Chapter 279

This character is exactly the same as DIO!

At first glance, it looks like DIO is his own child!

It's just that in terms of moral bottom line, Giorno is a little higher than DIO.

In this case, Giorno, who has already become the [Passion] BOSS in reality, naturally has no obsession with whether he can play the leading role in "Golden Wind".

Even if there is, it is because they are full of obsession with whether "Golden Wind" can be successfully filmed, and whether they can use the success of "Golden Wind" to find a new path.

This is why Giorno questioned this.

"Yes, so why don't I just ask you, Mr. Giorno?"

After hearing Giorno's question, Pucci also expressed approval and said: "At first, I also suspected that I was overthinking."

"But when I thought about it carefully, I felt that this was probably President Kujo who was learning from Patriarch Bodhi and wanted to use this method to teach me... By the way, Mr. Giorno, do you know Patriarch Bodhi? "

"Understand a little." Giorno nodded.

After all, these are four masterpieces from a big Eastern country next door.

Coupled with the works shot by a large Eastern country, all of them are indeed classics.

Whether it's "Havoc in Heaven" or "Journey to the West".

Don't say that Giorno is now interested in entering the industry.

Even if he hadn't, he had still heard of the name of Patriarch Bodhi.

Naturally, he also understood what Pucci wanted to express.

But isn't this still Pucci, are you overthinking...

Before Giorno could say this.

Pucci continued: "In that case, Mr. Giorno, you should also know how special JOJO is in "Golden Wind", right?"

"He is not the grandson or son of Joseph, nor the son of Jotaro, but the son of DIO, the villain in "JoJo's Bizarre Adventure"!"

"Even if DIO used Jonathan's body when he gave birth to Giorno, judging from the erosion of the body by vampires and the inherited golden hair on Giorno's head... this is undoubtedly The genes inherited from DIO have nothing to do with Jonathan!”

Is Giorno actually DIO's son?

Or Jonathan's son?

This question would be placed in Pucci's previous life.

It is also an issue that the viewers of "JoJo's Bizarre Adventure" can argue about for three days and three nights.

Even in the end, it will just be the public saying that the public is right, and the mother-in-law saying that the mother-in-law is right, and no one can convince the other party.

Let’s learn from the “advanced” experience of the beautiful country on the other side of the ocean, and think of Giorno as a special being who has two fathers.

But if you really want to talk about it.

Judging by the vampire's ability to corrode flesh and Giorno's series of physical features.

Giorno is undoubtedly DIO's kind!

Of course, unless Giorno also mutates like the example in the news of two children of yellow race, whose husbands smoked for many years, causing the child to mutate into black.

Otherwise, the mother is Japanese with black hair and the father is also British with blue hair.

It is absolutely impossible to give birth to a child with yellow hair.

"Not to mention that in Italian, the name [Giorno Giovanna] is not shortened to [JOJO], but [GIOGIO]!"

Pucci then added.

Regardless of whether in Pucci's previous life, when Mr. Araki set the name [Giorno Giovanna], he really didn't know that there was no pronunciation of [JO] in Italian, so he named [Giorno Giovanna]. [Jobana] becomes the only JOJO in "Jojo's Bizarre Adventure" who is not [JOJO].

But in order to write the story of "Golden Wind", Araki-sensei went to Italy to collect works, and even referred to the statues carved by Michelangelo to learn the golden ratio of the human body painting method. .

To say that Araki-sensei forgot to look up the Italian dictionary when he came up with this name... it seems a bit untenable.

If Araki-sensei really doesn’t know.

But after knowing it, if you still set the name like this...

So what is Mr. Araki’s purpose?

Obviously, the purpose is to create a JOJO that is not [JOJO]!

Although sometimes, cartoonists are involuntarily influenced by reality when creating stories.

For example, at the beginning of "Horse Horse Racing", Mr. Araki just wanted to draw a story about horse racing.

But later, under the influence of the audience and readers, it continued to change back to a story about a substitute, which became the seventh work of "JoJo's Bizarre Adventure".

...that sounds normal, right?

After all, except for a very small number of works that can not only express the connotation that the creator wants to tell, but also sell well among the audience, most works cannot allow art and reality to be considered at the same time.

Otherwise, Hayao Miyazaki and others would not be envious of Shangmei Film, which still has government funding. They are envious of the fact that the creators there can use their own preferences to use their imagination as artists and freely create whatever they want. The story comes out.

As a cartoonist who can survive JUMP.

Teacher Araki has naturally known how to make this trade-off for a long time.

For example, the name "JOJO" of "Jonny Joestar" is still used in "The Wild Horseman".

Maybe Araki-sensei wanted to seamlessly connect back to the "JoJo's Bizarre Adventure" series of stories when this kind of thing was impossible.

At this point, everyone should understand.

Since in the creation of "Hauma Noro", Araki-sensei was able to choose reality in the process of choosing ideals.

So in the creation of "Golden Wind", why didn't Mr. Araki choose to have both?

If the audience at that time could be like Pucci in this parallel world using the trumpet "White Snake" to analyze the words of the audience in this parallel world, and accept the words of JOJO that is not "JOJO".

Then the setting of the name [Giorno Giovanna] naturally means that it cannot be Mr. Araki who does not understand Italian.

It was Mr. Araki who specifically set up [JOJO] for this purpose after searching the Italian dictionary!

