Chapter 333

But the problem is that [God Thoth] once made such a prophecy to Jotaro:

Said that Jotaro would be cut in half from the face and die...

Then 24 years later, Jotaro's death scene was that he was cut in half from the face by [Made in Heaven]!

Not to say that it is exactly the same as the fate predicted by [God Thoth].

It can also be said that it is almost the same.

This kind of fate is powerful.

This kind of fate may be late, but it will never be absent.

It is undoubtedly a unique feature in all Japanese works-

Powerful and absolute fate!

On the other hand, it is precisely because Japanese authors will unconsciously portray fate as powerful and have irrefutable absoluteness.

Once this powerful and absolute fate can be broken and defeated by people.

The so-called resistance to fate, the so-called defying fate.

Is there anything more suitable than this? !

No!

This is also why Mr. Araki will spend six works to describe the power of fate.

Through these six works, he wanted to challenge this fate, just like JOJO in his works, to break the reason of this fate!

So Pucci would say that this plot is necessary.

After knowing the so-called "Stone Sea" and what "JoJo's Bizarre Adventure" is all about, Akiyuki Shinbo also felt that this was necessary.

But the premise is that this can be done.

If it can't be done, it can't be considered as defeating fate.

In the end, they are just slaves of fate.

In this case, what difference does it make whether it is deleted or not?

The only difference is that if Akiyuki Shinbo does it this way, it will not give the audience hope of defeating fate like the original plot.

Without hope, there is no expectation.

"Stone Sea" will also become a mediocre "JoJo's Bizarre Adventure" series work, rather than a unique ending.

They can completely wait for the next opportunity, and they don't need to bet everything like they are now.

All it takes is to create a few more "JoJo's Bizarre Adventure" series works, isn't it?

Why risk everything to challenge fate?

This is what Akiyuki Shinbo asked.

As a traditional Japanese, Akiyuki Shinbo also feels that fate is invincible.

"......"

In response, Pucci fell silent again.

......

Chapter 457 God, I will never reconcile with gambling and drugs

Listening to Akiyuki Shinbo's words.

And the doubts faintly revealed in this word.

Pucci seemed to realize that he might have been looking down on the industry and the filming from the beginning to the end.

After all, in Pucci's eyes.

How many steps are needed to shoot a work?

It really only takes three steps:

The first step is to recall the memory of your previous life and copy down a work that has been tested by the market.

The second step is to follow the copied script to find the unique chosen actors in this parallel world.

The third step is to enter the script into the full-dive shooting device while sending all the chosen actors into the script world for shooting.

......In this way, we only need to wait for these chosen actors to finish filming the plot.

Of course, if we want to improve the shooting quality of this work a little bit.

We can also add a few more steps, such as finding some well-known supervisors of different planes and tricking them to come to check for omissions and make up for deficiencies.

And when everything is over, Pucci will be able to successfully harvest an excellent work that will at least not lose money.

It can be said to be as simple as it can be.

As for the filming of the crew, there may be situations such as the actors' subconsciousness is too strong, or they are not in tune with the roles they play in the work, which leads to the shooting of the play and the runaway of the plot;

Or due to the choice of the perspective of the plot, the overall viewing experience of the plot does not look coherent and smooth;

And because of the failure to understand the theme core that the work wants to express, the theme core of the work is not well shot in the shooting and final editing of the work, but another theme core is shot instead.

However, unlike the two films of the same origin, Ashes of Time and Death, the comedy version surpasses the mutual achievement of the original version.

In most cases, if the theme core is accidentally wrong or filmed incorrectly, not only will it not achieve mutual achievement, but the work will become a bad movie due to the strong conflict of the theme core.

The most obvious example is that a certain Marvel Studios ignored the theme core of superheroes and insisted on doing zzzq, resulting in the box office of the final work being worse than the previous one;

... and so on, these are the problems that are often encountered in filming.

For Pucci, it is really not a problem.

It is all possible to cheat through the information in his previous life memory!

