Chapter 636: The Pattern of the Greatest Emperor in the World

After telling the story, no one had any doubts about the two lines of the lyrics: "When I hand over the mountains and rivers to please you, everyone will sing in unison and sing the legend of the ages."

People who already liked this song became even more fond of it.

The drama of the domineering president falling in love with me has always been an enduring theme from slave society to feudal society to modern society.

And "Can't Put It Down" sings the eternal version of "The boss is in love with me".

This song is very overbearing. It not only contains the informal details of the country and the country, but also the true love of the rose, which makes the feelings sublimated even more in the song.

The person who sang it put his heart into it, and the person who listened was moved emotionally.

They heard their own stories.

Xu Nuo patted his butt and stood up, reaching out to give Lin Wanqing a hand. "Okay, I've finished telling the story. I haven't heard enough yet. Look for Professor Li's live broadcast room and listen to what he will tell you."

In the study room, Li Tongchen was overjoyed and began to prepare for the next class.

He has already finished talking about Luoyang, and has talked about the things that happened in the divine capital. Now it is Xi'an's turn, and he has more to talk about.

Today, Li Tongchen has more than one million fans, and more and more people are taking his courses.

Li Tongchen is also going more and more smoothly on the road of popularizing historical science.

All this is due to the promise.

It was already dark, and in the Daming Palace, the program crew headed back home.

We were all very tired after walking on the road and walking on the city wall this day.

The hotel they stayed in was quite high, so the camera in the live broadcast room was simply wide-angle, facing the city wall and the night view of Xi'an outside the window.

This alone attracted many netizens to watch.

The brightly lit city walls easily remind people of the prosperous Tang Dynasty.

If paired with "Love the country more than the beauty", "Can't Put It Down" and "Borrow from Heaven for Another Five Hundred Years", you will immediately feel like you are overlooking all living beings.

The anchors reacted the fastest. The program team here took a break, and various anchors began to show their talents.

Although wearing a dragon robe doesn't look like an emperor, but paired with these songs, it feels like it.

For a time, a large number of live broadcast rooms were occupied by "emperors".

Not to mention popular figures such as the First Emperor of Qin, Emperor Wu of the Han Dynasty, Emperor Taizong of the Tang Dynasty, and Emperor Taizu of the Ming Dynasty, their popularity rankings have never fallen out of the top four.

Other emperors also became popular.

King You of Zhou Dynasty, Tang Gaozong, Tang Xuanzong and others all appeared one after another - focusing on a person who does not love the country but loves beauty.

Many anchors rushed to Xi'an overnight just to be able to live immersively and create better program effects.

Therefore, anchors wearing dragon robes and phoenix robes can be seen everywhere in the Evernight City of the Tang Dynasty and the Daming Palace.

That night, emperors and queens were everywhere in Xi'an, and there were as many generals and princesses as dogs.

Early the next morning, the program team set out again.

There are so many scenic spots worth savoring in the city of Xi'an.

The program team went directly to the Terracotta Warriors and Horses. If you don’t go to the Terracotta Warriors and Horses in Xi’an, you haven’t been to Xi’an.

The Terracotta Warriors and Horses are one of those scenic spots that you can’t understand without an explanation. Without an explanation, you can just take a quick look at the Terracotta Warriors and Horses.

The program team did not ask for explanation, and this important task once again fell on Xu Nuo.

"Promise, I'll leave this explanation to you."

Xu promised to appreciate it and said, "Bring me a flag. Everyone, put on your hats and don't lose them."

As soon as the flag is picked up and the hat is put on, the program team directly transforms into a tour group.

"Come on, come on, everyone, look here. What do you think from this perspective?" Xu Nuo took on the role of tour guide.

Zhao Lei's tiger body trembled, "Is this my kingdom?"

"It's spectacular."

Everyone sighed as they looked down at the terracotta warriors and horses.

"This terracotta warriors and horses are one of the symbols of Qin Shihuang's eternal emperor. In a slave society, the death of a king is often a major event like the collapse of the sky and the earth, because it means that the people around him will also be buried."

Xu Nuo led everyone while walking and talking, followed by a group of tourists.

"The burial system is the most cruel system in the slave-feudal society. Those buried include wives, concubines, servants, ministers, craftsmen, etc. What awaits them is to be buried alive and poisoned. No one can resist."

Everyone felt a little shuddering when they heard such a story. In this time-travel novel, even if you become a minister or a concubine, you cannot escape death.

"Burial systems have emerged in endlessly from the Shang and Zhou Dynasties to the Warring States Period. For example, the number of burials for King You of Zhou in the Fenghuo Opera among the princes reached more than 100 people. However, Qin Shihuang did not use living people for burial, but instead used pottery figurines, which is what everyone sees. This is It is a great progress in history.”

Xiao Sa raised his hand like a tourist and said: "But as far as I know, many tombs of living people have been discovered outside the Mausoleum of Qin Shihuang."

The tourists were in an uproar. Many people came to Xi'an and were full of respect for Qin Shihuang. In their eyes, Qin Shihuang was not only an emperor through the ages, but also a great ancestor of China. Now they heard that he behaved so cruelly.

Everyone looked at Xu Nuo.

"Yes, according to the records of "Historical Records": The Second Emperor said: If the emperor's harem had no sons, it would be inappropriate to do so. All of them were ordered to die, and there were many dead. Translated, it means that all the harems who did not have sons were buried. Taking into account Hu Hai's various We have reason to believe that this was not Qin Shihuang’s original intention.”

