1686 Inspiration

Remember in one second [End of the God Station] Mobile phone user input address: m.xinwanben.com

William: Hope, are you there? Are you watching the Sundance symposium live?

Graham: Didn't she have a meeting this afternoon? I thought she couldn't watch it.

Graham: God, there were so many people, it was dark. I don't know if Cecilia got in line successfully.

Tessa: Didn't you see Cecilia's photo wall? Really annoying! Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhhh, I'm crazy with jealousy right now, in runaway mode!

Tessa: (send photo)

The photo was taken from the Instagram account of "Brando Fever", and Cecilia Wilton sketched the situation of the symposium with a simple black and white sketch:

A stage, a red chair, a bunch of lights, that's all, with handwritten explanatory text next to it: Countdown to the Renly-Hall Symposium! Lined up five hours in advance, the crowd at the scene far exceeded expectations, and I almost thought that I would not be able to enter the venue, but after all, I stepped on the entry line and entered the scene smoothly, waiting for the young master to come on stage, heart-to-heart!

There is no need to wait for news reports at all, just look for the hashtags of "Sundance Symposium" or "Renly Symposium" on social networking platforms such as Twitter or Facebook, and you can see the relevant discussions. It seems that the entire network is keeping a close eye on Park City today, and the rush of awards season has had to be sidelined.

"God! I came three hours early, and the line at the scene couldn't see the end! What the hell is going on!"

"The staff came to remind me that the number of people queuing at the scene has far exceeded the capacity of the venue, and suggested that I should not continue to line up. But I really can't bear it, what should I do? I thought I could talk face-to-face with Renly!"

"How is that possible! How can the venue only accommodate 800 people? Even if it is 2,000 people, we can easily fill it up! What the hell is going on! Strong protest! Sundance must expand the venue capacity! I want to see Lan present!"

"Unbelievable! Even though I was mentally prepared, it was unbelievable! Absolutely! Can't see it! The end! Okay? This line is so exaggerated! Black Friday is not so scary! I think I might be in Don't go! I shouldn't have finished the hotel breakfast!"

"Have you seen it? Have you seen the photo? The situation at the scene has doubled compared to the photo. I feel like I'm almost unsteady on my feet now!"

"I guess I can only look forward to 'Blitzkrieg', the symposium team was horrible! No, wouldn't the premiere of 'Blunker' be even crazier?"

"Dear friends, I'm ready to enter! I'm the seven hundred and ninety-ninth! Yay! I'll pass on my greetings to Renly, and thank you for your jealousy, love!"

All the social networking platforms are buzzing about the Sundance Film Festival symposium. There are no fancy rules, just a first-come, first-served queuing system, which is simple and rude, even for reporters-in some personal accounts of reporters of the "New York Times", "Los Angeles Times" and "Hollywood Reporter" It can be seen that they have all been blocked, and they will not enter the arena without lining up, and there is no privilege at all.

A reporter from the "Chicago Tribune" posted a grieving photo on Facebook, "My editor-in-chief will kill me!" Then you can see the messages of other journalists' colleagues, all of which appear to be in trouble. Gladly, that scene is also hilarious.

Eight hundred seats, this is already the highest configuration of Sundance, but it still can't meet the requirements of the masses. A symposium broke out into a frenzy of fan meetings. It is indeed the third Sundance Film Festival. A rare sight in ten years has become a special moment to remember.

The loyal Don Quixotes of William Taylor, Graham Hughes, Hope Baez, and Tessa Britton have entered their jobs one after another after the graduation season, and now they are also Having become a member of society, they cannot run around at will and follow in the footsteps of Renly. They can only keep each other together through the network platform between work.

At this moment, they are communicating through chat groups.

William: Hope is going to miss the webcast, she must be so depressed.

William: Even if we arrive at the scene, we may not be able to enter the scene. Anyway, we can watch the live broadcast through the Internet, so we should be content.

Graham: What I'm looking forward to more is "The Popping Drummer." Unfortunately, there is no way to watch it for the first time.

Tessa: Ahhh, the young master is here, the young master is here!

Tessa: Why is the YouTube live broadcast screen so scum! How is this going! I can't even see the beauty of the young master!

Hope: Here we go!

William: Welcome!

Graham: Welcome!

Tessa: Welcome!