In this case.

Although sometimes, Pucci also feels that his work as a supervisor is very immature.

Sometimes, if it weren't for Akiyuki Shinbo and Jolyne Kujo, they would remind him from time to time.

He may not really understand "Sea of ​​Stone" like he does now, or even other "JoJo's Bizarre Adventure" series.

But if you don’t understand it, you can’t understand it.

That doesn't stop Pucci from plagiarizing, does it?

Just copy all the elements including the storyboard.

Pucci's incomprehension did not prevent him from strictly controlling the work during filming.

Even because of his inability to understand.

After comparing the storyboards drawn by Mr. Araki and the storyboards created by David Society.

Naturally, it felt as if a teacher was staying beside him, personally guiding him on how to solve this problem and why this shot should be shot like this.

It was through this kind of comparison and review that he found the answer.

This is one of the reasons why Pucci was always able to suddenly understand his works.

The identity of a time traveler.

For most people, it is really the biggest golden finger.

Pucci has such a golden finger.

Since he entered the industry, his work experience in directing and shooting has naturally been like playing.

However, this is for Pucci, who is a time traveler.

For those in the industry who are not time travelers and don’t have golden fingers.

Every time they film a film, the only word that can be used to describe it is "walking on thin ice."

Not to mention being Japanese.

Akihiro Shinbo inherently feels that fate is invincible.

The script of "Sea of ​​Stone" is wonderful.

But the problems it may encounter during filming will undoubtedly hit hard what Akihiko Shinbo is worried about.

The generals turned into chains, tightly binding Shinfang Akihito together.

Pucci was also tied up.

After all, the director of "Sea of ​​Stone" is Akiyuki Shinbo...

Once Akiyuki Shinbo, as the supervisor, feels that this is not possible.

So as an actor, Pucci is at most also a screenwriter.

All he could say was "You will regret it, new house."

Rather than "I am the supervisor" to refute the other party.

There is no doubt that this incident taught Pucci a real lesson.

It made him realize that in the industry, sometimes it is either right or right.

Many things are often incorrect and correct.

This is also a lesson he has never learned in the industry.

To become a supervisor, one must not only be capable.

We also need to have staff who can truly integrate the entire crew, so that the strength of the entire crew can be used in one place instead of being scattered.

This is probably why most well-known supervisors start from the bottom.

And he did it for several years, which is why he became a well-known supervisor.

Only the needs of the crew members at the lowest level are understood.

Only then can we get up and direct them better.

It's clear that there is no Pucci in the process.

After he lost the blessing of being a supervisor, it was no longer possible for him to do this.

but!

"If you, the new house supervisor, insist on doing this, we might as well ask President Kujo for his opinion, right?"

Pucci said slowly.

That's right!

Pucci, whose basic skills were not up to par, lost his identity as a supervisor.

Indeed, I found that it seemed difficult for him to convince others.

Could it be that he told others that he had seen this plot in his previous life, and that it was definitely correct to hear him filming it this way?

If he really said that.

Pucci didn't know whether he could convince others.

But he knew that if he said this, he would definitely be sent to a mental hospital for treatment.

But he couldn't convince Shinbo Akiyuki.

Couldn't he find someone else to convince Shinfang Akiyuki?

——Kongtiao Xu Lun

Not to mention Xu Lun's status as the president of Green Dolphin Studio, their top leader and an investor in their works.

As Kujo Xu Lun has always shown, she has never had the authority to make mistakes.

That’s enough to convince everyone in Green Dolphin Studio!

"How about it, New Housing Supervisor, do you dare to bet with me on who President Kujo will support after knowing about our differences?"

Pucci is full of confidence in Seuren Kujo, especially since the film they filmed is still called "Sea of ​​Stone". Pucci, who is even more confident about Seuren Kujo being the referee, teased: "Or are you saying that, new house supervisor, you don't dare to take a gamble?"

"Hmph! Just bet, who is afraid of whom!?"