1567 Back to Simplicity

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杰西卡立刻就明白了蓝礼的意思，也许她不是一位天才演员，但她的勤恳和悟性却毋庸置疑，短短交谈之中，她就能够将蓝礼的想法与自己的领悟结合起来，不过，这与她自己的理解有所不同，她并没有因为发表言论的对象是蓝礼而选择一味认同，而是认真思索起来。

"Then why?" Jessica frowned. "Why is the bond between Cooper and Murphy so deep?"

“因为他们是父女。”蓝礼干脆利落地说道，尽管刚刚解释了一大堆，但杰西卡还是绕了回来，这并不稀奇，不能说是钻牛角尖，但每个人的观点都有自己In the process of communication, it is necessary to break this closed cycle in order to dig out new things.

杰西卡摇了摇头，就仿佛在甩开周围的苍蝇一般，“我知道，我知道。你的意思是，我们应该把这部分删除。但……观众难道不会感觉到疑惑吗？为什么库Po must come back? Just because he's a father? This reason is too simple and crude, and too far-fetched."

“重点是，电影所关注的是库珀渴望回家，而不是为什么渴望回家，他需要唤醒的就是内心对于家园温暖的渴望。”蓝礼无缝衔接地回答到。

Jessica shook her head again and again, even raised her right hand and swayed synchronously to further strengthen her meaning.

“你没有明白我的意思，我是说，如果仅仅止步于此，这是没有问题的；但如果可以更进一步诠释出原因，对于角色之间的羁绊进一步诠释和演绎，那么成品质量就将更进一步，带给观众的感观体验也是不同的。就好像’地心引力’一样，它本来只是一部佳作，却因为你的表演和诠释而成为了一部杰作。”

“谢谢。”激烈争辩之中，蓝礼还有心思表示了一下感谢，杰西卡不由微微愣了愣，而坐在旁边的提莫西忍俊不禁就轻笑出了声，蓝礼没有停顿地接着Going on, "But 'Gravity' and 'Interstellar' have very different image styles."

“第一，’地心引力’把所有镜头都对准了瑞恩-斯通一个人，他的表演必须挖掘出更多东西，否则电影内涵就无法与气势磅礴的影像风格相匹配，反而会太过单薄；但’星际穿越’却把所有镜头对准了时间长河，以时间长河为主线来关注诸多人物，所有人物都在闪亮登场，情绪太过深入挖掘反而会变成累赘。”

蓝礼的话语还没有说完，杰西卡就试图打断，切入自己的话语——她也是一个个性强硬而外露的演员，绝对不可能轻而易举就被说服，这也是她的表演风格，“但是. . . but actors can't lower their demands like this..."

Renly was not disturbed at all, cut off Jessica's words again, and continued.

"Secondly, Alfonso Cuaron and Christopher Nolan are two directors with very different styles. Although Alfonso's shots are famous for their majesty, the transfer of shots is still dominated by characters; while Chris's shots are It’s based on the scene, and the characters are only part of the composition. Have you thought about it? If your performance is too detailed, too cumbersome, and too emotionally excavated, can the camera capture it?”

Not only can it not, but it may also become a burden to the picture. It's like there are creases or scratches on a piece of white paper. The surface doesn't seem to destroy the overall feeling, but it will still reveal a faint sense of discomfort after all.

Jessica opened her mouth and tried to refute again, but when the words came to her mouth, she stopped, and then began to think seriously.

It is true that every actor has his own style and characteristics, even the vase is no exception; but in the final analysis, the actor is still a part of the film, he or she needs to be a pawn in the director's hand, giving the actor like Alfonso. More wiggle room, or, like Christopher, cut as much extra as possible from the actors, but whatever the approach, the result is a more complete film.

Same way.

That's a sign of Renly's maturity. He is still the self-centered actor who is willing to sacrifice his life for the role and the performance; however, if necessary, he can sacrifice his own light for the film as a whole and make the film complete. It is no longer to immerse yourself in your own world in order to study and improve your acting skills.

