1334 Where to Go

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"Let's take a look at Damien Chazelle's resume:

New director, second feature film, in order to prepare for the second feature film, he went around for nearly three years, and even shot his ideas and ideas into a short film, trying to find investment on the Sundance Film Festival, but still failed Well, if it wasn't for Renly Hall's help, the feature film would still be in the dark for a long time.

In other words, the attributes of this work could not have been clearer—

This is an independent art work with a small cost and a small layout, and the subject matter is still the genre of music that is slanted. In today's market environment, there is almost no room for survival.

By the way, this is also Renly's second selection of works closely related to music after 'Drunk Town Ballad'.

Everything is proving that: Renly's acting career choices have entered the rut of routine and stereotypes, which is not a positive and optimistic news. "

The specific reasons, Emily elaborated in the article, but in the final analysis, there are actually two aspects.

First, a character who challenges his own limits, pushes himself to the extreme again and again, tries to make a breakthrough, but falls into another mode, similar to Nicole and Malone's mode, where the similarities and repetitions between characters become The shackles are removed, limiting the possibility of breakthrough performances. Nothing new for the audience.

Second, roles that are suitable for film festivals and awards season. There is still one step away from egot, and one step away from the Best Actor Grand Slam. Under such circumstances, it is inevitable that people will criticize it as a "utilitarian" choice. It seems that some efforts have been made to achieve the award slam. Fierce, too hasty, it is easy to overdo it.

As the article opens, "Is Renly walking down a dead end?"

More importantly, as a client, Renly is a fan of the authorities, so he doesn't see the big picture, so he ignores his own situation.

The reason why this article is a piece of advice and concern, rather than accusation and criticism, lies in Emily's attitude in writing the article, which can be seen from the closing paragraph:

"As an audience, Renly once again chose an independent work of art. In fact, I raised my hands and feet to welcome it. 'Drunk Town Ballad' is still the Palme d'Or choice in my heart, and it has also been a favorite since the beginning of the year in 2013. Best on the personal list, watching Renly on the big screen is a joy, and I'm sure he's still able to surprise him in 'The Popping Drummer'.

But also, as a movie fan, I can't help but start to worry that Renly is really too young. On the one hand, he has reached the peak early, and on the other hand, he has limited his possibilities. Once the career has reached a dead end, the road to climb back to the peak will be incomparable. Long and hard, it's a loss for all.

The great success of 'Fast & Furious 5' and 'Edge of Tomorrow' has proved Renly's ability to master commercial films, as well as Renly's potential in the box office market, if he is willing to open up more possibilities and continue to expand himself In the acting field, it is foreseeable that he has the hope of becoming the second Tom Hanks. "

In the long film history, there are not many actors who have trophies and box office first, but in modern history, Tom Hanks is undoubtedly one of the best, whether it is "Forrest Gump" or "Remaining Island", In addition, there are also movies such as "Apollo 13", "Flying Over the Future", "Cat and Mouse Game", "Sleepless in Seattle", etc., all of which are works that combine box office and word of mouth, award nominations and audience pursuit.

There is no doubt that Hanks is the most appealing actor in Hollywood at the moment, no one, both inside and outside the industry.

Right now, Emily is looking forward to Renly becoming the next Hanks, and it can be seen from the details that she has high hopes for Renly.

"Honestly, even if Renly sat in front of a movie screen like 'Before Sunrise' or 'Manhattan' and babbled for two hours, I'd go into the cinema and watch it, and I really hope this talented young actor can It's not easy to find an actor to be fascinated by to continue your artistic career for a long time."

The above is Emily's point of view. She expressed her congratulations to the young Renly who has achieved great achievements and brilliance that are not in line with her age. She also expressed her concerns. Hidden behind the words is the fear of prosperity and decline. .

It is often said that a Marlon Brando appeared half a century after the film was born, so now it has been half a century before a Renly Hall appeared? Can Renly really afford such praise and expectations?

In a way, this is a brief summary of the current industry perspective.

