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"Gravity" is one of Renly's personal favorite movies.

Above the 84th Oscar, among all the nominated works, Renly likes and respects "Gravity" the most. Personally, he will choose this work as the best film, rather than "Slave". Twelve Years" is a work of stability and moderation.

From a certain point of view, "12 Years a Slave" is just another variant of "The King's Speech". It is completely tailored for the awards season. There is nothing new in terms of art and ideas. New wine, even new wine is not new at all; but "Gravity" is a work that is more courageous and breakthrough than "Social Network" and "Avatar".

Not only the 18-minute long shot at the beginning of the film, the technical difficulty has surpassed that of "Avatar"; and all the weightless shots after that, Alfonso has established an almost insurmountable peak and truly opened a new chapter.

For many viewers, it seems impossible to capture the true excellence and deep meaning of "Gravity". They are amazed at the power of technology and the wonderful visual effects, but they complain about the weakness of the script and the mediocrity of the story, always involuntarily. Compare it to "2001 A Space Odyssey" and then think that "Gravity" is far inferior to the former.

In fact, "2001: A Space Odyssey" and "Gravity" are both great classics.

The former discusses the exploration of mysterious space and the mutiny of artificial intelligence. Just like its English title, "a-space-odyssey", Odyssey is a magnificent ancient Greek epic parallel to Homer's epic. The core of the film is explore.

The latter discusses a very different topic: the origins of mankind. The core of film is speculation.

The technical aspects of "Gravity" are brilliant, but what really impresses the heart of this work is the metaphor in the simple script. Survival through desperation under space, alludes to the origin and birth of human beings, discusses the most primitive philosophical topics, and has the same effect as "the fantasy drifting of the youth pie".

Perhaps, the relatively weak and minimal script, without further digging, limits the work to explore a larger blueprint; however, it is not enough to be profound, but it is enough to be called great!

All the core ideas, with the heroine as the carrier, quietly permeate the whole work. The philosophical reflections on the gestation of women, the reproduction of life, and the origin of species are presented through different picture compositions, giving up the script’s ambiguity. The language of the lines is conveyed purely using the composition of the shot and the performance of the actors.

Women, this gender attribute, plays a crucial role in this role.

In the last life, the heroine was played by Sandra Bullock. After winning the Oscar after winning the Oscar through the work "Weakness", the controversy about Sandra is really not small, because it was also a young year for Oscar, and Sandra's standout was more of a taller than a short one; but in "The Center of the Earth" In this work, Sandra really proves herself.

"Gravity" and "Buried Alive" are both desperate to survive, both are confined spaces, and they are also a one-man show. But the performance difficulty of the two works is different.

First of all, the environment of "buried alive" can be learned from in real life; but the environment of "gravity" in outer space is not.

Secondly, "Buried Alive" needs to face the sense of urgency in a narrow space; and "Gravity" needs to show the loneliness and panic in a weightless environment.

Thirdly, the overall appeal of "Buried Alive" is relatively simple. A thriller and horror genre film explores social reality through the setting of characters and scripts, but does not go further; while "Gravity" is not only about survival, but also about life. The minimalist script relies on the protagonist of all emotional responsibilities.

It can be said with certainty and certainty that it is also a one-man show, but the difficulty and depth of the performance of "Gravity" exceeds that of "Buried Alive" by at least two levels.

Sandra's performance is delicate and profound, with a sense of hierarchy. It draws all the performance aura inward, but does not affect the transmission of emotion at all. Under the capture of the camera, it truly presents the poetic and philosophical theme of the film. came out.

On top of that year's Oscar, Sandra won the Oscar nomination for Best Actress for the second time with her excellent performance. La still received numerous affirmations, truly established her status as a first-line actress in the industry, and became the leader of the number one actress in Hollywood.

In the work "Gravity", there are only two actors, and all the performance weight is placed on the heroine.

In the last life, the two roles were played by Sandra Bullock and George Clooney, respectively, but George was completely reduced to a supporting role and became the best witness to the glow of Sandra's one-man show.

It is no exaggeration to say that Sandra made "Gravity" and "Gravity" made Sandra.

From a technical point of view, Renly likes "Gravity" very much; from a performance point of view, "Gravity" will be a new test for the film industry, not only the actor's self-performance, but also the need to adapt to the film. The magic of DreamWorks, making corresponding adjustments, is a completely different challenge from the West End of London.

