Chapter 2851 Unexplained Thoughts

Aidani ordered bluntly: "Give it to me."

Aidanis was ready to confront Angel, but Angel seemed to not care about Aidanis's commanding tone at all, and threw the bronze mirror casually: "Take it if you want."

Aidanis didn't expect Angel to hand the bronze mirror to her so directly, so when she saw the bronze mirror flying towards her, she was still confused. It was not until the bronze mirror was about to fall that she came to her senses and caught it in a hurry.

After Aidanis caught the bronze mirror steadily, her panic eased.

Then, Aidanis looked up at Angel angrily, wanting to ask how Angel could throw the bronze mirror casually.

"You..." But when she opened her mouth angrily, she suddenly remembered that it seemed that she asked Angel to hand the bronze mirror to her, and she could only change her words: "Is this how you treat Orao?"

Angel looked confused, and others also looked at Aidanis in confusion.

Adanis: "I asked you to give it, and you gave it. And you threw it so nonchalantly, is this the attitude of cherishing Orao?"

After hearing Adanis's inexplicable words, everyone's expression became even more confused.

What Adanis wanted to express was that Angel did what she said, but actually did not cherish Orao? If that's the case, then why did you ask Angel for the bronze mirror? And with such an arrogant attitude?

Even the action of giving Orao to Adanis could be interpreted by Adanis as disrespect.

Wouldn't ordinary people be able to catch such a casual throw? Even if ordinary people might miss, would you, a supernatural being, miss? This is obviously impossible.

So, how is your logic self-consistent?

Angel: "So, what you mean is that I need to show resistance, then fight with you, and finally hand Orao over to you?"

Looking at Angel's suspicious expression and the suspicious look of the crowd, Adanis was choked for a moment, because according to her script, there was indeed such a scene...

Angel: "As for why I would hand Orao over to you directly. Isn't this what you mean? And, will you hurt Orao? You won't, so why can't I hand it over to you?"

Adanis has actually recovered some logic at this time. Thinking back to the questions she asked in anger before, it is indeed full of unreasonable emotions.

This kind of unreasonable emotion is actually common to Adanis. However, no matter how she acted before, Orao would tolerate her. Therefore, she didn't think there was anything wrong with her logic.

Now, being looked at by everyone with doubtful eyes and listening to Angel's logically self-consistent explanation, Adanis realized belatedly that there seemed to be something wrong with the way she occasionally thought about problems?

Was it because of the missing part, or did her emotions cause her confusion?

Even though Adanis had come to her senses, she did not intend to admit her mistake, but continued to blame: "Augustine asked Orao to follow you, and you gave up Orao so easily?"

Angel: "So, you asked me to give Orao to you, and you don't intend to return it?"

Adanis pursed her lips and wanted to say something, but before she could speak, Angel continued: "I gave Orao to you because I believe you will not hurt Orao, and Orao has said before that you are his closest relative."

"I gave it to you because I trust you. If Orao is awake, you call him over, and he will definitely follow your wishes. So, how can you say that I gave up Orao so easily?"

Angel's words did not sound wrong to Adanis, and thinking about it carefully, it was she who was a little unreasonable?

No, how could she follow Angel's logic? Adanis tried her best to find her own ideas.

But then, Angel said again: "You haven't answered my question yet. You asked me to give you the bronze mirror. Do you mean you don't intend to return it?"

Adanis was silent for a moment: "What if it is, what if it isn't?"

Adanis asked Angel to give her the bronze mirror. In fact, she had two ideas: first, to provoke a dispute. She couldn't stand Augustine, and even more so, Angel, who was valued by Augustine; second, she wanted to see this bronze mirror, the "true self" of Orao that had never been revealed in front of her.

As for whether to return it to Angel after coming, Adanis actually didn't think about this problem. Because her "script" was that she would fight with Angel until the other party was imprisoned by herself, or escaped, or lost consciousness.

After that, there was naturally no question of whether to return it.

But now, her script did not play out according to the rules, but instead she had no reason to deal with Angel, so this problem was put on the table.

Angel: "Not naturally is the best. But if you don't want to return it, I won't force you to return it."

"Why?" Adanis was ready to flip the table and start a fight if Adanis showed some dissatisfaction. But this time, Adanis's answer was to go along with what she was saying.

Angel sighed. He really thought that Adanis had a problem with her brain. Isn't this obvious?

Although Angel felt helpless, he still patiently explained: "I said before that it is his freedom to make any choice. Whether Orao is in my hands or in yours, he will eventually wake up. At that time, he will choose to stay with you or leave you to follow me. It is also Orao's own wish."

"Of course, the above premise is that I believe in Orao, so I also believe in you. Because I believe in you, I believe that even if Orao chooses to follow me, you will not force him to stay."

Angel's words are naturally beautified. He certainly does not believe in Adanis; but, putting oneself on the moral high ground, isn't this a basic operation?

At that time, whether Adanis fights or draws, he will be right. And he wants to regard "right" as his own reserve, which is actually specially displayed for Orao to see.

Although Orao is sleeping now, it does not mean that he does not know what is happening in the outside world. Laplace once said that everything reflected by the mirror can become a memory. As long as these memories are not taken away by the life in the mirror, they will eventually enter the Sea of ​​Empty Mirrors, sink and float for a period of time and be washed by the tide.

Will Orao let the memories reflected in the bronze mirror flow to the Sea of ​​Empty Mirrors? Obviously impossible.

So, even if Orao is asleep at this time, he will know everything that happened when he wakes up.

What Angel has to show in this process is that he is always right, which is enough. And what he said, "I believe in Orao, so I believe in Adanis", is also for Orao to hear.

Of course, if Orao wants to see a "script" similar to Adanis: Angel will fight to the death and will not take out the bronze mirror.

