1151 Special Audience

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Carey Mulligan, after arriving at the scene today, just exchanged a few words with Renly politely. Everything was polite and appropriate, maintaining a reasonable distance from work partners, as the entire cast and crew of the cast. The most important actress, she is a little too low-key.

But at this moment, there was a mysterious brilliance in Kerry's eyes. It seemed that he had uncovered the mask that concealed himself, revealing his truest face, the face of an actor, the face of an idiot who was chasing his dreams.

A look is meaningful, profound and complicated; a question, seemingly simple, is deeply understood.

Kerry is a good actor, a good actor with his own story. Unfortunately, after becoming famous early on with "growth education", under high expectations, he has not been able to make a breakthrough for a long time, and the pace of growth seems to have stagnated like this. .

"Because it's the only duet LeVine has in the whole movie, I mean, except for the 'please, Mr. Kennedy' accident." Handily, Renly glanced at Justin, as if LeVine looked at Jim, and then Justin raised his hands in a heart-to-heart manner, showing a surrender.

Renly looked away and continued, "In the story, Le Verne once had a partner, they were a duet, but the partner died unexpectedly. After that, Le Verne became a single. singer."

In the 1960s, duos and trios were all the rage in folk circles, like the combination of Jim and Jane, like the combination of the quartet later, like the combination of Troy and others, paired singing can often create more topics, also attract more viewers.

Le Verne was once one of them. But after the death of his partner, he did not look for another partner, but walked alone on the road of his dream. No specific reason is mentioned in the story, but LeVine never forgot his partner and refused to give up. Was it partly because of his deceased partner in the process of holding on to his dream?

Just like Heather Cross.

"'fare-thee-well' is the only track LeVine and his partner have worked on, at least in the movie." Renly's eyes fell on the Coen brothers, "at the beginning When I sang this song, I said goodbye to my lover, but also my partner; but when the end came, the melancholy and emptiness in my heart lingered."

For LeVine, he thought he could say goodbye to the past and move on. Farewell is an end, but another beginning. He decided to carry forward the dream of two people alone, and he firmly believed that he could reach the other side. So, all the bitterness and sadness in my heart were buried, and I swaggered on the road again. This is the beginning of the story.

But after going around in circles, he was suddenly at a loss.

He has nothing, no money, no friends, no relatives, no career, and even his partner who walked side by side has passed away. Now, he has only one dream left, a dream destined to be unfulfilled, all The bitterness and dullness of the song are all hidden in the singing, and you can sing freely.

"fare-thee-well", this is a brand new adaptation of "Dink Song", two different versions, given the story of Le Verne Davies, in Dave Van Lang On the basis of grams, different meanings are interpreted.

These two simple sentences made Kerry's expression gradually indifferent, the sigh and loneliness between his brows lingered, and he sat quietly in the same place, caught in his own thoughts, but others could not spy on him.

Everyone has their own story.

Renly spoke again, diverting the attention of others, leaving Kerry a space to ponder on her own, "Just to bring this up, I think two versions of this song should be recorded on the soundtrack, one One version was sung by Le Verne with a partner; the other version was sung by Le Verne himself."

This means that in addition to the cast, another actor is needed: an actor who can only sing a song.

Ethan nodded subconsciously and agreed, but then thought of another thing, "What about the opening performance? The partner has passed away, which version should LeVern perform? Is there any difference in the style and content of the singing and the singing of two people?"

"There are definitely differences. But it mainly depends on our arrangement and production. If necessary, the opening performance can be filmed more thinly to outline the emptiness of the partner's death. At the same time, during the singing process, emotions can also be A little more subtlety. Even if the audience doesn't understand what's going on, it can be delivered."

Renly didn't hesitate, and immediately spoke his mind.

Afterwards, Joel and Ethan also joined the discussion one after another, and then Justin and the refocused Kerry also joined the discussion, and the Pioneer Village gradually became lively.

The visit to the Surrey photo base seemed like only yesterday, and now, Renly has really understood the whole story, far beyond the Coen brothers even imagined, even the details of the partners have been taken into account, obviously, Renly's vision for Levin-Davis has been gradually completed.

