Three Hundred and Fifty-Four Full of Praise

The New York Times, Ninety!

"Variety", ninety percent!

The day after the premiere of "Crazy in Love", the official Sundance Film Festival magazine announced the film critics' comments on the film for the first time.

The two media both gave a high rating of 90 points, which made people's eyes shine. This is incredible for a small-scale love movie, and it is enough to match the "Blue Valentine's Day" that made a big splash last year. Comparably, this also laid the foundation for the media evaluation of "Love Crazy". The reviews of The New York Times and Variety have been recognized by many of their fellow film critics.

Sundance's official review stance clearly expressed its love for the work, "The actors are neatly dressed, but the rest of the film is so naked/naked, showing the true face of love without concealment. Romance movies make other works of the same type seem so superficial, so boring, so boring."

This is an official affirmation from the official journal. Not only that, but Sundance's official review also gave a full score of 100. This is also the first full score given by the official since the unveiling of Sundance this year. This detail alone shows their admiration and pursuit of "crazy in love".

In an instant, "Crazy Love" became the number one favorite for this year's Jury Prize!

Sundance isn't the only outlet to give it a perfect 100. "Vanity Fair" and "USA Today" also both gave 100%.

In a review for Vanity Fair, Claudi Puig said, "This is a unique, amazingly small-budget independent film that would put the big money to shame. The power of time, the oppression of space. , the torrent of life, has been reduced to a supporting role throughout the film, love, only love, Derek Doremus dedicated a beautiful film that moved to the heart."

"USA Today"'s Kathryn Longwash said, "Doremus shows his delicate touch of emotion and vivid interpretation of reality in this work, and the reflection is turbulent; but it would be wonderful without the two leading actors. There's no way this film could have been a success, with a terrific, natural performance, and that fiery, believable spark between the two men."

Three full marks, three full marks, "Crazy Love" has undoubtedly become the most acclaimed work since its unveiling at Sundance this year, and this is not the end, James Bernard of "Village Voice" gave Ninety-five points out.

In the comments, James said, "'Love is crazy' tells a simple and pure truth: love is crazy, but sometimes it hurts like life is for what it is. Derek Doll Remus tells a nuanced and true story that evokes fond memories of 'Blue Valentine's Day. And 'Brokeback Mountain'."

Good, good, good! The unanimous praise has pushed "Crazy Love" to the peak of incredible word-of-mouth. A total of twelve media reviews were published in Sundance's official field journal, of which nine media gave praise, and two media gave intermediate reviews. Evaluation, only one gave a negative review.

This bad review comes from Lisa Schwarzbaum of Entertainment Weekly.

Those who are interested can notice that Lisa was not interested in the previous "Buried Alive" and "Pacific War", and both gave negative comments, regardless of whether she had personal grudges with Renly, but it can be seen that for this man. A rising star in acting skills in a short period of time, Lisa does not have much preference.

"Similar to Doremus' 2010 Sundance Film Festival's 'Dumbo', the film presents an eye-catching level of performance, with a light-heavy performance becoming a bright spot on the screen, and the two actors are the same. The chemical reaction between them is also worthy of recognition.

But the work itself is like a wes-andeon on a drug/hit/hi, learning sophia-copola in order to write an end-of-term paper on 'New Jersey' )movie of,

Then borrowed various fragments, elements and ideas from countless classic works, and fabricated a hodgepodge of YouTube music videos.

A complete disaster. "

Lisa is simply on fire, ruthless, demeaning the film to nothing, and even using YouTube to satirize Drake's amateurishness, tart and sharp, with a thirty-point rating that clearly shows her point.

However, this time, Lisa is alone. Among the twelve comments in the official Sundance magazine, she is the only one who sings the opposite, and the only one whose score is below the pass line. Maybe wait for "Love Crazy" After the national release, she could find like-minded partners, but now at Sundance, all the other media outlets are pouring out praise. But, one thing Lisa and everyone agree on is the cast.

Even Lisa, in the midst of the bad reviews, gave the actors a corresponding affirmation and said, "This is the only bright spot."

Compared with Lisa, the praise of other film critics has been hotter and more turbulent; more accurately, compared with the film "Love Crazy", the focus of most film critics has been on On top of the actors' performances, including those two intermediate comments.

