The Strongest Life Reborn

Chapter 1456 Two Highly Valued People (Part 2)

Wang Gang was right.

He is indeed someone whom Yin Jun values ​​​​very much.

If he didn't take it seriously, Yin Jun wouldn't give him a weapon like "The Three Kingdoms".

Well, that's right, this "Appreciation of the Three Kingdoms" is "Yi Zhongtian's Appreciation of the Three Kingdoms", a classic among the classics of previous lives.

There were too many great speakers at the Baijia Forum. Of course, the one Yin Jun disliked the most was Yu Shan who spoke on the Analects. This woman also had a very powerful mouth, and many of her words were meant to deliberately guide people on the path she set.

What Yin Jun likes most are those old professors who are knowledgeable and interesting.

For example, Yi Zhongtian, Wang Liqun, Ji Lianhai... Oh, Ji Lianhai is just a lecturer, teaching high school, not a professor.

Yin Jun has watched every episode of these people on the Baijia Forum. I can't say that I know it by heart, but I can definitely remember the general content.

Compared with Wang Liqun's lectures on the Qin, Han, Wei and Jin Dynasties and Ji Lianhai's lectures on the Qing Dynasty, Yi Zhongtian's Three Kingdoms series is naturally the closest to people's ordinary lives.

Who hasn’t heard of the Romance of the Three Kingdoms, who doesn’t know about Liu Guanzhang, and who doesn’t know about the traitor Cao Cao?

So Yin Jun simply gave the second story to this "Three Kingdoms".

It is also destined to be outstanding storytelling.

Although "Taste of the Three Kingdoms" is broadcast in the form of explanation, another alternative word for explanation is actually storytelling.

When Teacher Yi Zhongtian talks, he uses a lot of body language.

For example, when telling the story of the Han Dynasty before "Taste of the Three Kingdoms", that is, "Man of the Han Dynasty", in order to tell a story about the etiquette of the Han Dynasty, Yi Zhongtian came down directly from the podium, knelt down on the table, and explained to the audience how it was done. Kind of.

On the one hand, this kind of expression shows Yi Zhongtian's special seriousness, and on the other hand, it also proves that this kind of narration and storytelling have the same purpose but the same purpose.

When a storyteller gets excited about speaking, he will also dance and express various characteristics of the characters.

Therefore, it is also a good thing to use Wang Gang to bring out some classics from the previous "Hundred Schools Forum".

Not to mention that Yin Jun has a more important purpose.

That is to let the people of Xiangjiang continue to accept more Chinese culture. They should not speak English all day long, and it should be English or American.

If they listen to more interesting historical stories, they will find that our ancestors had many civilizations, many interesting cultural studies, and many charming heroes and villains.

A person's sense of identity with his or her country often comes from here.

Any orthodox person who has been influenced by five thousand years of Chinese culture will never forget his roots even if he likes advanced European and American things.

Only those in Xiangjiang in the previous life, who received foreign education all day long, would go astray.

"Taste of the Three Kingdoms" is just the beginning.

Yin Jun will successively bring out the works of Ji Lianhai, Wang Liqun, Qian Wenzhong and other masters to shock the people of Xiangjiang.

In fact, Yin Jun wanted to put Wang Gang's storytelling around 5 p.m., or on Saturdays and Sundays, but Liang Shuyi firmly disagreed and would wait to see the effect.

Her reason is that the success of the radio station does not mean that the form of expression on TV will be successful, so there must be results.

Only by achieving results can we convince the public and make people accept that Wang Gang occupies this prime time period.

The young man readily accepted Liang Shuyi's opinion, which was also an upright way.

Time and space are different, but the charm of culture is eternal. The reason why a classic becomes a classic is not at all because it only caters to that era.

For example, "Journey to the West" has been in reruns for more than 30 years. Generations of children love to watch it and fall in love with the vivid characters in it. Can you say that its popularity is just because there were no other TV programs at that time?

There is also the book "Romance of the Three Kingdoms". Even children in 2020 will definitely be fascinated when reading this book.

Computer games will get boring after playing for a while, but classics will last forever.

The storytelling "Appreciation of the Three Kingdoms" not only integrates the Romance of the Three Kingdoms, the Romance of the Three Kingdoms and various annotations, but also adds the decades of research experience of teacher Yi Zhongtian, plus his unique way of expression. If it cannot become a classic, Yin Jun I don’t know what else can become a classic.

And now Yin Jun has another advantage, that is, when Wang Gang talks about storytelling, his expressiveness exceeds that of Yi Zhongtian.

Although Yi Zhongtian has been lecturing students for decades, if it is in the form of a performance, he cannot even compare to Wang Gang.

The role of Master He is destined to be recorded in the history of Chinese film and television performances with Wang Gang's performance.

In "Iron Teeth and Bronze Teeth Ji Xiaolan", Amma is the one who plays the role of soy sauce. Master Ji often fails to shine with the adults. You know clearly that Mr. He is so bad, but watching Wang Gang's performance, you feel that this is so vivid. is a person.

