1158 Fake the Real

Remember in one second [End of the God Station] Mobile phone user input address: m.xinwanben.com

It's absurd to say so, but it's true.

On the one hand, Ethan believes that Renly is Le Vern, the whole performance is natural, there is no flaw at all, and the aura and texture between his gestures are impeccable; on the other hand, Ethan is worried that Lan Li is Le Vern, there is no performance component, but Le Vern is portrayed as Renly himself, which is bad news for "Drunken Country Ballads".

After realizing his nonsense, Ethan himself burst into laughter. At the beginning, they insisted on using Renly because the temperament between Renly and Le Verne had a similar touch, but now they were worried that Renly would portray Le Verne as himself, which was too contradictory, let alone Renly. As an actor's talent and talent, they've all confirmed it themselves, haven't they?

Sure enough, such an idea is indeed extremely absurd.

But on the side, this also proves that Renly's performance has achieved unimaginable success, and even the director has blurred the line between reality and fantasy, creating an illusion. This idea is a bit bold, but at least from the effect of the first scene, this is a good thing. As for the follow-up effect, we need to observe it slowly.

To be honest, Ethan is also a little curious, what is the difference between Renly and Le Verne? How will Renly's performance quality be presented? Or, did Renly really interpret LeVienne as himself?

In the first scene, the idea was a bit turbulent.

Slowly looking back, Ethan must first focus on the audience in front of him, and now there are more urgent things to deal with, "I mean, Le Verne was a down and out singer. The most worthless and unremarkable singers, they're just part of the bar fun. He's not Renly and he shouldn't have gotten so much applause."

There was laughter in the bar, and some people even whistled.

Ethan himself smiled again, "The shooting of this scene is very simple, everyone is enjoying a performance in a tavern, and there are no important people on the stage. But when the performers finished singing, they politely applauded to show their support. Just a second, that's enough. I know a lot of people like Renly's performance, but I need you to be a little bit more restrained."

"Then can we laugh?" Someone from the audience said.

"Okay, absolutely fine." Ethan nodded again and again, "It's just..."

He paused, raised his hands and pressed them down, and said with a wry smile, "Just, calm down, everyone calm down. This is just an ordinary night, an ordinary singer, an ordinary performance. If you like it, blow Two whistles are also allowed; if you don't like it, whispering to your buddies or drinking a beer is also allowed. But, exercise restraint."

The situation of applause and thunder just now can never happen again.

The Coen brothers had the right idea, with real folk fans to set off the atmosphere of a gaslight bar, with the most ordinary and authentic touch to outline the atmosphere of the 1960s; and to present a real performance, from Levy It's the same from stage to stage.

But there was a little deviation in the actual operation. Obviously, they underestimated Renly's popularity and underestimated Renly's skill.

In the first scene, everyone was worried about making mistakes and kept as high a concentration as possible; but no one thought that in the end it was because the audience responded too enthusiastically, which led to mistakes and had to be re-shot, which is also dumbfounding.

After the explanation, Ethan turned to look at Renly, "Are you okay?"

Ethan can feel the performance of this song just now, the full and abundant emotion is stirring, and it is conveyed through the singing; and whether it is a singer or an actor, entering the performance state requires rhythm brewing. Now, the one-stop performance has to start shooting again, and he is still a little worried.

Ren Li's eyebrows were slightly raised, and the corners of his mouth pursed slightly, sketching a carefree and casual look, "It's just a show." There was a glimmer of light in those dark brown eyes, a little irritable, a little bitter, a little bit Indulgence, a little arrogance, mixed emotions are fleeting, but indescribable, just feel the rebelliousness deeply hidden in the bones, "So I guess, I don't have time to smoke a cigarette?"

"Sorry, no, we need to catch up." Ethan blurted out reflexively.

Renly didn't care, patted Ethan's left arm lightly with his right hand, walked over to the other side of the stage with the guitar in hand, and was ready to start performing again.

Ethan always felt that something was wrong, he turned around subconsciously, and then saw Renly's back, he casually raised his hand and scratched his head, his slightly curly hair was messy like a bird's nest, slightly damp hair It exploded stubbornly and flamboyantly in the halo, revealing a sloppy randomness.

