Chapter 384 This Script Is Plagiarized (Monthly Ticket Plus Update 1/37)
The cocktail party was very exciting, and so was Hao Yun.
Except for some Yin Dang attributes that Hao couldn't use and let them dissipate, other attributes such as director, acting, screenwriting, photography, etc., Hao Yun couldn't save and experience them on his body.
"This subject is too sensitive, let's do it next time." Hao Yun once again rejected Du Qifeng.
He also felt a little embarrassed, but this time "Hei Se Hui" was really a bit outrageous. Just listening to Du Qifeng's general content, he felt that it would be difficult to release it in the mainland.
One of Hao Yun's principles when choosing a film is that it must be released in the mainland, otherwise he would not want to do it even if Xiangjiang made an exception and asked him to star.
In Hao Yun's mind, Xiangjiang is just a copy that he occasionally comes over to refresh.
"It's really difficult to get accepted in the Mainland, but it's not impossible as long as you make some changes. If you have any subjects that are difficult for the Mainland, you can shoot them in Hong Kong and have them reviewed in the Mainland. It will be better than reviewing them directly in the Mainland. much better."
This time, Du Qifeng treated Hao Yun as a director of equal status.
He hoped that Jimmy, played by Hao Yun, would be considered a third character, with a very important role and a particularly good character. In the film, he would represent a new life, a kind of vitality under the old system.
But Hao Yun wasn't interested.
Hao Yun said at the Golden Horse Awards ceremony today that he missed home. He was not deliberately sensational. He really felt a little homesick.
I plan to take on fewer projects next year and make two more trips home.
What Hao Ma said, "Don't go home until you find a wife," was obviously an angry statement and could not be taken seriously.
He shouldn't be turned away...
"Thank you, Director Du. If I have any troublesome scripts, I will take them to Xiangjiang and do them." Hao Yun did not say that he would cooperate with Galaxy Image because the Chinese star behind Galaxy Image.
Starting in 2001, Du Qifeng became the president of China Star.
In addition, Liu Furong has been the number one superstar under China Star Boss since the 1980s.
Boss Xiang and China Star are not good partners because of their backgrounds.
If Galaxy Image were not tied to China Star, Hao Yun would be happy to cooperate with Galaxy Image because Galaxy Image is his favorite Chinese film label.
The reason why Hao Yun didn't express his position was because he had another way to go, and that was Shadow King's boss Yang.
Boss Yang is from Jiang Wen's line, and Hao Yun's brother Chen Guanxi is also the King of Movies.
This is the role of the personal network. While other mainland stars are trying their best to enter the Hong Kong circle, and for this reason, they are willing to work in low and low positions, but Hao Yun can communicate with Boss Yang's movie king and Lin Jianyue's in Hong Kong. Huanyu and Xiangbo’s China Star have the option to cooperate.
In addition to Du Qifeng, there are also other directors looking for Hao Yun.
Wu Yushen is currently remaking his own "Blood on the Street". "Blood on the Street" is the only movie invested by Wu Yushen's self-organized film company. Its box office failure made Wu Yushen directly bankrupt - not only can he make others bankrupt, but he can also bankrupt himself. Let it go.
Even so, Wu Yushen still believes that this is his most satisfying and outstanding work.
More than ten years later, Wu Yushen had the opportunity to supervise the production of his first important work after returning to China. Wu Yushen still chose this theme to remake. He and his director friend used "Heaven's Mouth" as a "stepping stone" to return to the Chinese market.
Casting is the top priority, and with Sun Honglei already locked in, Hao Yun became his next target.
In addition to Wu Yushen, there is also Er Dongsheng who is cooperating with Fang Long's son Chen Zuming on "Puppy Love".
He didn't mind that Hao Yun beat him to win the Best Picture award. This thing was an honor game played by the upper class in the entertainment industry, and there was no need to fight for it in a red face.
Er Dongsheng is writing a script called "The Disciple".
He is also a strong person who can both write and direct. Many directors in Hong Kong will participate in screenwriting.
Write the story you want to film first, and then find a professional screenwriter to polish it.
The reason why he did not continue to use the Chen group name was because it was too difficult to do. In order to make him fit the character design of "Precocious Maturity", Er Dongsheng talked with Fang Long and his wife several times before convincing Chen group name to be cut. Had long hair.
Er Dongsheng was so angry that he kept scolding his mother.