This is the state in which film and television characters come to life.

Even though Wang Gang has not yet reached his peak, if he can't win a single story telling, that would be an underestimation of his abilities.

Then, Wang Gang's second feeling was not wrong either.

It can also be said that the rumors about the company are actually true.

Whoever Yin Jun is most optimistic about will naturally give him more opportunities to get ahead.

From Zheng Shaoqiu and Zhou Runfa before, to Liang Chaowei and Liang Jiahui recently, they all occupy a lot of resources.

Others can say that Yin Jun is partial, but only Yin Jun himself knows that these people are already hard-working movie stars, but what he is doing now is just pushing the boat along, just letting them get on the stage one step ahead, which is not a big favor at all.

There are also those stars that Yin Jun cast into supporting roles. It's not that he doesn't pay attention to them, but some people have different opportunities to stand out.

Chow Run-fat, Tony Leung Chiu-wai, Tony Leung Ka-fai and even Leslie Cheung are geniuses who are rewarded by God. They don't need too much hard work, as long as they are given more opportunities, they will succeed naturally.

The other Liu Dehua, Zhou Xingchi, Liu Qingyun and Zhang Jiahui are different.

They need a long period of hard work before they can finally transform.

Jiang Wen, whom Yin Jun valued, belonged to the former category, a genius in the talent category.

Although many people are complaining, saying that Jiang Wen has been playing this kind of pure manly, hormone-filled role in his life, without any breakthrough at all, and he is not able to send and receive freely.

But Yin Jun didn't take it seriously when he heard this.

You don't care whether he plays one role or several roles, as long as he can play that role vividly, he is a genius.

An actor plays so many plays in his life, which ones are the most suitable for him?

Many actors have trouble finding a role that suits their personality and is most suitable for them in their lifetime.

Chen Daomin met Kangxi in "Kangxi Dynasty", Chen Baoguo met Bai Jingqi in "The Mansion Gate", He Bin met Song Ci in "The Punisher of the Song Dynasty", Li Youbin met Li Yunlong in "The Sword" , Hou Yong met Chen Shouting in "The Great Random House"... Wait, they can become classics, and they can achieve classics.

If you have to let Chen Daomin play the foul-mouthed Li Yunlong and He Bin play the clever Liu Luoguo, no matter how capable they are, they will not be able to get ahead.

What's more, Jiang Wen is not the actor-level talent Yin Jun prepared at all, but a genius director in the category of Nolan or the Coen brothers.

There are too many good actors in China, but not many great directors in China.

Zhang Maimou must be one, and so is Chen Kai before he became famous. Li An, who has Chinese blood, must be the biggest one.

Before Yin Jun traveled through time, Jiang Wen could only be counted as half.

Then no one could be found.

What about Lu Chuan, Director Jia, Director Lou, Director Wang, etc., if their works are compared with Jiang Wen's "The Ghost is Coming", they are not on the same level.

Unfortunately, real problems prevented Jiang Wen from making movies as he pleased, so he chose to face compromises in life and career.

So we saw blockbuster movies like "Let the Bullets Fly."

It's a pity that Jiang Wenpiao passed away.

After "Let the Bullets Fly", he filmed "One Step Away", which was so baffling that it almost destroyed his own sign.

We can't blame the director for making too many cuts, leaving the audience confused. Then "Let the Bullets Fly" still faces more stringent standards. Is it a good movie?

Yin Jun can't say that he likes Jiang Wen's film style, but Yin Jun knows that this is a very thoughtful director.

More importantly, he has enough ability to turn his ideas into reality.

"Days of the Sun" is not only considered awesome by a group of literary and artistic young people, it directly won the Venice Golden Lion Award and Best Actor, and was also rated as the best film in the world that year by a famous American film magazine - check it out, it's optimal!

When filming "Sunny Days", Jiang Wen was 30 years old.

Being able to make such a film at the age of 30, Yin Jun recognized it even though he had no talent in acting.

Jiang Wen is only 21 years old this year. As long as he is allowed to act in a few films, gain some experience, and get him interested in directing, Yin Jun's strategy will be considered successful.

Yin Jun will definitely train this group of directors in Xiangjiang in the future. After all, they have rich experience in making commercial films, far surpassing the directors from the mainland.

Even after 30 years, this has not changed.

If Bald Xu hadn't accidentally set off a wave of revolt, I'm afraid Chinese filmmakers might have been suppressed by them for a few more years.

Now if you leave commercial blockbusters to mainland directors, they won’t be able to produce them.

But this does not mean that Yin Jun will not train mainland directors.

Only directors from the Mainland have achieved results and can compete with directors from Hong Kong. This is the blessing of Chinese films.

Only by competing with each other can we make progress!

And Jiang Wen is the person Yin Jun has prepared to confront the directors of Xiangjiang!

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