The purpose is to make [JOJO] and the golden spirit no longer limited to the blood of Joestar.

But just like everyone can turn into light in "Ultraman Tega", anyone can have a golden spirit and become their own [JOJO]!

Isn't that the story told in "Diamonds Are Forever"?

As the protagonist, Higashikata Josuke also inherits the blood of Joestar.

If placed in the previous "JoJo's Bizarre Adventure" series, he would undoubtedly be the person the villain wants to eradicate the most.

Just like in "Fighting Tide", when Stray became a vampire, the first thing he did was to come to New York to determine whether Joseph had inherited Jonathan's spirit.

But in "Diamonds Are Forever", this is not the case.

Even the one who really takes on the role of defeating the villain BOSS, Kira Yoshikage, is not the protagonist Higashikata Josuke, but the two supporting characters Kawajiri Hayato and Hirose Koichi!

One of them is not a substitute, but a primary school student! ?

Araki-sensei has created such a rebellious story.

He is a bit more unorthodox, and it is very reasonable to remove [JOJO] from the protagonist and create a "JoJo's Bizarre Adventure" story without JOJO!

Think along the lines of this concept.

"Bucciarati will make the audience feel that he may be the protagonist in "Golden Wind". Isn't this our further attempt at this compromise?"

Pucci expressed his conjecture about "Golden Wind" in a different way to Giorno, and he said it so loudly.

...

Chapter 398 Protagonist and Supporting Role

That's right, no matter whether Pucci's guess is true or not.

Bucciarati's positioning in "Golden Wind" is a very special role.

First of all, it goes without saying that [Steel Chain Fingers] is the standard protagonist stand-in template for Double A in power and speed.

As a senior gang member in [Passion], Bucciarati is also the squad leader trusted by the cadre Polbo, and even gave most of his property to him for safekeeping.

It can be seen that his influence is both in [Passion] and on the streets under his jurisdiction.

They all have extraordinary status.

Needless to say, it goes without saying on the streets governed by Bucciarati.

Almost everyone who encounters a problem, regardless of age or sex, the first thing they think of is not to go to the police to solve the problem, but to go to the gangster Bucciarati!

Why did Bucciarati move towards the path of rebellion [passion] step by step in the story of "Golden Wind"?

Wasn't he facing the people on the street who looked at him with pleading eyes, and worried that their children seemed to be taking in the laundry detergent.

Bucciarati understands the reason for this, can't he forgive himself?

And in [Passion].

Since taking over all the territory controlled by Polbo, Bucciarati has replaced Polbo's cadre status in [Passion].

To say that his status in [Passion] is lower than that of one person and higher than that of ten thousand people is definitely an exaggeration.

But if [Enthusiasm] is compared to the ancient court of a big Eastern country next door, then Bucciarati's status in [Enthusiasm] can undoubtedly be regarded as an official at the level of the Three Gongs and Nine Ministers!

In addition to the [enthusiastic] BOSS, the troops directly under the BOSS, and other cadres who are also cadres.

No one has a higher status in [Passion] than Bucciarati.

Of course, even if the bonus brought by the cadre position is excluded.

Apaki and his fellow members of the Bucciarati team have a trust in Bucciarati that can be described as being able to climb mountains of swords and descend into seas of fire for him!

For example, after hearing that Bucciarati wanted to betray the BOSS, they had almost no hesitation.

Most of the entire team followed Bucciarati to resist the BOSS, and to fight together against the "enthusiasm" that almost dominated the country of Italy.

Even Fuge didn’t go with him in the end.

He has been living in pain since then, full of regret for not being able to follow Bucciarati!

......

This is just one influence.

Even Giorno was able to join [Passion] because of Bucciarati's recommendation.

Isn't Bucciarati equivalent to the identity of a brave hero in a brave team in RPG adventure games or related film and television works?

In short, he is a well-deserved protagonist!

This is also the reason why Pucci made such a guess.

Perhaps Bucciarati is really the protagonist set by Mr. Araki.

Just like the name [Giogiorno Giovanna] is not pronounced as [JOJO], but as [GIOGIO], it is very likely that Mr. Araki deliberately set it this way.

Bucciarati's role in "Golden Wind" is more like the protagonist than Giorno, maybe it is the same.

And the reason is also very simple.

Just like Giorno's [G丩IOGIO], as long as the audience can accept it.

Mr. Araki can turn "JOJO's Bizarre Adventure" into "GIOGIO's Bizarre Adventure" at any time.

These highlights of Bucciarati probably come from Araki's idea that everyone has a golden soul and everyone can become a [JOJO].

After all, compared to Giorno, who can be regarded as a compromise product, he can be regarded as [JOJO] or not [JOJO].

Bucciarati undoubtedly has no characteristics related to [JOJO].

Therefore, once Bucciarati can become the [JOJO] in the minds of the audience.

Then the ideas that Araki wanted to express through the story of "JOJO's Bizarre Adventure" have been successfully conveyed to his audience!

So Pucci actually wanted to ask Giorno this -

If his guess is really correct, and Kujo Jolyne's intention is to let them increase their efforts on this.

Then how did Kujo Jolyne see that the audience can accept this now?

Because the audience watching "Golden Wind" are now discussing things about Bucciarati?

But this should just be the audience playing a joke.