From this point of view, the transformation and progress of "Boom Drummer" is far more than imagined.

Timothy, who was sitting next to him, always wanted to join the topic, but he was still a little timid and shy. Finally, he said, "Renly, what do you mean...cough, I mean, you mean that we only need to show the part of family affection, as for the reason and the story, let the audience think for themselves?"

Jessica was still brooding, but she shook her head slightly and replied in place of Renly, "No, Renly means, don't even leave those blanks." After a moment's pause, Jess Ka raised his head and looked at Renly, and said with some urgency:

"Can I understand that the core idea of ​​film is the relationship between time and emotion. In other words, time is the purest thing, and emotion also needs to maintain the most primitive state:

Affection, no strings attached, which allows the audience to focus all their attention on

Thinking about this philosophical question does not need to be distracted by other issues, right? "

"Yes." Renly gave the answer without any hesitation. Jessica is indeed an excellent actor, with an admirable comprehension of roles and scripts.

For Renly, it was the result of his back and forth over the past two months; for Jessica, it was the result of a short conversation, if not profound enough for the script It is impossible for her to react so quickly.

Renly added, "What we need to focus on is that, through the wormhole, time folds, for Cooper, he still misses Murphy, and he gradually starts to realize that he may not be able to go back, this sadness And pain comes from this; but for Murphy at the same time, she has experienced vicissitudes, growing from a little girl to a woman, is the miss for her father weakened by the passage of time?"

"This alone is enough for the audience to chew on it, not to mention, the contrast between Tom and Murphy further deepens such thinking. But if the film further explores the reasons for the fetters, the rhythm and picture will lose their originality. Chris wants to talk about time, not emotion." After going around in circles, Renly returned to what he said at the beginning, similar content now tastes different.

Jessica didn't speak any further, still brooding.

Renly didn't bother Jessica, but turned to look at Timothy and then at Mackenzie, "I think you can think about how you and your father get along with our acting part. Yes, those details in the script can give you inspiration for your performance, build the details of your relationship with your father, and then we can have a good conversation."

"Just like Murphy, what you and your father have in common is your love for science. You are willing to discuss astronomy and geography often, but what about that? How do you get along with your father? What are your own habits? You can learn from Look for material in your own life, and you can also look for inspiration from the script.”

"And Tom, what do you think about your father during the rebellious period of fifteen-year-old formal adolescence? Like it or dislike it? You don't need to ponder too much, you can interpret it according to the real emotions in real life, and simply construct a relationship model and teenagers. mentally, that's fine."

First Mackenzie, then Timothy, Renly expressed his thoughts briefly. The discussion between him and Jessica was a bit tedious. He didn't want the two young people to confuse his thoughts. After the official start of filming , became at a loss.

Timothy nodded immediately, "I understand what you mean, we just need to express the normal image of family in people's impressions, and that's it. This is an ordinary family, they love each other deeply, But they also have their own contradictions. Those contradictions are not important, the important thing is that at the end of the story, they still love each other's family deeply, right?"

Renly raised his eyebrows slightly and nodded in affirmation, "Yes, that's it."

Jessica's eyebrows are still slightly locked. She has understood the meaning of Lan Li, but she is not the personality of people. She still needs to figure out herself. If necessary, she also needs to communicate with Christopher. And the performance has a further self-experience.

Lan Li's idea is Lan Li's thoughts, and Jessica's idea is Jessica's thoughts. They are two independent individuals, and their performance methods are naturally different.

However, now I can put the controversy aside for the time being. Jessica feels that she does have different opinions on the script and story. At the same time, she also has a new idea about the performance and the director. , "In this case, are you sure you're not trying to be lazy? Why do I feel like I'm losing money? I should get more pay!"

If the content and strength of the performance weakens and the return is simple. For actors at such a level of Lan Li, things become much easier, and they are indeed lazy.

Lan Li did not debate, but outlined a shallow smile, and said frankly, "Isn't it for the future?"

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