873 Confessions

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Everything that Renly says is true; everything that Entertainment Weekly says is false.

There is no so-called concert event, no so-called Seattle event, no so-called Natalie Portman event, no so-called "Fast and the Furious" event, and no so-called "hypegate" event. Everything is just fabricated by "Entertainment Weekly" for its own selfishness, for entertainment to the death, and for profit first.

Not only that, but behind these events is a more real and more vivid "Renly Hall".

Silently insist on volunteer work, silently devoted to music creation, silently committed to performance breakthroughs, always down-to-earth on the road of the artist, forging ahead with determination; "one-person concert" is not for hype, nor for publicity, but It was for a promise, a heartbreaking and more regrettable promise.

However, it was such an artist who stood on the cusp of the storm, burdened with infamy, and became the target of thousands of people. In the contemporary society that entertains to death, it is so ironic, so absurd, so ridiculous, and yet so realistic.

Standing on the intersection of time at this moment, looking back on the bits and pieces of the past week, all words disappeared in an instant, dumbfounded, ashamed, and overwhelmed.

Silence, after the truth came out, everyone fell into silence. It was because of shock, shame, and embarrassment. All the words were stuck in the throat, unable to happen, and there was no place to be ashamed.

For the media, it was a shame, even more shameful than a witch trial; for netizens, it was a shock, and the high-pitched face gradually began to crumble, revealing the fragility and insignificance hidden behind it.

This is not a slap, just an understatement of a back and an outline, but it is more fierce and sharp than a slap and a fist, and it grabs everyone's throats vigorously and neatly, and the burning stomach is in the moral torture. , blazing hotly. Even more ridiculous: do they have a moral bottom line?

Can they, in good conscience, pretend that nothing happened? Can they choose to ignore it and continue to condemn Renly Hall? Can they be temporarily deaf and suddenly have no concern for the "hypegate", as if they were never involved in it?

Things took a 180-degree turn. The real and the false light and shadows intertwined, reflecting the ins and outs of the "hypegate" incident. The real malicious hype gained fame and fortune, while the real victims were precarious. This is not a magical reality. but real society.

Welcome to the twenty-first century!

The long silence, the long repression, the shame and embarrassment spread quietly, and after recovering, the media and netizens finally came to their senses. They had to respond, they had to fight back, so the overwhelming rhetoric came like a flood.

Curse, accuse, criticize, ridicule, scold.

All the spearheads, all the arrows, all the attacks, all pointed at the "Entertainment Weekly" in unison, and they were drowned in a lightning strike, leaving no room for a retaliation.

Bear the brunt of the vanguard, but it is "Rolling Stone".

This comprehensive magazine, which held high the banner of "opposition to Renly", issued a statement of righteous words for the first time, strongly condemning the ugly behavior of "Entertainment Weekly" for fabricating news and creating chaos, and regarded it as an insult to the entire news industry. , but also have an indelible negative impact on society as a whole.

At the end of the statement, "Rolling Stone" apologized in short words, published the wrong news without verification, and sincerely apologized to the readers. However, the entire chapter of apology is only three sentences, which are understated and written off, completely ignoring their own responsibilities and faults, and instead put the blame on the head of "Entertainment Weekly".

However, now all the blame is pointed at the culprit. With the wit and courage of "Rolling Stone", they successfully handled the crisis and shifted the focus. Then, "Entertainment Weekly" was reduced to a situation where everyone was accused of betraying relatives and relatives; more importantly, Even if "Entertainment Weekly" wants to drag "Rolling Stone" into the water, they are now overwhelmed and overwhelmed.

How splendid and successful the initial harvest was, how bleak and bad the situation is now.

"Slander? Slander? Fabrication? Hidden behind entertainment to death, the decline and depravity of the news industry is truly thought-provoking!"

"Is this a misguided news hype, or a tangle of personal feuds? Cornell McGregor, what is the motive for the repeated confusion?"

"From solid evidence to invalid evidence, what happened in the social court in just one week? And what happened to the prosecutor who listed the evidence?"

"Social disasters caused by selfishness - social problems reflected by the 'hype gate'."

"The loss and depravity of 'Entertainment Weekly', how did they go wrong?"

"After the truth is revealed, does Entertainment Weekly owe Renly Hall an apology?"

"There is only a thin line between the disclosure and slander of public figures. How should it be defined?"

