Chapter 1439 The King of Sunglasses

All successful people must have one characteristic.

That is the agreement without giving up.

Never give up.

Those who give up as soon as they encounter setbacks will definitely not succeed. At best, they will only have temporary success, but it will not last.

You said that if Ma Yun became a millionaire after successfully working in the Yellow Pages and started to be satisfied with his current achievements, then there would be no great success in the future.

After Shi Yuzhu's disastrous defeat at the Giant Group, if he were to become discouraged, he would not be able to make a comeback in the future, even worse than in the past.

Yin Jun couldn't evaluate whether Lizhi was a successful person, but just three days later, Lizhi came to Yin Jun's office again.

She said this.

"I spent two days with the patients in Qingshan Mental Hospital, and then I still felt that if I didn't give it a try, I would never be willing to do it in my life."

So Yin Jun nodded, indicating that he understood.

After Lizhi left, Yin Jun thought for a while and asked his third secretary, Yueyue, to call Qilin Film Company.

Not long after, a young man with a Chinese character appeared in Yin Jun's office.

To be honest, Yin Jun had never really seen Wang Jiawei without sunglasses, so now that he suddenly saw it, he was still a little uncomfortable.

The boy's first reaction was, should I find him some sunglasses to wear?

Then he smiled and shook his head.

Yin Jun's move made Wang Jiawei a little confused, but the tension in his heart suddenly disappeared a lot.

There is no scriptwriter in Xiangjiang who does not admire Yin Jun.

Just talking about the scripts written by Yin Jun, any one of them is a classic.

If an ordinary person writes one script like this, he or she will be considered a great writer. If he writes two scripts, he will be considered a top-notch screenwriter. If he writes three scripts, he will be called ace.

The problem is that Yin Jun has written no less than fifty of them!

And the scariest thing is that no one knows how many creative ideas Yin Jun still has, how many scripts he has written but has not yet produced.

This is what Wang Jiawei thinks is most powerful.

People have already done things in their teens that others cannot do in their lifetimes. What a genius they must be to have such achievements.

Of course, one has to admire geniuses.

Thoughts passed by in a flash, and Yin Jun didn't take it seriously when he saw that the future famous sunglasses king looked a little nervous.

He has even met Mr. Xiao. Judging from his status, he is just a director, but he is still so unfriendly to mainland filmmakers. How can he be happy?

"How long have you been a member of Qilin Culture?" Yin Jun asked, sitting on his chair.

"More than two years." Wang Jiawei replied cautiously.

He's never been much of a talker, except in the studio and during other shoots, and now he's just a nobody.

"You want to be famous."

"Um!?"

"You not only want to be a famous screenwriter, you also want to be a great director, make the movies you want to make, become famous, and become one of the best directors in Hong Kong." Yin Jun said calmly, "I said Is that right?"

What does Mr. Jun want to do?

What does he want to express?

Wang Jiawei's mind immediately started spinning rapidly.

After hesitating for about a minute, Wang Jiawei gritted his teeth and nodded: "Yes!"

"Why?" Yin Jun asked.

Wang Jiawei looked at Yin Jun's face. He didn't mean to look down on him sarcastically, and he felt a little relieved.

Besides, according to rumors, Young Master Jun is not a mean person.

The word gentle as jade was tailor-made for him.

He must have considered it carefully when he asked this question.

Anyway, I am nothing and have nothing to lose, so I might as well be honest.

After thinking about it, Wang Jiawei replied: "Because I don't give up and am willing to keep working hard for my ideals. Although my talent is not very good, I believe that as long as I am willing to work hard, I will definitely succeed!"

Does Wang Jiawei have any talent?

Of course!

And it is an extremely outstanding talent.

He has a very keen intuition for the lens sense of capturing the scene, as well as the momentary scene that is mysterious and mysterious, but can move the audience.

Sometimes, when we watch a movie, we don’t remember it deeply just because the movie was explosive throughout.

For example, if you watch Marvel movies, you just watch them at the time and then forget about them.

But for other movies, maybe you didn't feel that good at the time, or even a little bad, but when you think about it later and think of a scene and a sentence in it, you will suddenly fall into it and you can't forget it.

For example, that incomparably poignant footless bird, such as Su Lizhen and Zhou Muyun passing by each other again and again, such as Li Yaohui sitting alone on the subway...

These are all brought to us by Wang Jiawei.

I can’t say that everyone thinks it is a classic, but many of the passages in it are very touching.

Such images and feelings can only be expressed by another director in mainland China.

He is our national master.

