1149 Demonstration in Person

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In the film, LeVern-Davis performed a total of six tracks. Among them, he performed the same repertoire at the beginning and end, but his mood and mentality evolved into different flavors. The sigh and the dazed, the tired and helpless, the bitterness and confusion, in the two performances. presented in.

So, this goes back to Renly's original question -

Le Vern goes in a circle, the change of mentality, is it conveyed through music?

If it is, then the way of arranging the composition, the way of singing, and even the emotional details and the control of the performance must all be adjusted accordingly; More performance space for actors?

That's the answer to the question Joel started asking: What was Renly's opinion on the arrangement of the soundtrack for the movie?

After listening carefully to Renly's elaboration, Joel closed his jaw slightly, "Yes, we need to show a little difference, but just a little, I mean, a little change of mind, not too much. Too intense, not too obvious, just a slow and bitter change. How about, if you arrange it, how would you perform it?"

Objectively speaking, this is the reason why the Coen brothers have always been obsessed with Renly.

If it was just singing and acting, Oscar-Isaac would have sufficed for all their nitpicking requirements, but in comparison, Renly's performance has a subtle quality, subtle enough and deep enough to leave a lingering aftertaste. , which is meticulously reminiscent. That's true of the "Crazy Love" performance, the Herald Village version of "Cleopatra," and the Grammys version of "The Beast."

From singing to acting, Renly's performance can truly show the subtle changes in Le Vern's mentality within a week. It seems calm but it is magnificent.

Today, the first time the crew gathered to read the script, Renly's interpretation of the characters has already made Joel and Ethan shine. Even if they haven't communicated, Renly's personal understanding is infinitely close to that of the two brothers. Conceived and even went a step further by combining characters with songs.

But the question is, how will Renly present it? Does his in-depth understanding fit with the Coen brothers' vision?

"Well, I'm not sure how to explain it, but now I can see that I'm not a singer..." Renly complained to himself, and everyone was stunned. Before they could react, Renly He continued, "But that's how I personally understand it."

"Le Verne is proud, even arrogant, he carries a lofty, intellectual loftiness from an artist, a literati, and he is proud of his persistence and contented by his own personality.

Although, his life is in trouble, and he may not be able to solve even a dinner; but, he is still proud and seems to be enjoying the treatment of starvation - of course, this is only a metaphor. "

This time, the corners of everyone's mouth couldn't help but rise slightly, once again feeling the humor in Renly's words.

"I mean, he was a very interesting and very common person, in the wave at the time, he represented a group of people who were poor, they were poor, they were difficult, they were humble, and they were also hungry for success.

Fame, prestige, wealth, glory, these are all wonderful, and they will do their best to strive for it; but if they need to give up their persistence for these successes, they will choose to refuse. "

"For most people, they are stupid, even ugly and hateful, because they put on a lofty posture, despise all living beings, with one look, they are criticizing other people, as if he is the only one in the whole world It came out of the mud and was clean; but when everyone was quiet and listening to their music, it all made sense."

At this point, Renly smiled self-deprecatingly.

In a trance, it seems that what is being described in the words is not LeVern Davis, but himself.

This is really a wonderful feeling, some absurd, some absurd, and a little joyful. If the similarity of "Gravity" comes from Chu Jiashu, then the similarity of "Drunk Town Ballad" comes from Renly-Hall.

"So, at the beginning of the film, Le Verne's singing is vigorous, vigorous, and self-centered; but at the end, his singing is melancholy and dazed, vaguely revealing A bit of confusion."

Renly shared his understanding and insights, "But...I'm not a great singer, I don't have the rough voice of Dave Van Rank, and I haven't experienced Dave Van Rank. The wave of the era..." As they spoke, everyone began to chuckle, and Renly also raised the corners of his mouth, "I'm serious."

Justin complained right next to him, "Hey! Hey! Last year's three Grammy winners." Everyone burst into laughter.

Renly spread his hands and said sincerely, "I'm better at narration. For me, ballads are stories, stories about life, life, and fantasy. Therefore, I am more inclined to interpret songs, in different ways. emotion to interpret.”