Logically, Renly had no reason to refuse, and should even be eager to try it.

However, from a film level, Renly believes that female characters can give the film more connotation, especially philosophical reflection. This is

Shortcomings that male actors are not born with.

Undoubtedly, Renly was deeply honored; but it was because of love that Renly had to remain objective and calm: Sandra Bullock was the best choice for Gravity.

"From your description, this is a secret room survival in outer space. Are you planning to shoot something like 'Buried Alive'?" Although the memory of the last life is very vivid, Alfonso has not yet said the script. Renly could not predict the details in advance, but could only guide him in a persuasive manner.

"'Buried alive'?" Alfonso's head was full of question marks.

Ren Li couldn't help but froze for a while, and then he burst into laughter.

In fact, Alfonso revealed last night that his knowledge of Renly is very limited, and it is very likely that he has never seen Renly's works; all his knowledge about Renly comes from the performance of the Almeida Theater. , which also became the driving force that drove him to find Renly. Therefore, "Buried Alive" may be a name that Alfonso has never heard before.

This is the first time Renly has met someone in the industry who has never heard of "buried alive", but it doesn't mean it's rare.

Renly didn't explain further, but changed the subject with a big smile on his face, "I mean, what's the core idea of ​​the whole movie? Is it just survival? It's just, this time around, it's special, it takes place in outer space, and that's not all. , is there no other demand for the movie? Is there no other demand for the actor's performance?"

"Yes, of course there is." Alfonso's eyes lit up slightly, "The space predicament is just an external package. The real connotation lies in the birth and origin of life."

Alfonso is not an actor after all, and the meaning may not be accurate when he expresses it, so he paused for a while, sorted out his thoughts, and then continued, "It is as if winter has passed and spring has come. On the frozen ground, the seeds It takes root and sprouts little by little, and even needs to break the boulder that is crushed on top of one's head, and grow tenaciously and unyieldingly. The reason why life is precious is the constant struggle."

"In an environment of absolute loneliness and endless despair, Ryan is like an embryo, or a seed. By the way, Ryan is the protagonist of the script. Ryan is faced with a predicament, he can choose to give up, then he will be completely Disappear and perish; he can also choose to persist, not necessarily to survive, but at least to seize a ray of hope.

The birth of any life is like this, only after going through layers of tests, the survival of the fittest, the strong eat the weak, and finally give birth to the youth of life.

Being in outer space is a very special environment, just like a woman's womb/palace, with all sounds of silence, belief in survival deep in my heart, and nostalgia for the earth. That will and determination became the essence of his continuous struggle and continuous efforts, and finally succeeded in being saved. "

The script for "Gravity" was written by Alfonso Cuaron and his son Jonas Cuaron. Although he is not an actor, he is a screenwriter and director, and his grasp of the core of the story is pure and profound.

"It's like gravity," Renly said conclusively.

This is where the title of the movie comes from, the connection between Ryan and the earth, the connection between embryos and life, starting from the gravity of the physical phenomenon, pulling Ryan from the weightless state of outer space into the gravity state of the earth; The will to survive derived from the philosophical level is like a seed sprouting through the ground, breaking through many obstacles and blooming life.

A gravity, down-to-earth gravity, reflects the origin and birth of human beings. Not weightlessness, not space survival, but "gravity". Again, "2001 A Space Odyssey" is about exploration, while "Gravity" is about speculation.

Alfonso opened his mouth wide, his face and eyes were full of shock, and he couldn't make a sound. He was stunned, squeezed, and finally exclaimed, "God!" Bound, he approached the round table excitedly, "Yes, this work is called 'Gravity'! Jesus Christ! How did you know!"

bad.

After speaking, Ren Li exclaimed from the bottom of his heart, revealing the details without noticing. Looking at the ecstatic Alfonso, Renly pretended that this incident had never happened, and changed the subject calmly, "Since it is about the origin of life, using an actress should be a more appropriate choice. You know, the imagery and metaphorical composition, the matrix that the woman represents, is always philosophical."

This is true of every work of art, especially paintings. In those great works, gender itself is a kind of symbol, which is combined with philosophy, mythology, and literature. Through the composition and setting of paintings, it reflects the artist's self-exploration and thinking.

"Ha!" Alfonso couldn't help laughing happily.

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