What a shame, it’s so difficult to cut your hair. You can imagine how painful it was to shoot this movie.
The most disgusting thing is that the movie "Precocious" was made with Er Dongsheng's own money.
If there is a loss, it will be his pension!
Therefore, he vowed never to cooperate with Fanglong's son again.
In fact, there are no directors in the entire Hong Kong entertainment industry who are willing to cooperate with Fang Long, his evil son.
What everyone likes is a handsome guy like Hao Yun who has strong business ability and high cooperation.
Hao Yun is also one of the few who can break the shackles of mainland actors coming to Hong Kong to only play supporting roles and negative roles.
Now that Hao Yun has become a director, everyone is willing to cooperate with him as long as he is still willing to take on roles.
Hao Yun did not reject them directly, but had an in-depth discussion with these people - whether to accept or not, during the discussion, there were all high-value attributes that could be obtained.
Please visit the latest address
This is much more efficient than sending small cards.
He spent the whole night wandering around among various major directors, and even An Xiaoxi, who was traveling with him, got many movie invitations.
See, it’s so easy to break into Hong Kong.
As long as you hold your arm with a dick and walk in the entertainment industry's high-end cocktail parties, there will be plenty of opportunities for you to come to your door.
Unfortunately, the others don't have it at all.
Or the person holding the arm is either no longer in the limelight or lacks strength.
Well, the main reason is that there is no plug-in like Hao Yun that makes people like it from the bottom of their hearts.
After returning to the hotel, Hao Yun was taking attributes on himself while reading his diary.
Like the scripts he got before, the script content is very detailed, the kind that an idiot can shoot according to it.
The only drawback is that Hao Yun must make some changes.
Either the character setting or the story background.
And this "Lost on Journey" is still good, the theme is very down-to-earth, that is, the Spring Festival travel that Hao Yun has experienced before.
The lack of transportation capacity and the migration needs of the population have formed a sharp contradiction.
The script popularizes a clichéd story about the road theme, which is a script with rich and interesting plots and relatively distinct character settings in road movies.
But...
Hao Yun scratched his head, the structure of this script is a bit familiar.
Oh, by the way, "Planes, Trains & Automobiles"!
Hao Yun finally remembered this movie, translated as "Have a Good Trip" in China, which was directed by John Hughes, the screenwriter of "Home Alone", and co-starred by famous comedians Steve Martin and John Candy.
Hao Yun has read a lot of movies.
Although not as good as Quentin, for an actor and director, movies are the most exposed thing besides eating and sleeping.
So, he quickly compared many similarities between "Have a Good Trip" and "Lost on Journey".
Not only are the plots of the traffic accidents in the two movies similar, but the two protagonists are also "a middle-class person who is eager to go home to reunite with his family before the holidays" and "a crow mouth from a low-class background".
In addition, some plot settings ("the two are forced to live in the same room and even sleep in the same bed"), lines and the entire theme, the two movies also have similarities.
Fuck, the system is a pit.
Hao Yun scratched his head, this is really a fucked-up thing.
But he had to admit that the system's adaptation method was very successful and achieved the ultimate in localization.
I don't know if it will be a big hit, but if you can watch this movie while taking a long-distance bus, the journey will definitely not be boring.
It is estimated that there will be laughter on the bus.
For Hao Yun, who has experience in this area, it is still very meaningful to make this movie.
As for the suspicion of plagiarism, Hao Yun does not think it is a big problem.
Of course, he will definitely not be as shameless and stubborn as Lu Yu.
Hao Yun's plan is to buy the adaptation rights directly.
Hao Yun can't remember when this movie was filmed, but it must be an old movie ten years ago.
This kind of movie is not worth anything at all.
The "Infernal Affairs" trilogy can sell for 1.5 million US dollars, because it is a commercial blockbuster with high commercial value.
Hao Yun's "Heart Labyrinth" remake rights were sold to several countries, but it only sold for 200,000 US dollars-and this is the best screenplay at the Cannes Film Festival.
This kind of less well-known old movie, 30,000 to 50,000 US dollars is the maximum.
However, Hao Yun does not plan to act or direct. He will just be a producer and let Ning Hao or someone else shoot the film.
The studio should also look for some new directors to join.
There will definitely be many similar scripts in the future.
The actors are Zhang Songwen and Wang Shunliu. They have no pressure to act in comedies.
It is not ruled out that there are people who are more suitable than them, but Hao Yun will definitely not give resources to outsiders.