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Remember in one second [End of the God Station] Mobile phone user input address: m.xinwanben.com

In 1997, Christopher Nolan had just graduated from University. He spent six thousand dollars to shoot every weekend. It took a year before and after to complete the shooting of his debut feature film "Following", and then came to Los Angeles, hoping He was able to find opportunities for development. After that, he officially settled in the city and built a stable life of his own.

In fact, Christopher is British. He and his wife, Emma-Thomas, met when they were students at University College London. The two fell in love when they were 20 and 19 years old, and later , For Christopher's film career, Emma followed her husband to settle in Los Angeles and became a producer.

Christopher Nolan is a very old-fashioned and very old-fashioned diehard:

He's a staunch supporter of film, he's a staunch supporter of traditional cinema, he's a supporter of old-school, college-style shooting. Although his films are full of all kinds of unrestrained imagination, computer special effects are inevitable; but as long as he can use the actual scene to complete the shooting, he will never use green screen——

Because he personally hates the visual distortion and distortion caused by green screen shooting. When shooting "Inception", in order to create a real visual experience, he even built a large number of containers or related rooms, insisting that everything was shot with real guns.

In this regard, Christopher Nolan and Alfonso Cuaron can be said to be the same.

Of course, Christopher respects computer special effects. It is precisely because of the rapid development of technology that his whimsical ideas can evolve into reality; but in Christopher's view, computer effects are only one of the tools to realize ideas. We have to go back to film, to reality. The methods and methods can be changed, but the core cannot.

It is worth mentioning that Christopher has no mobile phone, nor email, let alone a smartphone. Even in the midst of Hollywood, he's a maverick, and if you want to find Christopher, it's either a landline or through his wife, Emma, ​​with no other options, not even an agent.

In addition, at the filming site, Christopher strictly prohibited the use of mobile phones.

Everything is an old school style, it is hard to imagine that this is actually a director with a postmodern style such as "Inception" and "The Dark Knight"; those who don't know, almost think Christopher is an antique from the 19th century. Woolen cloth.

This is Christopher. Every summer, he and his wife will return to the UK for vacation with their children. The importance of family to Christopher can be truly felt in movies such as "Inception", "Interstellar" and "Dunkirk", so every summer vacation is like this, unstoppable.

Now the work "Interstellar" is still in a state of confusion. How the battle between Warner Bros. and Legendary Pictures will end is not known for the time being; but what is certain is that Renly hopes to be a part of this project. , so, putting the investor fight aside for the time being, Renly decided to have a face-to-face conversation with Christopher.

...

Back in London again, Renly felt nothing special.

The last time I returned to London, the Oliver Awards, the Oxford Earl's Dinner, and the complete face-breaking experience seemed to have gone through vicissitudes in a short period of time; after that, the Cannes Film Festival, learning the drum set, and the shooting of "Boom Drummer" seem to have not. If I had time to experience it carefully and devote myself to work wholeheartedly, two months have passed by.

Looking back now, it's a bit of an illusion.

However, for Renly, there is not much special significance. After releasing all the thoughts in his heart with the song "This is me", he has decided to completely expose the page of the past; not to mention, the shooting of "Boom Drummer", he also really After completing the reconciliation with myself, I feel relaxed physically and mentally.

Not only was he not nervous, but on the contrary, vaguely, Renly had some expectations. This seems to be the first time since he left London to pursue his dream in New York, that he can really let go of his guard and return to the land of this city. No matter what, this is where his life started, isn't it?

The plane slowly landed at Heathrow International Airport, looking at the hot air containing the dense water vapor outside the window, and knowing that, the footsteps stepped on the land of England again.

This time, Renly chose to fly in first class. The main thing is to avoid commotion and confusion. This is one of the sequelae after the popularity has risen. There is no way to walk in the daily crowd in a low-key and casual manner. This is the case with the princess played by Audrey Hepburn in "Roman Holiday". Where there is pay, there is reward, and when there is gain, there is price.

First-class passengers can leave the airport directly through the VIP aisle, and no ordinary passenger even realizes which VIPs are on the flight.

After leaving the airport, VIPs can wait in the VIP lounge, and the airline is responsible for arranging the pick-up vehicle, and then transports their luggage directly to the vehicle - if there is a dedicated vehicle for them to come to the plane, the airline will also Transport your luggage directly onto your personal vehicle.

