Completion of This Induction (Second Half)

(Induction. This typo is really outrageous)

Because of the crow's imagery of "black" and "unknown", I extended settings such as "dark night" and "mystery".

Ask a question, when you see, hear, or think of "Dark Night", what do you immediately think of before reading my book?

In my own words, because I am addicted to science fiction works, the first thing that comes to mind is "explored", "unexplored" and then "unknown" and "mystery".

At the same time, because of the opposite relationship between "night" and "day", it is realized that it is related to "time".

And at night, when I have to sleep again at night, I thought of the dream.

Dreams always dream about things in the past, even things in the "future".

After that, the three elements of "night", "dream" and "time" were connected together in my mind.

You guys know what my initial image of "time" was like?

snake?

No, it's actually an octopus.

Because at that time I had already heard of the settings of "parallel world" and "branch world".

I was thinking, what does a person look like if viewed from the perspective of time instead of space?

Past, present, and future stacked together.

Every second is like a photo, stacked together for countless years, it is a long strip.

And if there are multiple timelines.

And my impression of "time" is always "time flows like a river"

As a result, when I think of time, I think it will be like water flow.

And because the "dream" in my mind is associated with "time" and "night", it also reminds me of the starry sky at night.

Then

The image of "the river of time, the sea of ​​time" came out.

After that, when it comes to creatures related to time, I always feel like it should be some kind of sea creature.

Octopuses, Poseidon slugs, sea snakes, and kuns.

That's right, it was the Kun that turned into a bird.

However, humans, this kind of creature that can enter the estrous period at any time around the clock, will always unconsciously think of some astringent things.

Moreover, things like Kunpeng have a strong oriental image, so I didn't use them, but replaced them with things from Greek mythology such as sirens and sea monsters.

I have always thought that the best way to write fairy tales is oriental elements, don't suddenly pop up a magician or something.

When writing about swords and magic, it’s about swords and magic, don’t suddenly pop up a few jokes or something.

It's not that I can't watch it. I can accept the mix of Eastern and Western elements when it comes to multi-world themes related to Infinite Stream.

In short, it is a hodgepodge of themes that can be mixed casually. If it is not a hodgepodge of themes, it will lead to reading drama.

However, because of my experience as a kp, when I write about beauties and handsome men, I can't help but let people have a few strange features.

What kind of eyes protrude like bugs?

Occupational diseases are correct (stand up).

Because it adopted a lot of old and abolished cases of the Night Crow, the Silver Crow and the Night Crow seem to have many of the same elements.

But, here lies the problem.

The core, of course, is the original setting.

In the setting of Night Crow, the professional is corroded by the residue of the gods, and the blue-blooded person is the bloodline wizard who deprives the power of the gods and casts them into a tower, and uses the remaining fragments to seal them in the body to form a bloodline.

The "professionals" everywhere in Night Crow are actually the "full material" I prepared for the protagonist team in the core breakthrough system.

But later, Night Crow was changed to a different world of the game, and there was only one protagonist.

The forty or fifty occupational systems that were originally set in detail were rarely used in the end.

When I was writing Silver Crow, I was actually very happy, after all, I felt that those waste cases of Night Crow could be reused.

It is not difficult to integrate the mysterious set of upgrade frameworks.

My set of occupational synthesis settings derived from Gu Daoist Synthesis Gu, as long as it is shortened and a few occupations are deleted, it can be directly applied.

However, it is still not enough.

Later, I thought that although the mystery is the Kabalaga Tarot card, it did not make a fuss about the forward and reverse order and the forward and reverse Kabbalah tree.

I just did it.

However, as it turns out, it’s the right thing not to do.

Too much.

The forty or fifty career breakthrough system is changed into forty or fifty paths. It doesn't take much time to make settings, but it is difficult to write them all in the book.

You can also see that there are still many paths that have been omitted.

Originally, when I refined the setting of the Silver Crow, there were twenty-two paths for blue-blooded people, and twenty-two paths for professionals.

But after thinking about it carefully, there are too many, even if each volume is filled, it is difficult to fully unfold.

Moreover, although the number is large, if you compare them carefully, many occupations actually have many similarities.

It's a bit repetitive.

And, one more thing.

That is the mystery itself.

I really like this book, but because of the "plagiarism" incident in recent years.

Although from my point of view, these mythological elements are universal, because I know a lot of mythological and historical related materials, and know where these come from, but readers may not know, and their judgment standards are inconsistent with our author.

"It seems to be" is not a joke, and many people really think so.

After all, human cognition comes from experience and comparison, which is unavoidable.

Like Roman mythology and Greek mythology.

The Romans themselves had myths, but their myths were "structural", with only structure and identity, that is, what kind of ability symbolized by god xx and what kind of relationship he had with another god.

What Roman mythology lacks are stories about what happened to specific gods.

That is, what this god has done, what he has done, and what deeds he has accomplished.

The "Roman mythology" we are familiar with now is that when the Roman writers at that time wrote Roman mythology, because of the corresponding structure, they directly incorporated the content of Greek and Egyptian mythology.

Even some original deeds of Roman gods were replaced by writers.