Then Angel has nothing to say, except that he is worthy of being with Adanis for ten thousand years. It is difficult to stay clean in the mud.

However, based on Angel's observation of Orao, he is actually more reasonable and should not like the script set by Adanis.

On the other side, after listening to Angel's righteous words, Adanis didn't know how to answer.

She just felt suffocated.

She wanted to vent her anger, but she couldn't vent it to Angel who occupied the moral high ground.

This scene was also seen by the Black Earl. The Black Earl had understood Angel's thoughts at this time, but he didn't expect Angel to use this method to choke Adanis.

The choke was successful, but Adanis was afraid that she couldn't hold back the anger in her heart. At that time, Adanis was just "fake fighting", but it turned out to be "real", which would be bad.

Thinking of this, the Black Earl decided to speak to ease the emotions of both parties.

And how to ease the cheeks? Naturally, choose a topic that both parties are interested in, divert the current emotions, and it would be best if this topic can also involve the bronze mirror.

"Angel, what you and Noah's ancestors have been saying before, let the bronze mirror become a 'real' twin mirror, what does this mean?" The Black Earl thought for a moment and asked.

This question was actually what the Black Count himself wanted to ask.

Angel seemed to know a lot of things, and therefore, he and Augustine always mentioned it briefly in their communication, and both sides understood it. But for the other people present, including the Black Count, they were completely confused and could only listen in confusion.

Since the Black Count decided to ease the situation, he simply asked a question that he was curious about.

He believed that Angel would understand what he meant.

...

Of course, Angel understood the Black Count's thoughts. The Black Count spoke at this time, not just hoping to find a topic that Adanis would be curious about, to change the topic and divert her attention, so that her anger value would decrease, and not to hold back her anger until it really exploded.

It's just that the Black Count's method of easing the situation obviously has selfish motives, and now it depends on whether Angel is willing to accept it.

And Angel's choice is naturally willing.

Regarding the matter of the twin mirror, his previous discussion with Augustine has already vaguely allowed everyone to guess something; and even if he keeps it secret now, the Black Count will always know it in the future when he goes to the source world.

After all, Augustine's twin mirrors are very famous in the source world. When the time comes, with a little association, the secret of Orao will come out, so it doesn't matter if you tell it.

Thinking of this, Angel said: "The matter of the twin mirrors... This is actually related to a secret I have heard, and this secret originally came from Ms. Isabel of the Black Castle."

Angel could have started from the current time point, but since he wanted to distract Adanis's attention, he simply traced the source directly and started from when he met Ms. Isabel a few years ago.

And Angel's ability to tell stories... is average.

However, Angel's illusion expression is quite strong, and with the illusion, it can completely make people enter an immersive experience. And this experience is like a personal experience.

At first, Adanis didn't want to enter the holographic illusion, but as the story went up and down, it became more and more gripping, and Adanis gradually relaxed her defenses.

Didn't Angel say before that he believed in Orao, so he also believed in himself?

This should be true, right? Then, can she understand it in another way, that Orao believed in Angel, so she should also believe in Angel?

Orao... Adanis touched the bronze mirror. Although it was cold to the touch, in her illusion, it seemed as if she was touching Orao's hot body.

Adanis shook her head and put aside the reverie in her mind.

She wanted to learn more about Orao, not just about the bronze mirror, but also about what Augustine and Angel said.

Then maybe she could try to believe Angel once.

Besides, if Angel really wanted to play tricks in the illusion, Adanis would not be afraid... It can be said that what Adanis feared least was the ability to control. She could enter the mirror domain at any time, and the ability to control was just a decoration for her.

And illusion, in Adanis's view, was the ability to control.

Thinking of this, Adanis took the initiative to give up resistance and integrated her body into the holographic illusion.

Now, Angel's manipulation space is even larger.

You know, Angel's illusion has a hidden ability, which is the manipulation of emotions. It is because of this ability, coupled with the cooperation of nightmare illusion, that Angel's super perception talent is derived.

So, without knowing it, Angel began to interfere with Adanis's emotions.

Angell's so-called intervention is not to forcibly change Adanis's emotions, but to moisten her mind silently, immersing her in the illusion and gradually fading her negative emotions.

To put it bluntly, it is to strengthen the appeal of the illusion.

In Jon's words, it is to make the lens language in this "holographic movie" more emotionally tense; the actors' performances can touch people's hearts more... In other words, "artistic processing" can be carried out on the basis of facts.

And Angell can perceive emotions, so he has a unique advantage in this regard.

Sure enough, as Angell enhanced the narrative of the story, he could clearly sense that Adanis's vigilance was slowly lowered, and her curiosity was gradually increased.

When a mystery was solved, Adanis showed a look of sudden enlightenment, and a new mystery followed, continuing to entangle Adanis.

Angell used language to match the illusion and told the questions asked by the Black Earl.

There are some explanations of mysterious things and some mysterious things related to the twin mirrors, such as the Book of Kells, which is as famous as the twin mirrors.

It keeps extending without going too far off the topic, attracting everyone's attention.

Finally, with Augustine's vision and Angel's humble statement, the truth of the twin mirrors was brought to a perfect end.

Although the whole process is exaggerated, the basic content is true.

At this time, Adanis finally understood the causes and consequences of many things.

For example, why did Augustine hand Orao over to Angel? Because Angel is an alchemist, and an alchemist who has touched the mysterious level.

Although there may be other considerations, at Augustine's level, his emphasis on Angel is definitely not aimless.

If Angel is to cultivate Orao, there is a chance that Orao will stand at the same level as his brother Adegu. If someone else were to cultivate Orao, it would be hard to say.

Thinking of this, Adanis looked down at the bronze mirror in her hand and fell into deep thought.