Hope: I'm in a meeting, I can only mute it, and you text me live.

Hope: God, I see Master!

Cecilia: Live. (send the pictures)

A photo of the forum scene appeared in the chat group. It was like losing a deep-water torpedo. All the other Don Quixotes in the group were blown up, and the chat group suddenly became It was extremely lively, and the speed of refreshing the screen made people unable to keep up, and the familiar noise came to the side again.

The protagonist in the photo, Ren Li, was standing on the stage at this time, looked left and right, and then sat down on the red sofa.

About not preparing a speech,

Renly was serious.

He doesn't think it's a university speech or an academic exchange, and naturally he doesn't need to prepare a manuscript to express his long speech; he prefers this to be an exchange meeting, where everyone shares their views on art and film on an equal footing, not just the audience They can learn, and he himself can experience new insights.

After being seated, Renly thought about it and said, "After arriving in Park City yesterday, I watched a small-cost independent work in an art theater, 'They are not saints'..." Just as he said it, the scene was full of There was a slight movement, and Renly showed a knowing smile, "Yes, this is one of the works in the main competition of Sundance last year, a work written and directed by David Lowe."

"This can be said to be a 'said is equal to not said' work, but the wonderful thing is that every nonsense in it makes me feel right." Amid a chuckle, Renly himself He laughed, "I'm serious, if it weren't for the fact that there are so many familiar friends in this work, I think it would be hard for me to stick to it."

"They're Not Saints," starring Rooney Mara and Casey Affleck, with Rami Malek and Ben Foster also playing big roles.

"But the most interesting part of the whole movie is here. David uses pictures and sound effects to capture the very delicate parts of the actors' performances, and then brings them into the emotional rendering, which makes the audience forget about the actors themselves. The identity of the character, and even forget the original role of the character, and then fall into the emotions. This is a very wonderful viewing experience, you may not like it, but you can feel a different experience.”

"The only regret is that the lighting is still too little. In a way, it actually affects the viewing. I'm not sure if this is David's intentional behavior. Maybe next time I should meet him face to face. Have a chat."

"The emotional traces left in the film are so strong that they go beyond the language of the performances and shots, imprinting the whole emotion in the mind of the audience. Among directors of a similar style, I recently watched Carrie Reichardt ( kelly-reichardt) and alex-ross-perry, in which the actor's performance demands higher and harder demands ."

"My point is that performance is the actor's art, while film is the director's art. The director captures the actor's performance through the composition of the lens, and then evolves the image and content in the director's mind. How do these two form a collision and The run-in is precisely the most interesting part of the film creation process.”

"Many people think that performance is performance, but the specific execution is slightly different. How the director captures the performance and the director's expectations for the performance are all parts that cannot be ignored. For directors and actors, seeking A collaborative balance is the key to the success of the work."

There is no pause, no speech, just like friends discussing an art issue, expressing their opinions smoothly and naturally, even jumping and splitting, without a clear theme, just talk about wherever they want, but it just reflects The background, connotation, and knowledge reserve of the speaker can trigger more inspiration and detonate the topic.

This is equivalent to throwing bricks at the scene.

...

William: The amount of information is a bit too large, and the response speed is a bit slow.

Tessa: The movies that the young master watched are too unpopular, I have never heard of them!

Graham: My first reaction now is "Gravity". Isn't what Master is discussing about "Gravity"?

...

The chat group can't wait to start swiping the screen, the messages on the YouTube live broadcast page are even more dazzling, and the same is true at the symposium.

Without waiting for Renly to continue speaking, some audience members raised their right hands high. Renly did not speak to himself, and immediately cast his gaze towards the other party. The staff quickly handed over the microphone, and then the other party Just asked.

"What I want to ask is whether what you just said can be interpreted as a way of cooperation in the work of 'Gravity', Alfonso Cuaron built a real space universe through 3D technology, and at the same time he You also managed to capture your performance on camera. During the performance, did your interpretation and interpretation change a little bit?”

Graham: Look! Look! This is what I want to ask!

Renly nodded lightly in agreement, "First of all, Alfonso and the directors I just mentioned are slightly different, and their lens language is very different, these are two things; but second, indeed, I The meaning just expressed can indeed be felt in the work of 'Gravity'."

It was just the beginning, and we got to the point. There was no politeness or greeting, and the symposium kicked off like this.

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