. He can really feel the core meaning of expressive acting. Actors can be immersed in their roles, but they can't get lost in them. Otherwise, it will be difficult for him to continuously maintain a high level of performance. The feeling of being out of control lasts for a long time. It will make the whole performance out of control.

However, Renly today is neither an expressionist nor a methodist. He has broken the shackles of different factions and methods, and found his own way of performing. Although it's just the beginning, the overall feeling is already starting to change. Therefore, he is very awake now.

With Renly at this moment, he could be back on the set at any time, and what Damien feared would not happen.

"I have no problem." After Renly finished speaking, he turned his head to look at Simmons and cast a questioning gaze.

Then, Renly could sense that Simmons was not able to get off the scene.

Simmons is still completely immersed in Fletcher's state, excited and timid, excited and revered. That contradictory mentality has made him deeply immersed in his own thoughts, and others have no way of knowing. Detect--

Perhaps, Simmons is replaying the previous performance over and over again in his mind at this moment; perhaps, Simmons is fantasizing about Andrew's problems after becoming Charlie Parker; perhaps, Simmons is marveling at Andrew's skills; perhaps, Simmons is reminiscing about the bits and pieces of Andrew's education; perhaps, Simmons is imagining the moment when he breaks the shackles and achieves the peak...

The wonderful world in Simmons' mind is naturally unknown to outsiders.

But his whole person seemed a little dazed. He was clearly standing in front of him, but he seemed to be isolated from the world. He formed a space by himself, floating ups and downs in the gap between reality and film.

Renly was a little worried, because after Andrew finished/killed/father, Fletcher was on the weaker side, and no one knew what kind of thoughts he would have, and how he would deal with such a situation, everyone had The difference is the same for Simmons now. If he is not careful, he may go to the other extreme - collapse.

It's not shown in the movie, and exactly how Simmons figured out Fletcher's psyche is entirely unknown.

It's too deep into the drama, and even schizophrenia occurs. In the end, people and dramas are indistinguishable and then affect real life. This is definitely not a joke. It has happened, is happening, and will continue to happen in reality. In fact, top Hollywood actors are more or less equipped with their own psychiatrists, and they must regularly relieve psychological pressure, otherwise, their work will be unsustainable.

There was a hint of concern deep in Renly's eyes, but he couldn't help either, because everyone's situation was different, and it was impossible to generalize, his knowledge of Simmons was too limited, and he wasn't a psychiatrist either. ; however, Renly is very good at dealing with such a situation - after all, he has experienced it more than once.

"Fletcher?" Renly called out, "wait for my prompt."

A simple sentence, like a hypnotist master's code, lifted Simmons' blockade, and his eyes gradually regained clarity. It seems that the situation of getting too deep into the play is not as serious as imagined.

However, Simmons was still a little stunned, and the expression was a little difficult, "What? What... what?"

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