Chapter 277
As long as Bessi can hold on and survive the period before Bucciarati's death without retracting [Beach Boy], and even increase his awareness of the surroundings, then this will be his victory!
This race is very simple.
It also tests Bucciarati and Bessi's awareness.
After all, [Steel Chain Fingers] can create a zipper on any object, so that it can pass through any obstacle in an unconventional way.
Bessi also knows this information.
So he suddenly couldn't sense Bucciarati's breath, which was actually a very normal and dangerous thing in Bessi's eyes.
Let's put it this way, what will Bucciarati do after he successfully escapes?
Is he running over and preparing to attack him whose stand has been released?
Or will he continue to choose to kill Prosciutto completely first so that Giorno and the others can recover?
No matter which one it is.
This is not a good thing for Bessi.
Bessi can suppress Bucciarati like this, but the reason why [Heroic Martyrdom] has been working all the time is that
Once the Stand ability of [Heroic Death] is lifted.
Not to mention Giorno and the others who will jump out of the turtle beside him immediately.
Just the six-dimensional [Steel Chain Fingers] that have been restored to double A in strength and speed is not something that Bessie, an "ordinary person", can resist.
So under such mental torture.
Bessie, who is a bit timid and cowardly, was the first to take back [Beach Boy] and lost the race against time.
And it was very dramatic. Originally, Bessie successfully dragged Bucciarati to death.
But in the end, because Bessie was worried about Bucciarati, he would attack Prosciutto first.
Because he chose to stop the train forcibly.
The reaction force brought by the brakes, on the contrary, allowed Bucciarati's heart, which was zipped open, to collide and link together again, allowing the heart to beat again and come alive!
... This plot itself is actually nothing.
After all, Bessie's character has been paved in the front.
If Prosciutto had not practiced his will as a gangster, Bessie might not have stood up in the end.
However, even Bessie stood up under such an impact.
But because it was the first time, once the development of things was beyond his expectations, he would inevitably become the mama's boy again.
Under such a premise, Bessie's failure was already doomed.
Jolyne Kujo didn't think there was anything wrong with it.
The audience didn't think there was anything wrong with this development.
At most, they complained that Bucciarati was worthy of being the protagonist. Not only was he indirectly saved by Besci, but he also enjoyed the treatment of Jotaro.
That's right!
Jolyne Kujo, who was still taking notes seriously.
After she accidentally saw this complaint from the audience, her eyes instantly became sharp!
And from the beginning, she recorded the advantages of "Golden Wind".
Now, it has completely turned into recording the frequency and number of times the name "Bucciarati" appears among the audience!
And whether all the audience are the same as the one who complained so much before.
All think that in the plot of "Golden Wind", Bucciarati is more like a JOJO, a protagonist! ?
-------------------------------------
"This is really incredible."
Syloto Kujo looked through the notes in her hand and confirmed that her guess was correct.
At this time, a satisfied smile bloomed on her face.
After all, her hard work during this period was really not in vain!
In her records, whether it is the forum section of 2ch or the comment area and barrage messages under the video of "Golden Wind".
The probability of the name Bucciarati appearing has unknowingly become much higher than that of the protagonist Giorno!
This is a very unreasonable phenomenon!
Similarly, this is also an opportunity!
"Golden Wind", a work that she had originally given up.
It seems that it is not time to give up yet...
...
Chapter 396 No one knows President Kujo better than me
The charm of villains and supporting roles is too great.
For a work, it is certainly a good thing.
Take "JoJo's Bizarre Adventure" for example. Whether it is DIO or Caesar... their status in the hearts of the audience is undoubtedly very different.
Even beyond the labels of villains and heroes.
That is what is commonly known as popular characters!
There will be such a result, perhaps because of the character's own personality, or perhaps because of the story that happened to the character, or both...
In short, this is the reason.
Not only makes the story of "JoJo's Bizarre Adventure", but also under the interpretation of these popular characters, it is becoming more and more attractive.
It has even extended to become a special phenomenon.
As long as the episodes in which these popular characters appear, they will generally have much more playback volume than other episodes.
So much so that some passers-by will specifically look for the episodes in which these popular characters appear, as well as the important plots about these popular characters to watch.
