Chapter 341
[White Snake]: "I believe that everyone will be confused after reading what I said. Even some viewers who have watched the plot of [Rolling Stone] and have bad tempers should have scolded me at this time."
[White Snake]: "After all, in the plot of [Rolling Stone], Mista did change his fate, but this kind of changed fate is better than not changing it!... I believe that many viewers who have watched this plot think so, right?"
-"..."
Do you think so?
Of course!
The number of sacrifices has increased from one to three.
Not only did it not change the fate of the person who wanted to change the most.
It also implicated his companions.
If this is the so-called change of fate.
It is better not to change it!
[White Snake]: "But if everyone thinks this way, what's the difference between that and obeying fate?"
——"......!?"
[White Snake]: "Sleeping Slave" is the title of the Rolling Stones chapter, and it's also the name of a work Michelangelo once carved. It's also the name of the statue that appeared in front of us at the beginning of the OP of Golden Wind!"
[White Snake]: "It can be said that when deciding the plot of the Rolling Stones chapter, Green Dolphin Studio was definitely not in a hurry to decide to shoot this plot, nor was it to allow Giorno to take the throne legitimately, so such a plot was set up. Judging from the broadcast time of the original OP of Golden Wind..."
[White Snake]: "When Bucciarati met Giorno, after the Rolling Stones chapter in the Golden Wind plot time ended, that is, in the second episode of Golden Wind broadcasted in this OP, Green Dolphin Studio actually had thought of this plot!"
Well, no matter when Pucci was in his previous life.
Did Mr. Araki think of this plot when he created this story?
As the company that knows Araki the most and "JoJo's Bizarre Adventure" the most, David Society had indeed buried this foreshadowing in the OP before the "Rolling Stones" episode was broadcast!
It was even buried very smoothly.
Even Pucci, who re-watched this plot, was horrified by David Society's ability to control the plot, and said that this was simply an inhuman level!
In the "Rolling Stones" episode, the reason why Bucciarati replaced Fugo to take on the task of investigating the death of Luca the Tears and contact Giorno.
It was because before this, they met Scribe and his "Rolling Stones", and Mista, who knew the substitute ability of the "Rolling Stones", changed the original fate.
And the statue "Sleeping Slave", which is both the title and the name of the statue, appeared in the OP and appeared in the audience's field of vision.
Immediately afterwards, it was also the plot of Bucciarati and Giorno's first encounter!
Through the OP, the full body of the statue "Sleeping Slave" is played in this OP screen.
It not only shows that one of the themes of "Golden Wind" is the sleeping slave.
In a way that no one can imagine, the plot of "Sleeping Slave" in the "Rolling Stones" chapter was inserted before the second episode!
It was inserted when Bucciarati and Giorno met!
That's right!
In this case, when the audience watches the "Rolling Stones" chapter, will they still think that this plot was added later?
No, not at all!
As long as the audience who have watched the "Rolling Stones" chapter and understand that the name of the statue in the original OP of "Golden Wind" is also "Sleeping Slave", when they re-watch "Golden Wind".
When they see this OP start to play.
Basically, when this statue appears, they will unconsciously recall the plot of this "Rolling Stones" chapter!
This level of foreshadowing.
I'm afraid that only Kamikaze Studio and David's two heavyweight JOJO fans can play with this spoiler and foreshadowing in the OP!
Therefore, when Pucci used the trumpet [White Snake] to broadcast his discovery.
Originally, when they saw [White Snake]'s previous words.
The audience was already thinking about how to curse.
After seeing the second half of this word, especially to verify whether [White Snake]'s words were nonsense.
They also opened the search engine to find out whether Michelangelo really carved this work.
On the other hand, the audience reopened "Golden Wind" to see whether the statue that appeared in the original OP was the work carved by Michelangelo.
The answer they found was obvious--
This is it!
Everything [White Snake] said is true!
"Sleeping Slaves" is not a plot that was added later.
It was premeditated and was deliberately placed in the OP of "JoJo's Bizarre Adventure". When Bucciarati and Giorno met in the plot, the plot was played at this time!
This is something that the audience has never thought of before!
However, this is really......
[White Snake]: "The name "Sleeping Slave" seems to be not very nice, and it is also too negative. In fact, it is indeed the case."
[White Snake]: "Not only in terms of the plot, it also shows that Bucciarati and his group of 'slaves' cannot escape the fate of death no matter how much they resist. Even Michelangelo was creating this When I put up the statue, I was also full of depression, anger, and even humiliation.”
[White Snake]: "Because when he was carving this statue, Michelangelo was forced by the Pope to use military means. Even if Michelangelo was unwilling to work for the Pope and fled back to his hometown, there would be no The method was to prevent the Pope's order, and he was taken back from his hometown to create what he didn't want to create, the murals and statues praising the gods in the tomb..."
[White Snake]: "[Rolling Stone]'s stand-in person - Scolibee, he used Michelangelo's famous saying to describe his own stand-in. To a certain extent, it can be said to be from Green Dolphin Studio, another foreshadowing. Pay tribute."
[White Snake]: "Although this depressing feeling is made worse because of this..."
——"..."
Yeah, it's even worse.
