1321 Staying High

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"The most memorable scene..."

Renly pondered for a moment, and gave an unexpected but reasonable and interesting answer, "The scene of 'The Gate of the Trumpet' in front of Bud Grossman."

"It was a very interesting scene. In fact, 'The Death of Queen Jane' is a very sad and poignant song, but during the performance, Le Verne was consciously showing off his skills in order to impress Bud. The skills and expressions of the whole singing are a little greasy, and the force is obviously too much, and it is not the right way. If you are interested, you can watch that scene again, it is a rare performance experience. "

Renly's tone was relaxed and happy, and a smile could be caught between his eyebrows and eyes, "Before shooting this scene, Justin taught a lot of acting skills, such as deliberately using his eyes to convey provocation/teasing/sensation, and so on. "

"You mean, the inspiration for that scene was Justin?" Emily quickly captured the important details in the words.

Renly cast a meaningful glance, but did not laugh, and the inadvertently revealed joking made the corners of the audience's mouths rise slightly.

A subsequent question, which seems to be somewhere between boring and interesting, is somewhat vague, "Renly, this time's work has received a good reputation at the Cannes Film Festival. Did you expect such a result before?" The problem, embarrassingly stuck in a position that is not up and down.

However, Renly's answer enlivened the atmosphere again, "I didn't expect anyone to buy the 'Don Quixote' album, and there were so many." He shrugged slightly, The bewildered expression on his face revealed a smug arrogance, not aggressive, which made people laugh.

"So far, you have challenged many different roles, so next, is there any role you particularly want to play? Or the type of movie you want to challenge?" The question was Mark, his eyes twinkling With a focused look, the upper body involuntarily leaned forward slightly.

"That's an interesting question." Renly nodded his head in admiration, not only did not ask, but asked back, "So far, which of my characters do you like the most, or in other words, the most impressive one? character of?"

"Henry Bass." Mark blurted out the answer without any hesitation, the "detached" male lead, "Actually, my personal favorite character is still 'Crazy' Jacob. But the 'detached' film The work was watched live at the Berlin Film Festival, and the feeling is still different after all.”

Renly chuckled. "Everybody likes Jacob."

Because of the influence of the Oscar statuette, and also because of the enthusiastic pursuit of the film in Europe.

"What about your own favorite character?" Another reporter next to him cut into a topic.

"The Adam of the 'Cancer Me'." Renly gave the answer with a smile, "It's just a character, not a work."

This was a completely unexpected answer, and everyone couldn't help but look surprised, but Renly didn't give everyone room to ask further questions, and continued seamlessly, "Actually, I've always wanted to try the challenge of comedy, A more different way of acting.”

"Or a psychological thriller and suspense work like 'The Shining', which interprets things beyond the script through performance. I think this is a different experience." Renly said frankly, in fact, his thoughts and opinions It has never changed, but there has always been a lack of suitable opportunities. "Acting is like life. If you inadvertently fall into the rut of repetition, you will develop a habit and gradually lose that keen touch. It's definitely something I've been trying to avoid."

"Is that why you nodded and agreed to play 'Crackling Drummer'?"

After Emily asked the question, she could instantly feel all the eyes focused on her, including Renly, and there was no need for Renly to ask a question, and a reporter next to her spontaneously asked, "Where did this come from? information?"

Emily blinked, suddenly realizing that she had missed an "exclusive" opportunity, "...New York."

"Yes." Renly didn't pause or hesitate, and all eyes were instantly focused, including Emily, "If there is a chance, I still hope to challenge comedy works, but I still haven't found a suitable project. Sadly, we can only continue to wait."

"Is there no right project, or is there no right project?" a reporter asked seamlessly.

Renly frowned slightly, "Is there any difference between the two?"

Huh? There seems to be no difference.

Everyone burst into laughter, but Mark was an exception. In the midst of laughter, he again urgently put forward his thoughts, "You mentioned it just now, if you don't feel the hunger/thirst in your heart again, don't you? Going back to the camera rashly, doesn't that mean, 'Crackling Drummer' has awakened your urge to perform again?"

"Of course." Renly gave the answer succinctly, but he didn't intend to continue on this topic, "The other irrelevant content can be put aside for the time being, let's talk about 'Drunken Country Ballads'. Otherwise, the next interview with Joel and Ethan should be difficult for you to explain."