Originally, Emily just published it on her own blog. She didn't expect that after the "New Yorker" read it and obtained the exclusive copyright of reprint, it was published on her own website and magazine, which further aroused the curiosity. The long-term effects of the aftermath.

Regarding the cross-border slam of egot, the slam of the three major European film festivals, and further, regarding the slam in the field of performance, all speculations and expectations are now possible, and naturally become all media. discussion point, but after that?

Emily's point of view can be seen as a microcosm of countless points of view.

On such a microcosm, many possibilities have evolved, all of which are reflected in the many questions asked when picking up the plane at the airport, and one of them raised doubts:

Who is Damien Chazelle?

Such a little-known new director has successfully attracted Renly to join, and even took over the production of the work in the name of the producer.

For an assembly-line commercial film with a mature production process, this is not a problem, even if the director is changed, it will not hurt; but for an independent film whose production process is full of countless possibilities and variables, it is extremely serious.

What the hell was Renly thinking? Furthermore, is Renly's arrogance and hubris affecting his judgment?

After winning consecutive top awards, is Renly going down a dead end, forcing himself into a corner, and then trapped in a rut that he can't get out of? Or, was Renly so paranoid about acting that he was blinded? All sorts of so-called spells aside, is Renly getting lost and confused?

Their views are not as mild and positive as Emily's, but more extreme and sharp. It seems that Renly's career is already on the line, and "Boom Drummer" may become the trigger point to destroy everything. Maybe even step by step toward destruction like Heath Ledger.

However, it is not the first time that such alarmist remarks have been made.

After "Crazy Love" won the Oscar, the media continued to question it. From "Transcendence" to "Drunken Country Ballad" to "Gravity", almost every news of Renly taking on a new work spreads After the release, similar remarks will be lively again.

On the surface, they showed serious concerns about the prospects of Renly's career; at the core, they were still hyped up with gimmicks and the point of view of interest first, and in the final analysis, they were still creating topics.

However, the biggest difference this time is:

The Olivier Awards, the Cannes Film Festival, and the upcoming Tony Awards, have propelled Renly's career to new heights in one go, comparable to the series of events at the beginning of last year: the Berlin Film Festival, the Grammys, and the Oscars.

Therefore, supporters including Emily have also expressed their concerns, and the articles written by The New Yorker have become a representative voice within the art field, and everyone is thinking about the same question, "When the cause of After the land reaches its absolute peak, how should the road in the future continue?"

Just like the quarterbacks of the high school football team, they reached the peak of their lives early in high school, and they are on the decline since then, so where should they go?

The cheers and admiration for the Cannes Film Festival have not completely dissipated, and worries and reflections have already begun to stir up, interpreting the profound meaning of "many popular right and wrong" in a different way. It's been touted to the sky, but for Renly, it doesn't need to be touted to have touched the cloud, they can only start to cool down quickly, otherwise the situation will be completely out of control.

However, everyone has forgotten one point, and at the same time the most important point—

What the hell was Renly thinking?

People have selectively forgotten that in the past four months, Renly has been on vacation and has consciously slowed down his pace; people have also selectively forgotten that since last year's Oscars, Renly has deliberately returned to Restarting on the theatrical stage; people also selectively forget that Renly has always been interested in acting in comedies or other types of films, challenging different possibilities.

At least Renly is aware of his predicament, and he is working hard to stay alive and enthusiastic, to find a suitable path in his short acting career, to ensure that he can move forward for a long time, at least from now on. It seems that he has no plans to retire.

Not to be successful, but to satisfy cravings/cravings.

On the way to the actor, Renly still maintains the desire/desire.

Therefore, after Renly left Cannes, he returned to New York without any delay; therefore, Renly turned down the media interview and went straight into the preparation of the new work; therefore, Renly selectively ignored the possibility of the Tony Award and egot; therefore, Renly was engrossed in the performance of the next work.

In fact, it wasn't easy for Renly either.

Not only because he has never experienced it, but also because there are only a handful of actors who have experienced such a situation in the entire history. Only when you are really involved can you feel the ubiquitous pressure and urgency, as well as the suffocation that cannot be described in words. sense.

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