Chapter 410: Silver Bear Award (Monthly Ticket Request)

Hao Yun, director Gu Changwei and his wife Jiang Minli, screenwriter Li Qiang, "brother" Feng Li, and "sister" Zhang Jingchu walked on the red carpet as the main creators.

Berlin, like Cannes, has red carpets all day long.

Even movie premieres are there, but people on the red carpet have to watch the attraction of the movie.

"Peacock" is an award-winning hit movie.

Gu Changwei is also a frequent visitor to European film festivals, and has long been at home with Zhang Yimou, Jiang Wen and others.

Therefore, the red carpet of "Peacock" seemed very lively.

Many domestic and foreign filmmakers came, and all media were also present.

After walking for a while, everyone dispersed to accept simple interviews or take photos.

With Jiang Wenli, a tigress like him, Gu Changwei would definitely not dare to make a mistake.

He didn't even dare to look at Zhang Jingchu.

The couple went to take photos alone. Hao Yun and his three siblings also took photos. After taking a few photos, the three of them dispersed.

Hao Yun felt quite lonely alone.

Fortunately, he was also popular in the eyes of the media at the scene, even more eye-catching than the dressed-up Zhang Jingchu.

Whether they were taking pictures of him or wanting to interview him, they all killed Zhang Jingchu instantly.

This made Zhang Jingchu quite uncomfortable.

Dressed like this, she is worse than Hao Yun who is almost dressed in casual clothes.

"It's a pleasure to meet you all at the Berlin Film Festival. If you have anything to ask, please feel free to ask. I will give a centralized interview after the film is over."

Hao Yun is very polite to the media.

"Why are there no works in the exhibition this time? I heard that you completed a movie last year." This is the question that reporters are most concerned about.

Directing one movie a year, this oriental young man can be considered diligent.

Much better than his mentor Jiang Wen.

But there are also concerns about whether high-frequency production will cause quality defects.

"This movie is a youth romance film. I am also very interested in this type of film, so I gave it a try and used this relatively relaxing time to focus on planning the "Explosion Drummer" and "Explosion Drummer" that I will shoot this year. The inspiration for this film comes from my identity as a music composer..."

Hao Yun quickly brought the topic to his new movie.

It can also be regarded as building momentum for the new movie, increasing some popularity, and paving the way for future awards.

However, the sisters in Europe did not forget to care about his private life and asked: "Have you made any progress in your relationship outside of work? Will you bring your girlfriend with you when you attend the Berlin Film Festival next year? "

"Sister, if you want to inquire about my single status, I can tell you that I am still single. However, because I am too busy at work, I regret that I cannot date a beautiful girl like you." Hao Yun is very good at it. Make girls happy.

Even if he refuses, he refuses so much that it makes people hate him.

"I heard that your Chinese film industry has doubts about your ability to make "The Labyrinth of the Heart". There is even an award-winning director at the Tokyo International Film Festival who publicly expressed similar views. What do you have to say to the Berlin Film Festival? "?" The reporter asked a relatively sensitive question.

"My mentor Jiang Wen has also been questioned by many people. I think being questioned may be the fate of every film artist. Filmmakers who really understand movies and can see the essence through the form of movies can actually see it. The difference between my mentor and I is that our films have completely different cores..."

Hao Yunming demoted Lu Long secretly.

But he did not scold directly, but guided the reporters to scold.

Dust off Lu Long's image in foreign film circles.

Anyway, he has to lie dormant for two years and cannot come out to defend himself. When he comes out, he will find that his reputation has been ruined by Hao Yun.

Without Hao Yun, or without Lu Long, the connotation that Hao Yun's "Maze of the Heart" was not filmed by Hao Yun himself, which made Hao Yun angry and published that paper, took off Lu Long's fig leaf, and Lu Long and his "Kekexili" is going to premiere at the Berlin Film Festival.

It's my first time.

Me too, my first time today.

That's probably what he meant. The domestic screening should have been completed and he had gone to Tokyo, so he could still say he was premiering it.

Lu Long only needs to show off in Berlin and have a meal with the presidents of major film festivals in Europe and America - it is a group of people eating, you come in and have a few bites, and accept live interviews from major media and radio stations. Then there will be another big wave of hype.