"Jesus Christ." John Goodman also laughed, "Boy, do you know how difficult this is? The 'Take Me Home' aria in 'Les Miserables' is not Everyone can tell a story." Between the lines there is a key point, John had seen Renly perform on Broadway.

Renly shrugged, "Then I guess, I'm a good singer. So...thank you." The group clapped and laughed, even John was smiling, Renly twitched the corners of his mouth and continued, " I'm not sure how to express it, so let's sing it directly to see the texture."

"Wow, that's the best." Joel immediately applauded and everyone applauded, Justin even whistled, and then Neil joined in the fun. "Guitar? Who can rummage through a guitar now and give it to Renly? Yes, a guitar will do."

There was confusion next to him, and then the staff handed over a guitar, which Renly held in his arms. At this time, he is singing as an actor, not as a singer, which is slightly different-

Because the song and the melody itself are part of the performance, Renly needs to get into Le Verne's state, not himself, and when you think about it, it's a once-in-a-lifetime performance opportunity. Another way to unleash the emotion of the show, it should be fun.

Looking down at the guitar in his arms, Renly raised his eyebrows slightly, "Neil? Isn't this the one from the bar? Have you always stayed here?"

"Yeah, that's the guitar you used to sing 'Cleopatra'." Joel couldn't wait to add, "We think it suits the atmosphere of the movie very well, and it suits who LeVine is, So, I borrowed this tool."

"God, the feeling of 'Mulholland Drive' is becoming more and more obvious now." Renly joked, and there were sparse laughter around.

The Coen brothers, John Goodman, Maury Abraham, and Carey Mulligan all laughed happily, while the others were full of question marks and didn't understand the joke at all. From small details, it can still be seen that there are differences in the understanding of movies, art, and characters.

After slightly adjusting the strings, Ren Li drew the strings directly. The brisk and melodious melody was like a mountain stream and a clear spring, walking through the golden sunlight, ding dong ding dong, the crisp sound pushed away the morning mist, silence The valley is full of vitality.

"If I can spread my wings like Noah's dove, I will cross the rivers and pursue my true love. Waving goodbye, my love, may you cherish. There is a giant in the sky in my heart, tall and majestic. Cannonball. Waving goodbye, my love, may you cherish it."

Clear articulation, light rhythm, melodious string sound, full of unrestrained debauchery and wanton, you can clearly see the bright smile on the corner of Ren Li's mouth, the faint sadness between the eyebrows is curling up, and the parting is imminent. , singing loudly, you can feel the sadness of separation, but it is more of a longing and expectation for the future.

This is "dink's-song" by Dave Van Rank.

In the original song, Dave's voice is full of vicissitudes and wind and frost, the wandering taste between staggering steps, down and down, and the figure of the bard can be vaguely seen, walking alone in the yellow sand in the sky, A guitar, a beer and a voice, that's all he has.

Now in the adaptation of Renly, he is also wandering around the world, but it adds a touch of chic and indulgence, as if he can see the wanton and madness of the prodigal son, but his high-spirited posture is enviable, showing a "waving clothes" He has the calmness and pride of not taking a cloud with his sleeves, even if he has nothing, he has the whole world.

As long as anyone who has listened to the two versions can clearly feel the difference that hits the face.

Not only the change in the arrangement, but also the look between Renly's eyebrows, slowly infiltrating the lyrics and melody, it seems that even the fingers and the ends of the hair burst out with a fatal romance, and the line of sight is so firm. locked onto him.

The two characters of LeVern Davis and Renly Hall overlapped in this way, and Joel Cohen couldn't help but think of Renly's words just now——

He is proud, he is lofty, he is arrogant. Even if he is penniless, living on the streets, even if he is imprisoned and embarrassed, he is still proud, proud of his steadfastness. Sitting alone in the bar, humming his inner melody, but at this moment, he is the happiest person in the whole world.

Involuntarily, it made people want to raise their chin and look up at the man in front of him. What he has is the character and temperament that the wealth of the world cannot exchange.

Then, Renly's fingertips stopped, clasped the strings, and waited for the melody to dissipate in the air. When the strings were plucked again, the musical symbols slowed down, as if nothing had changed, but It seems that everything has changed, but it can be captured that between Qing Jun's eyebrows, the emotions slowly and slowly settle down.

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