It's not Renly, it's Le Verne.

The same pride, the same aloofness, the same restraint, and the same focus; however, they are more unruly, more casual, more daring, more arrogant, more assertive, and more relaxed. The most important thing is, more market-

This is a compliment, not a pejorative.

Ren Li could always capture a faint aura, the arrogance of the upper class, the elites, or the intellectuals, which gave rise to a seemingly non-existent sense of alienation; It can be said to be more vulgar and more popular, or it can be said to be more down-to-earth. It seems that he is really like a homeless sleeping on the street.

that rough, in

It permeates through the gestures, and there is no trace of the performance, but it brings a completely different texture.

Is this the power of acting?

But this feeling was fleeting, Ethan didn't have time to savor it, Renly's figure had disappeared in the darkness, and his inspiration also disappeared, and there was no way to judge whether it was an illusion of his own imagination. , It seems that we can only wait for the follow-up to confirm slowly.

For the first time in so many years, Ethan also became curious about acting.

...

Different, still different.

Although Renly is not yet an old performer, his rich experience and exploration have given him more insights into performances. In the past year, from "detachment" to "Les Miserables" to "Gravity" ”, Renly is really mixing methodical and expressive ways of acting bit by bit.

Renly and Levine, after all, are different.

Because Renly has no way out, he has no family to turn to for help, no friends to rely on to lend a helping hand, and no emotional fetters; more importantly, the experience of two lives makes him like a moth to a fire In general, after arriving in New York, regardless of one's life, he ran towards his dream without distractions.

Renly, like LeVine, had questioned himself, had feared the future, had feared the present. However, Renly continued to move forward without hesitation; while LeVern was bound by his hands and feet, trapped in place, at a loss.

Le Verne's life is full of trivial matters, looking forward and backward, and staggering; Le Vern's dreams are full of bitterness of reality, there are too many uncertain things, and every step is hesitant and hesitant. Hesitating, bit by bit crushed his pride. There was only music, and that was his only relief, his only respite.

But the difference, only Renly knew.

It was this difference that prompted Renly to think more about life, the times, destiny, and life.

How did Le Verne start choosing ballads? What has he been through before the story of the movie? What happened to the recording process of "About LeVern-Davis"? The ballads are based on Le Verne's dream and also Le Vern's life. Under the torrent of the whole era, what is hidden?

At the end of the rounds, Levine returned to the place after all. Is this fate? Or by personality? Or, his life was doomed from the beginning, so, can he get rid of the bondage of this fate? Or, why did Bob Dylan get away while LeVine annihilated?

For the first time, Renly builds a character not from a script, but from song after song, portraying Dave Van Rank, which in turn outlines the character of Le Verne Davies. The outline was finally projected on Renly himself. The boundaries between the character and himself began to blur little by little, and finally, they entered an unprecedented state of performance——

Similar to "Gravity", but more relaxed and more comfortable.

Everyone prefers to perform with crutches, because they can use force or leverage; but Renly enjoys this state of no crutches more, throws off all restraints, and performs with his own understanding and interpretation.

Even though he knew it was a performance, his most private and vulnerable side was still exposed involuntarily, and he was carefully hidden among the characters. The boundaries between Methodism and Expressionism are gradually disappearing, starting with Methodism, presenting with Expressionism, and ending with Methodism.

So wanton, so indulgent, so unruly, so free.

This kind of performance state makes people fully enjoy and linger in it, and truly experience the charm and transmission of art.

More importantly, when acting and singing are combined, the emotional release of the gurgling flow is more natural and logical, and it hardly needs any effort and skill to outline and sculpt, and the whole performance is already full of spirit and form. It's like... as if it's easy to come by.

It's a step further than the "Gravity" performance state, and it's more relaxed and more relaxed.

As a result, Renly no longer cares about acting skills, nor the boundaries between reality and illusion, and naturally reveals in front of the camera, true and false, false and true, everything is no longer important, everything has become unprecedented to be exact.

Mouth full of bitterness, exhaustion all over, pretending to be real, but not caring, getting carried away, and enjoying it.

It's not until today that Renly really appreciates the higher level of acting.

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