Chapter 457: Interstellar Premiere (Part 3)

In Wu Yuan's eyes, the IMAX 3D version of "Interstellar" is more exciting than the IMAX 2D version.

Especially in 2010, IMAX 3D movies are still a very trendy thing.

At least Wu Yuan, who was sitting in the first row, heard constant exclamations from the back row since the movie started.

The holographic projection equipment controlled by the North American Aerospace Defense Command and Professor Brand, and the data sent back by the advance team, show the gorgeous planetary system centered on the black hole "Gargantua".

Miller, Edmunds and Mann, the three alien planets in the outer galaxy.

The ultra-sci-fi spacecraft Eternity, Miller's Star, where gravitational time dilation occurs due to the huge gravitational force of a black hole, and the strong tsunami encountered when landing on the surface of the planet on the airship Rover...

These storylines, ultra-future technological equipment and aircraft are already very attractive even under the lens of IMAX 2D, and the special effects are great.

And this time, after Wu Yuan made native 3D, the feeling of being in the future era is even stronger.

Moreover, it is not just the shock brought by this simple sci-fi special effect.

The story of the movie "Interstellar" itself is also very attractive.

Family and responsibility are the core words throughout the movie "Interstellar". This is a story that puts family affection first and science fiction second.

The interaction between family members in "Interstellar" is even more important than the exciting journey through the galaxy.

The core of it is the separation of family members in the process of continuous reshaping of space and time.

It is the driving force of Cooper's "love" for his daughter that has such a causal cycle, making the story echo from beginning to end.

When the male protagonist Cooper was on the spacecraft, he said to his astronaut companion played by Liu Yifei: You will have a strong desire to accompany your child at all times during his growth.

It was this desire and his love for his daughter that made him, under the intervention and guidance of high-dimensional life, break through the constraints of time and space through the five-dimensional world when he fell into the black hole, and return to the attic study room where his daughter was a child. He not only passed the black hole data that solved the human crisis to her, but also turned into a "ghost" to accompany his daughter.

And all this is because of "love", Cooper's love for his astronaut career, his love for his daughter, the love of high-dimensional humans from the future for human civilization, and the love of professors and other scientists for human civilization, which prompted mankind to overcome this inevitable crisis and go to space.

The first 1/3 of the whole movie is a foreshadowing, and the middle 1/3 is basically an interstellar journey. Many technical details in the journey, such as gravitational slingshots, the power of air pressure, the lack of sound in space, and the accretion disk around black holes, made many specially invited science fiction film critics excited.

The last 1/3 part, which is the plot after Cooper falls into the "event horizon" of the black hole, is full of science fiction.

In the eyes of our three-dimensional creatures, even light cannot escape from the "event horizon" of the black hole, let alone the flesh.

But for the god-level high-dimensional creatures, this is no big deal.

They unfolded a super cube and put Cooper into the high-dimensional space to avoid the tearing of the black hole.

What's more, it turns out that even "time", a dimension that three-dimensional creatures cannot cross, is not a problem for high-dimensional creatures.

What is presented in the super cube is actually the unfolding of Cooper's own study on the timeline, which means that Cooper can jump infinitely in the timeline of his own study. He can exist on every timeline of the study. For him, there is no concept of past, present, and future.

The plot has since moved towards a perfect closed loop, and the foreshadowing in the early stage has a reasonable explanation here.

Some shots that seemed a little inexplicable at the beginning now have answers.

Time travel has always been the hottest theme in the field of science fiction movies, and it is also the theme that movie fans are most familiar with.

However, in "Interstellar", time travel is only the introduction to the final revelation of all the foreshadowing. The real highlight is the appearance of the black hole and the black hole horizon created by more than a dozen scientific consultants and special effects teams.

In 2010, what the black hole really looks like was still an unsolved mystery.

Although black holes have been known to humans for a long time, the method of gravitational measurement has basically confirmed that there are black holes in the universe.

But what black holes look like and whether they are as humans have guessed, there is still a lack of truly intuitive astronomical observation photos.

Now, Wu Yuan and his scientific consultant team and special effects team have brought a scientifically based, "real" black hole and black hole horizon to audiences around the world.

When the spacecraft on the screen passed through the quiet rings of Saturn, when the accretion disk of the black hole shone with a charming and deadly light.

All the audience at the scene were deeply shocked by this 3D stereoscopic beauty of the universe.

It was like the first time I looked up at the sky as a child and saw the starry sky. The shock, emotion and awe that brought me to my young self burst out again at this moment.

In the second row, Spielberg looked at the big screen with deep eyes and said softly: "What a wonderful movie."

Cooper's deep loneliness in space, the silent world, the fragmented thoughts of his family, especially the scene where Cooper said goodbye to his daughter and cried while watching his daughter's video, almost made this old man cry.

As a father with a lovely daughter, Spielberg can fully understand Cooper's love for his daughter in the movie and the thoughts that transcend time and space.

Wu Yuan is still singing praises for "love" in his movies without reservation as before.

Although the whole movie is a science fiction story on the surface, it is actually showing the power of "love" to movie fans. Love can transcend everything and save the world.

Spielberg has no intention of criticizing whether Wu Yuan's idea is correct. He only knows that at least in this movie, he and Cooper, the male protagonist, do have a deep resonance.

That's enough.

"Daniel, maybe after the premiere, can we chat about it together?" He leaned close to Wu Yuan's ear and whispered, "I really like this movie. I have a lot of ideas about it and want to share them with you."

"Oh, no, you can't ignore me!" Cameron, who was also sitting in the second row, one seat away from Spielberg, said childishly, "Take me with you. I also want to have a good chat with Daniel."

"Of course." Spielberg shrugged. It was not a problem to add Cameron. The important thing was whether Wu Yuan could agree to their request.

He really wanted to talk to Wu Yuan about this movie now.

Faced with the invitation of two of Hollywood's top directors, Wu Yuan certainly would not refuse.

Pointed to the movie that had been shown to the end on the screen.

Humanity was saved. Cooper, who had left the earth for 91 years and was theoretically 124 years old, boarded a next-generation rover with the robot TAS and headed to Edmonds, starting his second half of life.

"It's my honor. I'll be on stage to give a speech later." Wu Yuan said with a smile. (End of this chapter)