Chapter 2869: Words on the Tree

Laplace was silent for a moment before whispering, "I didn't plan to come."

Angel looked over in confusion. Since Laplace didn't plan to come, why did he come now? What changed Laplace's mind?

Soon, Laplace gave an answer, but this answer confused Angel.

"Erbao met Gleipnir. Gleipnir was not ready to agree, but when she was about to refuse, she was caught by Luigi and lost a move."

"So, she agreed to Erbao. Since Gleipnir agreed, I naturally wouldn't refuse."

After listening to Laplace's answer, Angel not only did not get the answer, but felt that the question marks on his head were getting more and more, almost turning into a question mark hat.

Gleipnir was playing chess with Luigi? He didn't plan to come, but agreed after losing? Why?

Could it be that Luigi made a bet with Gleipnir: If you lose, you will agree to Erbao?

It shouldn't be so hasty, right?

Angel looked at Laplace in confusion, and Laplace said calmly: "You should know what Gleipnir's profession is?"

Angel: "Astrologer."

Laplace nodded: "Gleipnir's time body combines the memories of the prophet, the distant star prophet, the astrologer, the Gisel shaman... and so on. These prophet-like professions from different worlds have created Gleipnir's overly sensitive personality."

"She will interpret any feedback from the outside world to the greatest extent possible."

"Just like the scene I mentioned before, at that time, Gleipnir was playing astrological chess with Luigi. Generally speaking, Gleipnir would not lose to Luigi. But just when she was about to reject Erbao, she lost."

"She felt that this might be a sign, meaning that the current situation is changing. Since it is a change, it cannot be judged according to common sense, so she chose to agree to Erbao."

Angel: "..."

He now understands that this is an over-interpretation.

He originally thought that Laplace had something to ask of him, so he came here specially. Unexpectedly, the real reason was so...subtle.

You know, in the case of "over-interpretation", as long as your imagination is big enough, there is no limit. As long as you want to interpret, the wind blowing the leaves, the clouds rolling, and even the wrong folds on your clothes can be used to make articles.

So, knowing the truth, Angel almost couldn't hold it.

"Since you know that Gleipnir is too sensitive, why are you still willing to follow her opinion?" Angel asked.

Laplace looked at Angel with a confused look in his eyes. This confusion was not about the question itself, but about Angel asking this question.

Is this the level of your question?

Even though Laplace didn't say it, his eyes conveyed this message.

Angel couldn't respond to Laplace's look, so he could only complain silently in his heart: Dox is right, this is a scumbag woman...

After Laplace expressed his doubts with his eyes, he said lightly: "The reason is very simple, because I am her, and she is me."

It means that her sensitivity is my sensitivity. Her over-interpretation is also my interpretation.

It sounds right, Laplace, Gleipnir, and Luigi are all her, just belonging to different time bodies. But it only sounds right. Look back at what you said. Which sentence regards Gleipnir as yourself? It completely explains Gleipnir's mental process from a neutral or third-party perspective.

This also makes Angel subconsciously separate Gleipnir and Laplace.

As a result, Laplace now looks at him with disdain and says in a perfunctory tone: I am her, her behavior is my behavior, and her thoughts are my thoughts.

Faced with this situation, Angel was really speechless.

He was too lazy to argue with this scumbag woman, and said with an expression of "sudden enlightenment": "So that's it, I understand."

"By the way, how to activate this sweet dream?" Angel changed the subject very abruptly.

Laplace: "You will enter a beautiful dream after passing through the pink wind. Do you plan to experience the sweet dream first?"

Angel shook his head: "No, I don't plan to experience the sweet dream before setting a complete research charter."

The side effects of the sweet dream are still quite large. He just came to try whether he could pull the sweet dream into the dream wilderness, but he didn't think of putting himself in it.

Jon's teachings since childhood made Angel very taboo to become an addict. Even if this addiction is the addiction to beautiful dreams, Angel doesn't want to be overly involved.

Even if you only experience it once, you may develop a snack addiction.

Therefore, holding the principle that nothing will happen if you don't get involved, Angel will definitely not experience the sweet dream.

Laplace: "Since you don't want to experience sweet dreams, how do you want to list the research rules?"

Angel still had the same attitude as before: "Let's take it one step at a time. I will first sense the situation of this mysterious object from a close distance, and maybe I will have some ideas. The inspiration of wizards often comes from this kind of unintentional observation while walking."

Laplace didn't say anything about this, nodded, and flew to the top of the huge tree with Angel.

Although Angel was curious about the type of tree, he did not pay much attention to it. In his opinion, this tree was just an ordinary tree, maybe a little special; even if it had extraordinary properties, it was of an inherent nature, not strong, and did not make Angel feel threatened.

But as Angel flew to the top of the tree, some details that he had not noticed before came into his sight.

Among them, what surprised Angel was that the strong trunk hidden under a large number of branches and leaves had too many artificial traces.

First of all, the trunk itself was spacious and winding, and its flatness exceeded Angel's imagination, like a winding path.

Even ordinary people can walk up easily.

Moreover, Angel found that some slightly steeper trunks actually had handrails similar to guardrails on both sides, which was exactly like a tree trunk road.

If it was just a tree trunk road, Angel would not be too surprised, because the tree spirit's body not only can the trunk become a road, but the leaves can also become a square, and the branches can drive buses. He was no longer surprised by this kind of tree-shaped transformation.

The reason why Angel frequently looked at the big tree was because he saw many tree holes, some of which were equipped with "doors", showing that they were "man-made".