Now, Renly came to the VIP lounge.

As soon as he entered the door, Renly saw Haight Wesley, the butler of the Dunlops, who was busy.

"Hey, Haight." Renly stood there, waiting for Haight to turn around and greeted with a smile.

"Master Renly." Haite also showed a surprised look, but he didn't make a fuss, there was a hint of relief in his eyes, and after bowing politely, he walked up and kept a decent distance, "This time When you came back, did you make a special trip to the lake area for vacation? Now is a good time, the sun will not be too harsh, but at the same time you can enjoy the coolness of the water.”

This is the real aristocratic etiquette. It didn't spy on Renly's personal situation, nor explore the purpose of Renly's return, nor did he care about Renly's redundant gossip. It was just a small talk on a generally applicable topic such as the Lake District, as a courtesy greeting. Yu, with a little intimacy. Proper advance and retreat, full of proportions.

Renly showed a shallow smile, "No, Haight, you know, I don't like the Lake District. This time I came back for work." Although Haight still had no expression, Renly was the one Haight watched since he was a child. Growing up, he naturally knew Haite's personality, so he chuckled lightly, "I know, I know, I'm a workaholic. But that's the advantage of young people, isn't it?"

A warm smile flashed in Haite's eyes, "Master Matthew is like that too."

"That's why we can be friends." Renly nodded lightly. "By the way, Matthew is fine, everything is fine." Although Haight didn't ask, Renly knew that this was what Haight cared about the most. things are up.

Sure enough, after Renly finished speaking, Haight nodded politely to express his gratitude.

At this moment, another figure took the initiative to greet him and greeted with a smile, "Good afternoon." We didn't see each other for a long time, and there was no warm hug, just a simple good afternoon, "You also take this time. flight? Why didn't I see you on the plane?"

It was Henry Dunlop, Matthew Dunlop's eldest brother. Also, the one who is about to get married.

Henry and Renly were unfamiliar, from age to personality to occupation. Henry, like Matthew, has inherited the family's career, is now a prosecutor, and is working hard to become a judge; but compared to Matthew, Henry is more serious and more cunning. If there is a chance, he will not. Don't resist going the politician's route.

Coupled with the relationship of age, Henry and Renly don't actually have much overlap. Understanding of each other is naturally limited.

"I'm used to burying my head in bed and adjusting for jet lag after boarding the plane." Renly explained briefly that he was in a semi-drowsy state on the plane, not to mention other strangers, and even the flight attendants had very good communication opportunities. limited.

Henry nodded noncommittally, not in disbelief, but simply indifferent, no matter what the answer was, it was just a social greeting, "Not long ago, I made a special trip to the Almeida Theater to watch 'Les Miserables'. ', the story is still the same good story, but everyone said that your version is still different after all, and Elf agreed."

Alf also agreed.

This sentence seems meaningful.

Does this mean that Elf represents the Hall family and truly recognizes the existence of Renly? So, have the attitudes of George and Elizabeth also changed? Going further, Elf took the initiative to express his opinion in the conversation with Henry. Does this mean that after the private party of the Earl of Oxford, the trend of the upper class in London has changed now?

A short sentence, but it is worth pondering.

However, Renly didn't say much, "Thank you for the compliment. I believe that every actor standing on the West End stage has his own style and skills. How about you, are you still enjoying the whole performance?"

"Of course. The same story has different tastes. John Codd's work is indeed worthy of recognition." Henry did not argue and discuss too much, and continued following Renly's words. The simple and clear style of conversation is social It's just the norm of the occasion, and it definitely won't go too deep.

"Has Philip come to pick up the plane today?" Henry turned to look at Haight and asked.

The seemingly mindless question hides another layer of meaning: What kind of specifications and attitude does the Hall family hold towards Renly's return? In Henry's view, Philip Demba, the housekeeper, is bound to come. This is another signal, a meaningful signal.

The information and signals revealed in just a few words just showed the upbringing and attitude of the British aristocrats.

Haight bowed politely and said, "Never."

Henry didn't say much, looked at Renly again, and politely issued an invitation, "Let's go together, I'll take you for a ride, and I'll go to Kensington District."

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