As a result, today's Roman mythology is a replica of Greek mythology in people's first impression.

How should I put it, thanks to the habit of being a kp, I explained where the sequence path came from in the first chapter, this is the magic reform of house rules and so on.

However, as much as I love the esoteric, I also don't want to be thought of as surreptitious in my creations.

Although my occupational synthesis system was not conceived out of thin air by myself, it did not come from secrets, but from Daoist Gu, and many occupations from dnd.

Therefore, I think that the matter of "applying the mysterious sequence path system" is also directly written as a storyline.

An outsider who brings the system of sequential pathways.

Fortunately, in the setting of the multiverse, the writing of "foreign rules" will not be abrupt.

So, when setting up, I made one thing clear.

The system of "serial approach" is foreign.

Then, my setting was changed to one path for each control tower of the empire.

And Xiushi Lu constructed twenty-two paths.

The former is "Masaki" (tree of life, Greek sacred tree)

The latter is an "inverse tree" (like Kabbalah tree)

There are many "meditation ideas" in Ye Crow.

The wizard's "skill tree", which is the previous Greek holy tree setting.

Each wizard has its own set of skill systems, and they have a variety of spells, which form a skill tree.

You should still remember what the "Viscount Ashes" said.

Not a specific name, but a general "symbol".

These descriptions are the descriptions of wizard spells.

These are Masaki related.

On the other side is the "reverse tree".

After Lu Xiushi came to Rongguang, based on the "Phantom Tower", he used the entire cognitive race as a cognitive force, as an outline, as a bridge, and built 22 pathways to conceptualize one professional after another. , Cognition is stripped out and embedded in the "path".

And then, in this world with broken order, Xiushi Lu used dreams to shape the temporary past, piece it together in time, and affect the adjacent era.

Step by step, Xiushi Lu connected with the imperial tower through the backup towers such as the Phantom Tower.

Through the power of cognition, connect the two trees.

Then

replace, merge.

However, I am still quite regretful, the problem of writing skills, the problem of the length of the plot, Lu Xiushi "men" calculate the flame seed, calculate the wizard, calculate each other, in the self-circulation of the chain of suspicion, in the self-circulation, towards others, towards themselves, towards others, towards each other. Everything is on the verge of getting out of control in the manipulation of fate, and gradually self-destructs.

I have always adhered to a concept.

That is, what is wrong is wrong, and what is right is right.

I'm not going to whitewash a guy who did something bad and say he's a good guy.

It's not that I haven't written bad protagonists.

Instead, as it stands now, it's fair to say that every one of my main characters is a bad guy.

However, at least one thing needs to be clear.

From the author's point of view, it should be clear.

The moment they do something bad, they should know that when they are killed and retaliated, they deserve it.

In theory, if someone killed someone, he should pay the price.

In fact, he did not pay the price due to various reasons, such as powerful influence, strong ability, and not being discovered.

However, it is not possible to be "normal" and correct the normal just because "the price has not been paid".

Then give him a judgment of "it's okay to do this" and "it's right to do this".

A very serious matter in the Chinese society is experience.

How should I put it, because xx is normal, so xx is okay.

Because xx is normal, there is no need to deal with it.

When everyone regards this kind of thing as normal, the threshold will drop, which will lead to things that go further beyond the standard.

I may not remember the others clearly, but I do remember the theory and practice of materialist dialectics very clearly.

There are so many ethical slippery slopes of "normal = right" that I am almost numb.

I don't intend to use the contents of the book to educate anyone, nor do I have such noble ideas.

What is wrong is wrong, and what is right is right.

You can't feel "not strange" just because stealing and killing are "normal", because "not strange", and then slide down to "right", and then slide down to "correct".

Human nature is very complex and psychology is malleable.

"Thinking", "memory".

These are the names of Odin's two crows, and are the subject of my book.

When thinking and memory are affected, people's values, world outlook, and outlook on life will be affected.

My book can also have me as the author to reveal the setting and reveal the truth.

But what would happen if an unverifiable, unfalsifiable world did emerge?

I think it may fall into a desperate situation of historical nihilism.

Although I have said a lot, it is nothing more than an informal speech full of mistakes and omissions from a writer of civil science and sociology.

When you participate in any topic in the future, if you plan to end it, please remember to understand the source and development of the incident in many ways, so as to avoid being misled and coerced into doing things that go against your own ideas, which will lead to regret when the incident is over in the future. and.

Although I don't know how long I can live, I hope that all book friends can be healthy and live smoothly.

Oh, by the way, the setting of "glory", that is, "glory will" and "world will", originated from Lacan's unconscious automaton.

is a philosophical concept.

Here, I would like to remind everyone that although philosophy may be useful for practical guidance, it is too prone to problems.

When I was writing Ye Ya, because I came into contact with philosophy when I searched various materials, and I didn’t have a rigorous mentor to guide me, it caused me to think wildly for a long time before I came back to my senses.

During that time, I was dizzy, and it would not be an exaggeration to say that I was going crazy.

If you want to get in touch with philosophy-related content, please be cautious.

I didn't expect that the testimonials could be coded nearly 7,000 words at once.

It would be great if the code text could have this speed