On the door of one of the tree holes, he saw a row of carved words.

Angel looked closely and found that the words were a little deformed, but it did not hinder the appearance.

"Do you know these words?" Laplace followed Angel's gaze.

Angel thought for a while and said, "No, but it should be a variant of the Abyss Demonic Script."

This kind of extraordinary text is difficult to analyze with magic. Moreover, these words are few and not enough to deduce the intention through examples.

"You don't know it either..." Laplace's tone was slightly disappointed.

Angel: "Ms. Laplace thinks I should know these words?"

"I believe in Gleipnir's judgment. Since she asked me to come, there must be some meaning." Although Laplace's answer was irrelevant, the meaning was clearly expressed.

To put it simply, Laplace believes that Angel will bring her gains or surprises this time.

In Laplace's opinion, this gain may be related to this special space.

Since it is related to this space, Angel should know the words and murals left here.

But now Angel has seen the words here and clearly expressed that he does not know them. As for the murals... it is probably difficult, after all, there are a lot of words on the murals.

"Doesn't the wise master know it either?" Angel asked curiously.

Laplace shook his head: "He is the same as you said. He can only recognize that this is a variant of the abyss demon language, but cannot speculate on the meaning."

"Even the wise master doesn't know..." That's a bit interesting.

You know, the wise master was a figure ten thousand years ago, and the flow of information was still very fast at that time. Wizards have explored different aspects of the abyss. Even if they didn't go deep, at least most of the demon language has been analyzed.

But now there is a demon language of the abyss that even the wise master has never heard of?

Angel pondered and said, "I remember there is a gatekeeper outside the ladder of the prison. Isn't there a demon soul? Does it know?"

Laplace: "The wise master asked, but he didn't know."

Angel shrugged: "Then I can't help it. I'm not good at demon language."

Although Laplace was a little disappointed, he nodded in the end and said nothing.

Angel: "So this reflection space comes from the abyss?"

Laplace nodded: "Yes, it should be in a special area of ​​the abyss. The source of the reflection is the scene seen by a creature before it died, which flows into the sea of ​​empty mirrors through the tear mirror in its eye sockets."

Angel hesitated again and again, but still asked the question: "Why do you think this place is special? Is it because of these different colors of wind?"

Laplace shook his head: "No, I have my own way to judge. This reflection space is the special space that I have ever seen in my life, at least it can be ranked in the top three."

Laplace did not say what the method was, so it is likely to come from her talent or hidden ability.

However, what Angel does not understand is that even if it is judged that this is a special space, what good will it do to Laplace?

Or, why does Laplace care about this special space?

Facing Angel's question, Laplace did not hide it and said directly: "Reflecting the special space can increase my ability limit..."

But if it was just because of the increase in ability limit, Laplace would not be too concerned, because it has been reflected, and the function of this special space has been completed.

The reason why Laplace still cares about this "special space" is because... she has gained some special abilities.

"I have reflected many special spaces, but only when reflecting this special space, I have gained some abilities. And this ability can be called a talent, which is very suitable for me."

"Gleipnir also said that the real place corresponding to this special space may have a medium that can allow me to advance to another level."

Angel:...Gleipnir again. To put it bluntly, Laplace has a premonition, or inspiration, and feels that this special place will help her.

"So that's how it is. Unfortunately, I don't know about these words either." Angel said softly.

"... It doesn't matter." Laplace was silent for a moment and shook his head gently.

Angel thought for a while: "If I have the opportunity to go to the Abyss in the future, I can help you ask. I know a lot of friends in the Abyss. They have lived for a long time and have their own ways. Maybe they can find the source of this demonic text."

Although Laplace didn't think Angel could do it, he nodded: "Thank you."

Some people in the Abyss appeared in Angel's mind: Odcras, Fafnir, Greywood, Wardle... and Balalaika, the "Resurrection Witch" in the Resting Place.

These are all famous figures in the Abyss. Maybe they know the source of this demonic text.

...

According to Laplace, there are murals in some tree holes, and Angel wanted to see them.

But the attraction of Sweet Dreams is still stronger than these murals. Moreover, according to Laplace, there is also a mural on the top of the tree where Sweet Dreams is located.

Although it is not the largest mural, it should have a special meaning to be placed on the treetop.

In general, Angel chose to go to the treetop first.

Soon, they flew to the periphery of the light pink wind.

Before, from a distance, I only felt that the pink wind was lingering on the treetop. Now I came here and found that it was not lingering at all, but the pink wind surrounded the sweet dream.

The pink wind turned into a pink wind "ball", and the sweet dream was in this "ball".

The mural on the treetop mentioned by Laplace was below this pink wind ball.

Because the pink wind ball has a large surrounding range, Angel can see the outline of the mural, but he can't see the specific appearance.

However, the mural is not important now, what is important is this pink wind ball.

Laplace said before that the winds of different colors here are all reflected together when reflecting the space. So why are these pink winds lingering outside the sweet dream?

Angel raised this question.

Laplace: "I can control these... winds, which is also the ability I gained from this special reflection space."

"So, this wind ball was made by you?" Angel did not ask what the specific ability was, because it was obviously a bit inappropriate.

Laplace nodded: "Pink wind can calm palpitations and amplify the positive side of the heart."

"This kind of wind is extremely compatible with sweet dreams."

"Therefore, when it surrounds sweet dreams, its positive and beautiful side is in a resonant state with sweet dreams, which can not only restrain sweet dreams, but also cover up the mysterious atmosphere leaking out of sweet dreams."