2273 Mutual Help

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Today is the first scene of "Rogue One" since its launch. Everyone is groping for rhythm and looking for form, including Renly and Gareth.

Therefore, some stumbling and stumbling in the shooting are inevitable and completely understandable. From scratch, it takes a process.

Even Renly, he's in the pondering stage right now. He can vaguely capture a vein, and probably know the incongruity of rhythm changes, but he also needs time to adjust and run in - the main actors are all from independent films or theater stages, sometimes it's a good thing, sometimes it's not. It's a bad thing, and it's a double-edged sword.

Renly was even more interested in the fact that when he filmed "Edge of Tomorrow", his feelings were not so direct and clear. What was the reason?

Because the crew members are more tacit? Or is it because the actor cast is stronger? Or is the director's style more approachable? But Renly personally prefers another possibility: he was not mature enough back then, and his understanding of performance was more limited to his own one-third of an acre of land; now, after growing up, he has a more comprehensive and thorough view of the problem. , things that were not felt before, are now beginning to emerge.

No wonder people always say: there is no end to learning.

After filming stopped again, Renly thought about it. The problem now was that he knew the problem, but he wasn't sure if the solution was right.

Since the whole picture is a whole, to adjust the performance method and rhythm, you need to start from different angles, make adjustments according to the light and angle of each character position, find a performance method that suits you, and finally form a composition with other actors. a complete whole.

As an actor, the content and scope of what Renly can see is still relatively limited - you can also intuitively feel the difficulty of the director's position from the side, and you need to pay attention to details while controlling the overall situation, and find a balance point. To convey the director's own inspiration and point of view... blah blah blah, not everyone can be a good director.

Now Renly is thinking about whether his performances should be a little thicker: sometimes, being more restrained can reveal more information. What's more, in this scene, Gareth only left Renly a lamp to illuminate the left side of his face, and the whole person is in a state of half-light and half-darkness. If the emotions are too complicated, it will appear superfluous. It is better to simplify it. Condensing the power, so that it is more impactful.

Renly couldn't help but think of alan-eckhart's performance in "Batman: The Dark Knight".

Back then, Heath Ledger's The Joker stole the show and won all the accolades, so that Allen's performance didn't spark too much discussion; but in fact, Allen gave Two-Face a vicious vibe. The hostility of the character shows the struggle and transformation of this character vividly.

So, can he use the power of light to show both good and evil similar to the two-faced man, giving Captain Cassian-Andor more possibilities?

In the original script, Cassian's image is relatively weak, justice, blood, boldness, toughness, bravery, and desperate for the cause of the resistance army. On the one hand, this is the image of a traditional hero, who reflects the image of the entire resistance army, and it is also a compromise under the many situations of the characters, which does not give the actors much room to play; but on the other hand, it is also boring. Yes, step by step without any surprises.

In the last life, the Mexican actor Diego Luna, who played Cassido, was actually an actor with a very unique temperament. The atmosphere of both good and evil was hidden behind the bookish air, and his exquisite and delicate acting skills Even better. But unfortunately, the script did not give much room to play, and Diego's performance was submerged in the huge cast and magnificent scenes of "Rogue One".

At this time, because of the repeated shooting, Renly gradually developed a special idea: can he inject a touch of darkness into Casidor——

It's not the kind of darkness that is murderous and evil or obsessive, but the kind of darkness that is almost paranoid evolved in order to resist the empire and save the homeland. This also makes Casidor face Jean-Esso, often with an eagerness and stubbornness, even a little unreasonable, invisibly exerting pressure on Jean-Esso; but in the process of getting along later , Gradually understood each other, and then converged the thorns little by little, supported each other, and strode toward the beliefs they insisted without hesitation, burning their lives like moths to a flame.

As a result, Cassido-Ando's image is instantly full, but not too complicated and deep, showing a reasonable development curve within the framework of the movie script.

From a performance perspective, how should it be presented?