Xu Nuo shook his head as he spoke, and added: "Of course this is just my personal opinion. We can no longer know what Qin Shihuang thought when he was alive."

"Then are there any emperors in history who did not need to be buried alive?"

Zhao Lei was horrified when he heard this. The burial of a living person was beyond the scope of acceptance by modern people.

The weird, gloomy, and cruel burials are seriously contrary to modern values.

Xu Nuo smiled slightly, "Indeed, there are. You can guess who this acquaintance is."

"Qin Shi Huang!"

"Emperor Wu of Han!"

"Tang Taizong!"

"Ming Taizu!"

When mentioning ancient emperors, the first people that come to mind are these people.

When in doubt, Tang Zong and Han Wu.

"Let's not talk about Qin Shi Huang. As mentioned earlier, Qin Ershi Hu Hai ordered a large number of concubines and palace maids to be buried alive, and Emperor Wu of Han ordered Lady Gouyi to be killed before his death, and the scale of the burial was extremely large. Ming Taizu Zhu Yuanzhang continued the practice of burying living people alive in the Yuan Dynasty. A total of 40 concubines were buried alive, including 38 living people."

The answer is obvious now, Tang Taizong Li Shimin.

Xu Nuo said with emotion: "Taizong was indeed a perfect feudal emperor in every aspect. After his death, he did not use living people to bury him. In Taizong's Zhaoling Mausoleum, only ministers and concubines were allowed to be buried with him. They were allowed to be buried in Zhaoling Mausoleum after their death and receive offerings from all dynasties."

"This is an honor, not a punishment. As for who was buried with Zhaoling Mausoleum, we will talk about it next time." Xu Nuo took a sip of water, "Let's talk about the Terracotta Warriors again."

"Do you see any difference in this Terracotta Warrior?"

Xiao Sa stretched his neck and looked hard, but finally shook his head, "I didn't see anything."

Xu Nuo smiled and said, "It's normal not to see it. If we get closer, we can see the fingerprints on the Terracotta Warriors. These are the fingerprints left by the craftsmen when they made the pottery figurines more than 2,000 years ago."

Everyone widened their eyes, wanting to see the fingerprints that Xu Nuo mentioned.

Fingerprints from more than 2,000 years ago make people extremely curious.

"It's okay. We'll go to Pit No. 2 later and you can see it up close."

Seeing that everyone wanted to jump down to see it, Xu Nuo hurriedly stopped them.

After visiting the Mausoleum of Qin Shi Huang, with Xu Nuo's understanding, everyone was still not satisfied, and always felt that there were more stories to be discovered here.

Xu Nuo suddenly remembered another program, "China in Classics", which was jointly created by CCTV and the National Theatre. It was a program that had dialogues between modern and historical figures and used film and television to spread historical knowledge.

In Blue Star, this type of program is still rare, so it's just the right opportunity to bring it out.

"Teacher Sa, I have an idea for a program that I want to discuss with you." After visiting the Terracotta Warriors, Xu Nuo called Xiao Sa.

When they heard that there was a program, not only Xiao Sa, but everyone else came over.

Xu Nuo is now famous, and he is not just a singer.

Apart from his identity as a singer, he is also the chief planner of a national variety show, the chief director of the 3 billion box office club, and the chief planner of the Spring Festival Gala. He said he had an idea, and it must be another classic program.

"Let us listen to it too!"

"I'm interested too."

Xiao Sa's room was crowded with people in a short while.

Xiao Sa was shocked: "The cameraman should go out first, I'll clean up the room."

The guest and host rooms are not normally broadcast, but seeing so many people coming in, the cameraman also wanted to join in the fun.

After cleaning up the room in no time, Xiao Sa breathed a sigh of relief.

"What did you say you had in mind?"

A group of people sat in Xiao Sa's room, looking at Xu Nuo eagerly.

Xu Nuo groaned: "It's useless for you to listen, it has nothing to do with music."

"It doesn't matter, we want to listen too."

"Yes, yes, broaden your horizons."

Xu Nuo was speechless, but did not refuse, but directly opened the computer and created a new document.

"The trip to Luoyang and Xi'an made me feel everyone's strong interest in history, so we can use a new variety show to let everyone immerse themselves in the brilliant history."

"It sounds good, what is the name of this program?"

These few days in Xi'an, everyone deeply felt the tourists' interest in history. As long as someone tells a story, a large group of people will gather around to listen.

Xu Nuo typed a few big words in the document: "China in Classics".

The reason for writing the document on the spot is not just to show off, but more importantly, he wants to adjust the content of the program.

"China in Classics" is a good program, but there are also some problems. The format and process are single, and the ancients travel through the modern times and are shocked and moved. It's okay once or twice, but it's a bit embarrassing if it happens too much.

And for the audience, how the book came about may be important but definitely not that important.

What everyone wants to know more is what the book is about and what stories it has, rather than how the book came about.

After Xu Nuo wrote the name, everyone felt the heaviness of the name.

Xu Nuo wrote another line of words: "Pass on the classics for thousands of years, and light the light of eternity."

Xiao Sa suddenly started to applaud, "This sentence can already be regarded as a classic."

This sentence is so well written, so majestic, and the heaviness of history is overwhelming.