Wang Jiawei's talent is not that great if he can be compared with Zhang Homou. Then I really don't know who can become a great literary and artistic director.

What Wang Jiawei says now is actually what he will practice in the future.

From his debut in "Carmen" in 1988 until 30 years later in 2018, Wang Jiawei only had 10 works released, averaging one film every three years.

He takes every movie seriously.

You can say that Wang Jiawei's pictures are not good-looking, you can say that Wang Jiawei is a waste of money, but absolutely no one can say that he is not serious.

There are no bad movies he has made.

It was all due to his own careful polishing and perfect shooting of each picture that he finally achieved this good effect.

"Recently, the British national treasure director Mr. David Lean is preparing to shoot a novel "Journey to India" by the British writer Fortes." Yin Jun said slowly, "This is an investment from United Artists Film Company Yes, he is currently preparing the crew in Hollywood and the UK. You can pack up and go to the United States to be David Lean's assistant director."

Wang Jiawei's eyes lit up and he blurted out excitedly: "I have read the book "A Passage to India"! I also like to watch Mr. David Lean's movies!!"

Yin Jun was stunned for a moment, then laughed.

I almost forgot that Wang Jiawei also likes gay themes. The books written by Fortes, a gay writer, may have some connection with him.

David Lean and Wang Jiawei are also somewhat similar.

Both of them have made very few movies in their lives, and they are equally rigorous in selecting topics. They don't like commercially operated movies...

But there are differences between the two.

Although the movies made by David Lean are profound in meaning and full of literary and artistic expressions, their movies can be understood by ordinary people.

Wang Jiawei's movies seem a bit baffling to ordinary people.

Even for those literary and artistic young people who wrote eloquent comments on Zhihu and Douban after watching it, Yin Jun was worried that they didn't understand it and just extracted the snippets for their own entertainment.

Maybe, asking David Lean to help teach Wang Jiawei, he will change some of the sunglasses king's bad habits?

For example, can you present a good story to the audience more sincerely, rather than broken fragments that the general public can't understand?

These words are just Yin Jun's imagination.

David Lean will definitely not deliberately teach Wang Jiawei anything, and Wang Jiawei will definitely not give up his own path because of David Lean.

If he were to learn from David Lean, he would be a smaller version of David Lean at best, not a Wang Jiawei.

But who can tell?

What if Wang Jiawei learned a lot and incorporated it into his own movies, thus knowing how to make a good movie better than in his previous life?

If that's the case, Yin Jun will be a blessing to Chinese-language movies.

An enhanced version of Wang Jiawei cannot be said to surpass Li An, but it is very possible to be close to Li An's level.

Almost all of Li An's film knowledge and theories came from the United States, so most of his films show the American style, and he is not a very orthodox Chinese director.

Wang Jiawei is different. Everything about him comes from Chinese culture. Even though he will deliberately add some Western styles, every inch of his art is Chinese.

Both Li An and Wang Jiawei have made same-sex movies.

One of them was "Brokeback Mountain."

The other one is "Happy Together."

"Brokeback Mountain" won the Oscar for Best Director, and "Happy Together" won the Cannes Best Director Award.

The highest achievement that Chinese people have achieved in movies is the Cannes Film Festival, so you definitely can't say that the quality of "Happy Together" is much lower than that of "Brokeback Mountain."

Even movies of the same type, equally excellent movies, are completely different in terms of expression.

For Chinese people, "Happy Together" definitely feels better.

Therefore, if Yin Jun wants to recommend a literary director, he must recommend Wang Jiawei.

When Wang Jiawei goes out with a movie, everyone will know that it is a movie from the East, a movie from Xiangjiang, China, and it belongs to Chinese culture.

Li An’s words...

His nationality is American, and he knows more about American art than Eastern art. When he goes out, people never say that he is a communicator of Chinese culture. He is just a communicator of American culture. That’s all.

Wang Jiawei's temperament is not as tactful and cunning as Li An, and he is easier to communicate with.

After all, he and Yin Jun are both from Xiangjiang, and they work in Yin Jun's company. Even if he sets up his own business in the future, he will be greatly influenced by Yin Jun.

Wang Jiawei is also very interesting.

Except when making movies, you can hardly find his presence. He is a very low-key person.

Such a director is more secure to use.

Coupled with Yin Jun's restraint, he will definitely not speak out like he did in his previous life and hurt the feelings between the filmmakers in the two places.

To put it bluntly, there were a lot of Hong Kong filmmakers like Wang Jiawei in those years.

They are just a little bit sour because Hong Kong movies have completely declined, while mainland movies are booming!

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