Not only can you gain fame, but you can also sell overseas rights to the film.

In this way, he can have an explanation for the producer Fang Hua - what else to explain now, it has sold a total of more than 6 million at the box office, and the film festival took 30,000 US dollars from Tokyo, and he pocketed it himself Inside.

Compared with the cost of more than 10 million, it would definitely be a loss.

Hao Yun was not afraid that Aunt Hua would have any objections to him.

Hao Batian could make back whatever money Lu Long lost.

It’s obvious who the uncle is.

Moreover, Aunt Hua's "A World Without Thieves" and "Kung Fu" produced this year were both box-office hits, and she didn't care about the little money Lu Long lost.

But this account will definitely be recorded by Lu Long.

If Lu Yuan makes another movie, it will be difficult for him to attract investment based on his own ability, and he will probably have to fight for it.

After a brief interview, we went in to watch a movie.

This film is Gu Changwei's directorial debut.

The film was chosen to be literary, and the box office was not considered at all, but in an occasion like today, literature and art are in line with the tastes of these audiences.

Hao Yun has not seen the edited version.

He had no contact with the film after filming.

Today is the first time I have seen the feature film.

Others watch the film, but Hao Yun watches the photography and editing.

The film has more than 300 shots, many of which are long shots. This shooting method dilutes the director's personal perspective and keeps the whole film calm and objective.

The individual scenes in the whole film are almost all stop-motion silent style, as if placing the viewer in the center of the stage play.

Gu Changwei extended the stop-motion photography to the film, and cleverly reflected the relationship between the characters and the direction of the plot by arranging the positions of each character.

Hao Yun followed Gu Changwei to shoot this film, and now watching this film, what touched him the most was the various photography techniques.

Gu Changwei must be among the best photographers in the mainland.

Others are Zhao Xiaoding, Zhao Fei, etc., but it's a pity that Hao Yun can't afford them to shoot a movie.

They are now involved in big productions.

The editing is also very distinctive.

Each person's story is a connection between fragments, and the cause and effect relationship is used as a blank space for the audience to imagine. For example, why the younger brother broke a finger, why Wei Hong was not selected as a paratrooper, etc.

Hao Yun took some of Gu Changwei's attributes on his body and quietly learned by watching movies.

He found a problem, that is, after taking a person's attributes, watching his movie again, the effect will be very good.

At the end of the movie, Hao Yun, as one of the actors, accepted congratulations and questions from the audience with other main creators.

Obviously, this movie has been recognized.

After the end of "Peacock", Hao Yun also accepted a media interview alone.

This interview has nothing to do with "Peacock". He did not bring his own film to the Berlin exhibition, but he was still able to organize a media interview.

All of this is the effect of the Best Screenplay Award at the Cannes Film Festival.

Even if Hao Yun has not won any actual awards since then, as long as there is an exhibition and a nomination occasionally in the future, he can become a judge of an international film festival in his thirties or forties by constantly showing his face in this way.

And he expounded his film concept in the media interview, which was the fastest way to establish his own film authority.

But this method is only suitable for a small number of people.

You have to have something in your head.

Otherwise, you would be embarrassed in front of many media.

Hao Yun patted his attributes while answering the questions raised by reporters.

It's a pity that he is still not high enough, otherwise he could organize a film seminar of his own, which would be really pretentious.

After the interview, the next day, Hao Yun and Gu Changwei attended the closing ceremony of the film festival together.

This was more lively.

The award ceremony went smoothly, and the answers to the awards were announced one by one.

"Carmen in Khayelitsha" directed by South African director Mark Donfort May won the Golden Bear Award for Best Film.

"Peacock" won the Silver Bear Award for the Jury Grand Prix.

This is the second-ranked grand prize, and Gu Changwei won it very beautifully.

After returning to China, it was another sensation.

However, Hao Yun returned to the crew of The Return of the Condor Heroes early to film. Hao Yun hopes that the TV series can be finished earlier.

It would be best if it could be finished by the end of March.

The three groups started filming in October last year. It has been more than four months and it has not been finished yet. It can only be said that the effect needs to be improved.

If the storyboards can be drawn first like he did, even if there are changes later, it will be finished long ago.