"Dancing on a tightrope, 'Entertainment Weekly' is in disrepute!"

"The man who deceived the world is not Renly Hall, but Cornell McGregor!"

"That man who lied, what other lies did he tell?"

...

All the media - all the media in the true sense of the word, all pointed their guns at "Entertainment Weekly" and Cornell McGregor, the powerful momentum far exceeded the target of a few days ago. Renly-Hall's criticism and questioning, it seems that all the media can't wait to join in, and in order to show their innocence, they have expressed strong condemnation.

This is the mountain tsunami! This is heaven and earth! This is where there is no escape!

Feature stories from The New York Times and The New Yorker really show their power at this point:

They point to the entertainment-to-death phenomenon across the news industry. Now, in order to highlight their professional ethics and to clear up the negative reports before, the media have to respond as soon as possible to avoid getting burned, so "Entertainment Weekly" and Cornell have become the best anger transfer object.

From entertainment media to social media, and further to political/political media, relevant reports and discussions have been carried out.

The ups and downs of the "hype door", the ups and downs, the ups and downs, really put the media culture of entertainment to death and interests first on the table.

Although it is said that in the past ten years, the "uncrowned king" has gradually stepped down from the altar, and its status, momentum and influence have changed from the past. Relevant experts and related fields have continued to discuss the social root of this phenomenon; however, there has been no Can really attract attention, and can not really attract attention.

This time, with the help of the popularity of the "hype gate" and the momentum of the awards season, sociologists, media experts, and public figures have all come forward to express their positions, make remarks, and reiterate their opinions, hoping to attract more attention.

As a result, "Entertainment Weekly" and Cornell became typical cases of negative teaching materials, vigorously and mightily sparked endless discussions, and were firmly nailed to the pillar of shame. It is foreseeable that this news event is likely to be accompanied by "Entertainment Weekly" for a long time, and it will not be able to get rid of it for life.

Such a trend, such a development, has indeed been out of control, and gradually entered an unknown situation, which no one can predict; only time and only history can see the impact of this event.

Among them, The New York Times once again stole the show, with Bradley Adams writing an editorial titled, "Cornell McGregor: Another Stephen-glass! "

In 1998, a news fraud case occurred in the United States that caused a sensation in North America and even the world.

Before the age of twenty-five, Stephen Glass worked for the New Republic magazine and was popular; he also wrote for other leading media including the New York Times, and was a well-known reporter widely known throughout New York.

But at the age of twenty-five, because of an outrageous news report, people discovered that Stephen was suspected of falsification, and fabricated the entire news out of thin air. Overnight, Stephen fell to the bottom.

After investigation, a total of more than 40 news reports were found. Stephen only fabricated, forged, re-created, and re-processed a large number of reports on the basis of a small number of facts, and even a large number of people's names, place names, and facts in the articles were does not exist at all. This is not just fake news, it is completely fabricated news.

After the fraud case was revealed, it quickly became the most sensational case of the year, and Stephen left the news industry completely; at the same time, this also became the beginning of the era of entertainment to death-because Stephen's press releases, entertainment gimmicks and hot topics were The biggest stake in success. Later, this incident was filmed by Hollywood in 2003 and became a movie, "I want to cover it up."

Now, fourteen years after Bradley brings Cornell McGregor and Stephen Glass together to discuss, entertaining to death has become a social culture that deeply affects everything.

The article emphasizes that under the culture of entertainment to death, journalists are no longer satisfied with breaking news, secrets and insider stories. They even begin to forge facts, speculate facts, deduce facts, “see pictures to tell stories” or “imaginary out of thin air”. ", or "fabrication", driven by sufficient interests, news is no longer news, but a novel script - or the kind of vulgar and inferior.

This time the news event is like that. The physical sales and Internet browsing data of "Entertainment Weekly" both reached new highs and achieved unimaginable returns. It was precisely driven by sufficient profits that Cornell was willing to take risks and concocted this incident. This is a fatal blow to the news industry, especially the entertainment industry.

"What's even more cruel is that in the academy public relations during the awards season, gossip and rumors can often become the key to changing the reality. As a result, the slander and slander in Vanity Fair gradually entered the hall of elegance and became a An effective means of seeking profit. Morality has vanished into the splendor of the spotlight.”

At the end of the article, Bradley pointed to but meaningfully wrote, sparking countless discussions.

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