No words, no discussion, action is always the most persuasive evidence

. Those critical and gossip sights gradually calmed down before they had time to boil over.

On the first day of the official start of the "Drunken Town Folk Ballad" crew, the progress was much smoother than expected.

Old actors, pop superstars, rookie actors, obscure minor supporting roles and hot top superstars, originally thought this would be the beginning of a chaotic start, but because of the song "wave goodbye" and smoothly cut to the point, which also It's a surprise.

...

Standing outdoors, looking up at the towering buildings and cloudy sky, is often lost in the steel forest of New York. New York in January always seems to be like this, day after day, year after year, the never-changing gloom and gloom make time meaningless, and the flow of days gradually becomes imperceptible.

In the raging cold wind, Annie Silliman was not affected at all. She held Anita Tunisa's right hand and stood obediently at the door of Mount Sinai Hospital, her little head sticking out curiously and expectantly from time to time. Go, without warning, the little girl started jumping briskly on the spot, shaking her head joyfully and joyfully, which made Anita burst into laughter, "Are you in a good mood today?"

The little girl didn't answer, she just bit her lower lip and met Anita's gaze brightly and brilliantly, the happiness between her brows overflowed like this, and then she shrugged her shoulders exaggeratedly and broke free. He took his left hand, made a flower-like shape with both hands, and placed it on his chin, revealing a small white tooth neatly.

Every expression and every movement is expressing her joy, the gloomy and dank weather is quietly disappearing, the wanton flying messy hair is fighting against the bitterness and chaos of the cold winter, a touch of spring breaks through the thick dark clouds and falls down, making The smile on the corner of the bystander's mouth rose involuntarily, and in a daze, inexplicably, they laughed along with it.

A dark blue four-door sedan slowly stopped at the entrance of the hospital, and a tall and thin man walked down quickly, followed by a chubby figure.

Annie stepped back a little, the smile still hung on the corner of her mouth, but her expression was a little more probing. She stuck her head out from behind Anita and carefully looked at the man in front of her.

"Anne, good afternoon, I'm Paul, do you remember me?" Paul Walker squatted down, put his eyes at the level of Annie's, and started a dialogue from an equal perspective.

But Annie didn't answer, and Paul thought she didn't remember herself, and said patiently, "I'm Paul Walker, a friend of Renly. Before, I came to the hospital with him to visit you, and then accompanied you in the activity room. Play game together……"

"I remember you." Annie interrupted Paul's words, bit her lip, pouted her lips, and said aggrievedly, "You and Renly took Heather out to the movies together, but you didn't want to take me with you. go together."

Paul couldn't help showing a hint of embarrassment, scratched his head, and was trying to find a more appropriate explanation. Then he heard a silver bell-like chuckle, and when he raised his eyes, he could see that Annie was covering her hands with two small hands. He closed his mouth, but the playful smile in his eyes still flowed out.

Paul was stunned for a while, then realized that he had been tricked, but he was not annoyed, and explained with a smile, "Renly is preparing for today's work and can't get out, so I made a special trip to pick you up. How, Do I have the honor to invite you to tonight's date?"

Standing behind Paul is Nathan Press. If they don't know Paul, they should at least know Nathan -- not by not knowing Paul Walker, but by not coming to Mount Sinai very often.

Anne walked out from behind Anita, bowed her knees politely, and made a ladylike half-squat in return, "Of course, this is my honor." Then, Anita took Anita's right hand and squeezed it. He nodded, raised his head, and said with a smile, "I'll be back on time at night, please don't worry."

Anita gently scraped the tip of her nose with her fingers, "Enjoy your date tonight."

Paul also gestured to Anita politely, and then escorted Annie into the back seat of the car, and carefully fastened the seat belt for the little girl, and then saw Annie's eyes widened, Looking at Paul, this made him a little puzzled. Just as she was about to ask, Annie took the initiative to ask, "Renly definitely doesn't have time to take care of me tonight, so are you my date?"

People are big.

Paul restrained his smile and nodded solemnly, "Yes, I'm your date, how is it? Are you satisfied?"

The little girl's cheeks flushed slightly, and she looked away shyly.

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