The New Yorker's Marie-Gronwa only gave it a 60-point rating. She had a very limited opinion of the film itself, believing that the work was just a passing level, but her attitude towards the actors was quite different.

"Felicity Jones and Renly Hall put on an amazing performance in this film.

There is a kind of childish innocence and simplicity in Jones' performance, showing the fragility and madness in love to the fullest; Hall is undoubtedly the brightest bright spot on the entire big screen, dull, focused, green, hesitant, sad, fanatical , those eyes were full of the world, and when the eyes dimmed, the world fell apart.

The two actors, Hall in particular, bring a magical power to the film. "

It's hard to imagine that Mary only gave 60 points. Watching this evaluation alone, she thought it was a full score. From this aspect, we can also see that Mary's hatred of iron is not steel, as well as her strong admiration for the performance of actors.

The same goes for another who gave the film a sixty-five score, with Rene Rodriguez of the Chicago Tribune saying, "I can't think of any reason why anyone would give such a , stingy, sweet-sweet chick romance movie.” Even complained that the movie was even worse than a dre-barrymore sweet romantic comedy, “at least the latter can make you laugh and sleep. ."

However, Rene praised the performances of the two actors, "The chemistry between them makes people want to believe that this love story is really happening. Especially Hall, who, by virtue of his performance alone, supports The emotional change and time change of the whole movie started. After 'Buried Alive', he once again proved his absolute strength."

In addition, Rene also mentioned Jennifer Lawrence, "Her delicate performance in a limited space is commendable." It can be seen that Rene praised the overall performance level of the film.

This is indeed an interesting phenomenon.

For a love movie, in fact, what people pay most attention to is always "love" itself, or romance, or tragedy, and so on. This is true of works such as "500 Days with Summer" and "Blue Valentine", even the famous works such as "Annie Hall" and "When Harry Met Sally" are no exception.

It's not that the actors in love movies are not good enough. Diane Keaton won the Oscar for Best Actress with "Annie Hall" back then; it's just that love movies are trapped by themselves The subject matter and framework are relatively narrow, and the performance space is relatively narrow.

Taking "Brokeback Mountain" as an example, the script gives the two protagonists a lot of inner play space, outlines the emotional changes of the characters, sacrifices the romantic elements of love movies, and focuses on the psychological state of the characters. In fact, this has been divorced from love. The category of movies should be classified as drama movies.

Therefore, it is not an easy task for a pure love movie to highlight the performance of the actors.

But now, "Crazy Love" has successfully broken the shackles, and the performance of the two actors has become the biggest highlight of the whole work. Apart from one negative review and two medium reviews, other positive reviews from the official magazine are even more in this way.

"Genius! Genius! Genius! Renly Hall has stunned the big screen again! With just that heartbreaking look in the final scene of the movie, Hall's performance is enough to rank among the top 10 best performances of the year! Not to mention , That's not Hall's best performance in the movie. The expressions, movements, eyes and lines, Hall's performance is natural, sweet to the extreme, bitter to the extreme, and helpless to the extreme."

"It's a treat to watch Hall, it's a very different character and a very different way of acting, but he can always give a character a special quality between his charisma and The characters' personalities blur the lines of performance. Jones and Lawrence's performances are excellent, if not exceptional, but in front of Hall, they are still slightly inferior. Just for the sake of watching the performance, I would like to see it again This movie once."

"If anyone said that Hall's performance in 'Crazy' was more difficult than 'Buried Alive,' then I wouldn't agree; however, Hall showed great acting skills in both works. Personally, I like the performance in 'Crazy in Love' more, and I can feel that Hall's control is better, the kind of smooth performance, in which he quietly completes the role-building between gestures, this It is unimaginable that he is only twenty-one years old."

"It's a very interesting film, the actors bring out the wonderful qualities of the film, the two female characters Jones and Lawrence show their vulnerable side in love, but also show their efforts to change the status quo of life. Strong, the performances of the two young actresses are undoubtedly successful in completing the characters; but the biggest highlight of the film is undoubtedly Hall, the one and only Hall, who, in several scenes, not only gave Oscar-level performances, but also dedicated y A performance at the level of a generational leader."

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