Compared with the press conference in the morning, Renly has opened up a lot, and even talked about the topic of "popping drummer" generously.

The reporters in the conference room stopped as soon as they saw it, and stopped being aggressive and pestering. One of the reporters even joked half-jokingly, "You're Le Verne Davis, aren't you? So strictly speaking , all the topics we discussed just now are within the scope of work."

Everyone laughed collectively.

...

The roundtable interview was still going on. After the first interview was over, Emily and the others left the conference room one after another, while Renly stayed where they were and continued the new round of roundtable interviews.

Emily stood in the corridor of the hotel, watching the crowds and crowds, she couldn't believe her eyes, as if half of Cannes reporters had already swarmed, but the spacious corridor was so crowded, The footsteps of the continuous line had to pass sideways.

It's hard to imagine that this is the real top star treatment.

But this is just the tip of the iceberg.

Renly's popularity in Europe has been slowly climbing since last year's Berlin Film Festival.

Although the influence of "Transcendence" in North America is still limited, you can really feel it from the box office numbers; but above continental Europe, this work is highly sought after by art lovers, and then the "Almeida Theater" Les Miserables", and now "Drunken Country Ballads", step by step, Renly is building his own reputation.

After the premiere of "Drunken Country Ballads", professional film critics and senior film practitioners expressed their "big love". The senior professional editor-in-chief of "Film Manual" even said that this is my favorite work so far this year, whether it is About that era, or about artistic creation, or about the difficulties of life, the film has a charming temperament.

With the continuous advancement of the film festival, the discussion of "Drunken Country Ballads" is still on the rise.

This is not very common among film festivals.

Because the schedule of the film festival is extremely busy and compact, a large wave of new films arrives every day, completely dazzling and overwhelmed, no matter whether it is good or bad, no matter whether it is praised or criticized, the focus and hot spots are constantly being updated and alternated, it seems that the last one " Before the "explosive model" has had time to discuss, the next "explosive point" has already struck.

Sometimes, everyone exclaimed, "This is the Palme d'Or," when the blockbusters appeared on the first or second day of the film festival, but in the second half of the festival, people were already drinking tea, not to mention winning the award. Now, even the voice of discussion has completely disappeared, it seems to be completely forgotten in the corner.

This is normal.

This time, after the premiere of "Drunk Town Folk Ballad" in the middle of the film festival, the discussion did not drop but increased. The aftertaste and stamina brought by the film are really strong. Every subsequent re-screening is full, and there are even more This time, there was a long queue, and it faintly surpassed "Adele's Life" in terms of attention, becoming the top seed in Cannes this year.

Of course, the role of star power cannot be ignored.

Compared with "Adele's Life", "Drunken Country Ballads" led by Renly and Justin has an incomparable innate advantage in terms of market appeal, which has also become an important factor in "full house".

But no one can deny that the praise for this work is still rising, and everyone praises it as an intoxicating work.

The photographer Bruno Delbonnel, who once shot "Amelie", took charge of the camera of "Drunken Country Ballad". Under his lens, Renly's charm has reached a new height, even more than "Love Crazy", which fascinated countless people, once again redefines "Renly Hall" in the minds of the audience.

For European audiences, if the two works of "Drunken Country Ballads" and "Transcendence" are compared together, it will be more interesting to discuss topics and dig in depth.

Especially in the second half of the Cannes Film Festival, several highly anticipated works were far from meeting expectations, and they also encountered a lot of criticism, which also brought out the "Adele's Life" and "Drunken Country Ballads" more and more. The excellence of the two works, the popularity of the sound wave is rising, one wave is higher than the other.

In the main competition unit, only the three works "Only Love Forever", "The Past" and "Immigration" received good praise, while the other works were more or less disappointing——

"City of Absolute Beauty" received mixed reviews, "Nebraska" was tepid, "Like a father and a son" met expectations, "Beautiful Beauty" turned around and forgot, "Venus in Fur" received bad reviews, " Shield of Straw" completely hit the street...

As for other works?

No one mentioned it!

Against such a background, almost everyone is certain that "Adele's Life" and "Drunken Country Ballads" should be the hits of this year's award-winning works.

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