Performance can be divided into two parts, external and internal. On the outside, the whole performance context is relatively rough, with a kind of paranoia to guide the urgency that erupts from the heart, pressing step by step to exert pressure, the presentation method can be simpler and more direct; on the inside, more complex thoughts are hidden in the eyes, but hidden In the half-light and half-dark boundary, don't show it to the camera easily, just inadvertently leak it, and click until it is reached.

After that, as the filming progresses, it is released little by little, maintaining the performance rhythm, so that this character can enter the heart of the audience step by step.

However, proportion is very important, and you must try to avoid falling into the state of independent film performance, otherwise the predicament of this scene will only get worse and worse, the original problem has not been solved, even his rhythm and state

If he deviates, then Gareth's creative intentions may not come back.

Renly is thinking carefully, considering the control of scale and proportion, or avoid sculpting too much detail in his performance as much as possible. way to convey the entire state to the audience.

Then, Renly sensed a scorching gaze, and temporarily pulled him out of his thoughts, re-gazing in focus and focal length, and met Felicity's gaze head-on.

helpless.

Felicity's eyes had too many emotions, panic, nervousness, fear, worry, withdrawal, etc. All those intricate emotions were intertwined and mixed together, and finally they were firmly occupied by a helpless sadness, It's like falling into a fishing net and struggling to get out of it.

"How should I do?"

Felicity didn't speak, but the message from her eyes couldn't be more straightforward. This was the first time Renly had seen Felicity.

When filming "Love Crazy", they also had moments when they were overwhelmed and in a hurry, but Felicity never showed her helpless vulnerability; and now, Renly can even see in Felicity's eyes To the fear of running away, as if... as if I didn't know how to act.

How should I help?

Renly was very happy to help, but the particularity of the "Rogue One" scene and the independence of Felicity's character made Renly a little confused. He couldn't even be 100% sure whether his performance fit the director's picture. Setup - This requires standing behind the monitor to watch, and there is still no special effects version of the picture, which means that the actor and director need a lot of communication, which is currently lacking, and Renly naturally has no way of knowing.

Gareth Edwards is really a very boring, boring...otaku.

Without waiting for Renly to continue to think, "Are you ready? Let's do it again." Gareth's voice came from the side, a little restrained and a little tense, you can feel that Gareth is also in confusion now, He is also trying to find a correct expression.

This means that they all need help, and the only one who can help them is each other and themselves.

Renly gave up on interrupting Gareth's abacus, and instead cast a glance at Felicity, nodding lightly, signaling for her to take it easy, calm down, and then go with her feelings, "Let's talk to each other. help each other."

Felicity's head was a little muddy, and there was no way to decipher so many details from one look, but she could feel the power from Renly, and her mood settled down slightly, as if her hands were holding a bar. The hot towel, although the heat disappeared in an instant, the tense mood was still slightly relaxed.

She knew that Renly would always find a way. Wasn't that the case when filming "Love Crazy" before?

Closing her eyes, Felicity took a few deep breaths to calm her panic; but her blank mind was still unsure of how she should act, as if... as if she didn't know how to act at all, Even the most basic acting skills are forgotten. However, Renly was nearby.

"Renly is next to him."

Felicity told herself again, forced herself to calm down, and then opened her eyes again.

"Start shooting!"

The filming started again, and the first half was still a disaster. The three actors could not fit into the same track in their respective performance rhythms, which made the whole scene look chaotic and alienated, even the most basic emotions. The expressions are all inaccurate, and it can be seen that everyone is struggling.

"...This is Captain Cassian-Andor, a rebel intelligence officer."

All eyes followed the camera to Renly.

Previously, Cassian had always stood in the shadow beside him, and the blue-green neon fluorescence faintly reflected his face. The face hidden behind the beard looked a little gloomy, and the eyes that fell under the shadow of the eyelashes were never revealed. Until now, with his footsteps slowly advancing, the light and shadow flowed little by little, revealing the appearance of his eyes: calm, deep, but turbulent.

step.

two steps.

Three steps.

His footsteps came to the conference table, and he stared at Jyn-Erso condescendingly, but did not speak immediately, just stared at her quietly. Those eyes were oppressive.

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