Just from this point of view.
The charm of the villain or supporting role is too great, which is undoubtedly a good thing for the work.
For example, if you have finished watching the plots about these popular characters, then how did these plots develop like this, are you curious?
And if you have watched the plots here, then it is reasonable to spend a little more time to watch the whole work together, and the whole series of works together, right?
Just one popular character can attract more audiences to watch their works.
This can be said to be a win!
But there is a premise here.
That is, this great charm must be limited to a certain range.
Otherwise, it will be like a party struggle work.
Why can party struggle works accumulate so much popularity and audience in the early stage?
It is because party struggle works usually create popular characters that can attract audiences to watch one after another, so as to form a party struggle.
The highlight of this type of work is that the audience sees the characters they support gradually rising in the plot, and defeating other heroines who want to compete with them, becoming the real heroine of the work, which is similar to the feeling of fans voting for their idols.
But the popularity of the characters can make them successful, and the popularity of the characters can also make them fail.
After all, since it is said that this is a popular character.
So how will the audience feel when they see the characters they support lose?
Of course, if they really lose in the popularity vote, they naturally have nothing to say.
In the words of Lucien Evans, your eyes will deceive you, your ears will deceive you, your experience will deceive you, your imagination will deceive you, but mathematics will not.
But most of the time.
This type of party struggle work is called party struggle.
In fact, when the author writes this story, he usually sets up an absolute hero and heroine in it.
Once the heroine that the audience wants does not match the real heroine that the author wants to write.
And if the real heroine is not the popular character who overwhelms the other heroines.
Wouldn't the ending be a mess?
Whether it is to follow the will of the audience and replace the original heroine with the popular heroine that the audience wants.
Or to insist on writing the story as if the original heroine is the real heroine.
This situation of being out of touch with the story or the audience is a mess for this work.
However, if who the heroine is has nothing to do with the plot of the work itself.
Similar to "Naruto", the existence of the heroine is not as important as the position of the second male in the protagonist's heart and in the plot.
Then whether to change the heroine or not actually has no effect.
But on the other hand, if you choose to change the second male...
The impact is not certain!
Similarly, "Golden Wind" is now like this in the eyes of Kujo Jolyne!
And the problems encountered by "Golden Wind" are more serious than those described above!
If the previous works are just arguing about who is the heroine or who is the second male lead.
Then "Golden Wind"...
Its current problem is arguing about who is the protagonist! ?
This is a very serious problem for any work!
To give an example, in a two-dimensional mobile game, the player will basically default to the protagonist of this mobile game world, after all, the player has to pay for it.
But if the screenwriter does not develop the plot with the player as the protagonist when writing the script, but treats the player as an audience, and lets the player watch the character he draws fall in love with other opposite-sex characters...
Except for a small number of players with special fetishes, most players must be absolutely impossible to accept such a plot.
And once most players start to get angry, the entire mobile game will not be far from being shut down.
Realizing that there is a lot of room for improvement here, Jolyne Kujo.
What else is she taking notes on?
Of course, I have to call Pucci over quickly to ask this question clearly first!
-------------------------------------
"I see, President Kujo, you are worried that I will not be able to tell who is the protagonist of "Golden Wind" under the influence of the audience, right?"
Who is worried about you?
Looking at Pucci with a confident smile, Kujo Jolyne complained in her heart.
Her face did not feel annoyed by this misunderstanding, but also bloomed a bright smile.
Because......
"President Kujo, don't worry, I always remember that Giorno is the real protagonist of our "Golden Wind"!"
That's right, that's it!
Which screenwriter will write other people more like the male protagonist than the male protagonist when writing the script when the protagonist is clear?
Even after writing such a plot and seeing the audience's evaluation of this plot, he still feels good about it! ?
I can only say that Pucci is worthy of being called Pucci, and he easily did what others could not do!
After confirming that Pucci did not want to rewrite the script.
He really wanted to write Giorno as the protagonist.
Jolyne Kujo, who already knew what she wanted to know, said with great satisfaction: "Well, I understand. Pucci, you can go back and continue filming "Golden Wind"."