If it were before, I didn’t know what kind of foreshadowing and tribute Green Dolphin Studio had prepared for the [Rolling Stone] chapter.
The audience can also say loudly that this is because Green Dolphin Studio does not respect martial ethics!
It was after seeing that Bucciarati's death was too sudden that he thought of using the sudden plot of the "Rolling Stone" chapter to make up for the legitimacy of Giorno's rise to power.
Can be used as foreshadowing and tribute.
Even what these foreshadowings are and where they are buried have been exposed one by one.
Understand that this is not a last-minute idea.
Rather, it was premeditated and the plot was set up like this from the beginning.
Audiences, can they still comfort themselves with such words?
[White Snake]: "But! In other words, when slaves have the courage to resist fate, when they no longer want to surrender to this fate! They will..."
——"...?!"
Then...what?
The audience, who were still in a low mood, now looked at [White Snake] and his newly written words.
It's like grabbing a small hope, holding on tightly and not wanting to let go!
[White Snake]: "...They will become warriors who can fight against fate!"
[White Snake]: "Maybe in the end, they will inevitably die, but their resistance will definitely not be in vain!"
[White Snake]: "Their resistance! Their courage! Will definitely give more people who are slaves of fate the courage and belief to stand up and resist! Just like those people inspired by Michelangelo's works, It’s the same as the era called [Renaissance] they created!”
[White Snake]: "Now, Green Dolphin Studio is preparing to start this new era!"
...
Chapter 464: Shihua Hatsuruno, looks like a girl’s name
In Pucci's previous life, there was always such a saying -
It is said that before Mr. Araki created "Golden Wind", he went to Italy to study, and he achieved unimaginable growth as a result.
The most obvious one is the change in painting style.
After all, as a cartoonist of the last century.
In that era when "Fist of the North Star" was unstoppable.
The style of Mr. Araki's work is obviously imitating "Fist of the North Star". Even the characters are the kind that make people say "What a tough guy" or "The whole body is a strong MUSCLE" Sighing style of painting.
Of course, this does not mean that this behavior is bad.
"Fist of the North Star" can be so unstoppable, which itself represents the aesthetics of the audience of that era.
As a cartoonist, Mr. Araki complies with this mainstream aesthetic and uses it to create his own comics. This is understandable in itself.
...Until Mr. Araki went to Italy.
Although in "Golden Wind", Mr. Araki's painting style still retains the elements of muscular and tough guy style.
But compared with the original style of "Fist of the North Star" or "JoJo's Bizarre Adventure".
The characters and painting style in "Golden Wind" are obviously much slimmer and thinner.
According to hindsight, this can naturally be understood to mean that Mr. Araki actively changed the style of his work in response to the development of the times.
However, the work "Golden Wind" was released in 1995. Based on the time of creation and conception, there is a high probability that it will be earlier.
At that point in time, was this tough guy style really eliminated?
And if not completely eliminated.
Why did Araki-sensei choose to actively change this painting style?
Italy!
Only Italy!
There is no doubt that this is related to the fact that Mr. Araki traveled to Italy to collect wind before creating "Golden Wind"!
Even Mr. Araki’s changed style of painting.
Nor is it the weak and beautiful style of painting that became popular in the industry later.
Instead, he imitated the style of Michelangelo's statue and created another tough guy style of painting!
After returning from his trip to Italy, Mr. Araki created the work "Golden Wind";
And the stage of the story of the work is located in Italy;
The character creation also refers to Italian statues;
Even the rhythm of the whole story has the color of an Italian religious story in which a son of God leads a brave man to go through many difficulties and dangers, and finally defeats the devil;
...
So is there a possibility.
It’s not just the elements mentioned above.
The core of the work "Golden Wind", or the core of the "JoJo's Bizarre Adventure" series of works, is it that Mr. Araki also added this Italian element to it? !
Just like the statue "Sleeping Slave", it was undoubtedly created by Michelangelo to express his own pain of being restrained by the rulers.
As a cartoonist under JUMP.
Araki-sensei, why isn't he bound by JUMP's screenwriter and wants to express his feelings through comic works?
You must know that the protagonist in JUMP comics, especially in a series of passionate battle comics like "JoJo's Bizarre Adventure" where the male protagonist has always been the protagonist, the protagonist can never be a girl, but can only be a boy.
Naturally, it cannot be homosexual.
The work must also contain the three JUMP elements of [Friendship], [Effort], and [Victory].
Yes, even if Joseph said that the two words he hated the most were "work hard" and the other was "come on", he did not escape the shackles of these three elements in the end.
The [Friendship] with Caesar, the [Effort] to be trained like a pig in a pig farm by Lisa Lisa in Venice, and the [Victory] to finally defeat Kaz, who has become the ultimate creature... ...
Joseph seems to be taking an unconventional path.
In fact, he is a very orthodox protagonist of the JUMP series.
Naturally, after creating "Phantom Blood" and creating Jonathan, a gentleman protagonist who can proudly say that "the Joestar family has been a gentleman for generations," he turned back in the second part of "Battle Tide" Here, Mr. Araki sets JOJO up as an American gangster.
If only he could behave himself.