Chapter 820 820
"Los Angeles Times" analyzed "Pulp Fiction" from the perspective of actors, and gave a high score of 3.4 according to the official Cannes Film Festival scoring standard, among which Hugo's performance was given a super high evaluation, That's to be expected, not only because of the Los Angeles Times' stance on Hugo, but also because it's widely shared in Cannes.
The British authoritative professional film magazine "Sight and Hearing" commented on Hugo's performance, "From hairstyle to costume, from language to action, from expression to wink, Hugo has injected soul into the character of Vincent, and we can take it from him. One of the details of the character can read the character of this character, and even the experience of growing up, every gesture is a play, but there is no trace of performance at all, and the actor and the character are completely integrated, and it bursts out with jaw-dropping sparks."
From the perspective of "Sight and Hearing", the best show in "Pulp Fiction" that best reflects the essence of Hugo's performance is the twist dance, "In addition to paying tribute to classic movies and classic dance, Senter's character's personality and inner workings are clearly presented.
Vincent's sympathy for Mia and the fear of the boss Masha conflicted in his heart, and with the advancement of the chat, it evolved into a conflict between his favor for Mia and his scruples about Anton's tragic situation. All emotions burst out in a dance. When Vincent and Mia returned home, they became hesitant to stay overnight or leave decisively. After experiencing Mia's coma, the two finally In a conversation, you can find all the ambiguous. ignorant, wandering. All disappeared, Vincent did not respond to Mia's joke, and the two broke up flatly.
It can be said that the development between Vincent and Mia has a very profound connotation, from Vincent's jealousy and rejection, to sympathy, and then through development into sparks, there is even the possibility of misfire, and finally return calm. The emotional development between the two characters is hidden beneath the surface of the entire story, a surprise that can only be discovered by careful observation of the performances of the two actors.
Among them, Hugo's performance undoubtedly occupies an absolute leading role, and is concentrated in the twist dance scene, which is presented delicately and vividly.
At first, he was restrained, retreated to defense, responded clumsily, came and went, and finally let go of his hands and feet to enjoy the revelry, and even had a tacit understanding. In this short dance, Hugo has no special expressions. He just uses his eyes and body movements to outline the emotional changes. It is subtle and real, concise and believable, even if the speed is slowed down one frame at a time. There is absolutely no problem in watching it, which makes people have to be awe-inspiring! "
At the end of the comment, "Sight and Sound" said, "The actor who just won the Oscar for Best Supporting Actor not long ago is only twenty-six years old this year, but obviously, his strength is showing a kind of He has grown up at an incredible speed and deserves the admiring applause of every movie lover."
Not only the "Los Angeles Times" and "Sight and Sound", but many other media also praised Hugo's performance when writing film reviews, and even many media believe that Hugo's performance can completely dominate Cannes. , to get the trophy of the best actor, this kind of voice has gradually spread in a small area.
"Pulp Fiction" has also become a masterpiece that Hugo's performance has once again been recognized after "Schindler's List". Different from the previous works, "Pulp Fiction", like "Schindler's List", in He has an influence that cannot be ignored on the international stage, but Hugo's performance can still be recognized, which means that he has undergone more tests, which is also an unexpected harvest of this trip to Cannes.
After two days of low ebb, the power of "Pulp Fiction" began to rise continuously. The first four film reviews developed into four days, and nineteen film reviews have evolved, surpassing the "Pulp Fiction" that was popular among the French. "Queen Margot" has become the most discussed work since the opening of the 47th Cannes Film Festival, which is also a rare sight, after all, this is the home of the French.
The "Pulp Fiction" of the away game has become the focus of heated discussions, which further illustrates the upsurge caused by this film. Until this time, the feedback from the filmmakers and the reaction of the media and the audience's pursuit have reached the same track. .
With the increasing number of media ratings, the comprehensive rating of "Pulp Fiction" has gradually begun to decline, which truly reflects the current media's views on "Pulp Fiction" in Cannes. Among the four-point scoring system, ten The comprehensive score of the nine media reached 3.1 points, which can be regarded as a highly sought after masterpiece. But even so, this is still not the highest rating.
Krzysztof Kieslowski, who has established himself as a master of film history by relying on the "Blue, White and Red Trilogy", is on top of the comprehensive average performance of the official Cannes Film Festival magazine in this year's hot competition It still shows strong competitiveness. Last year, "Blue" won the Golden Lion Award at the Venice Film Festival. In February this year, "White" won the Silver Bear Award at the Berlin Film Festival. Now, "Red" is showing at the Cannes Film Festival. After that, he led the way with a super high average score of 3.5 and became the strongest contender for the Palme d'Or, which made many media exclaim, is it that Krzysztov will be in the three major international film festivals within one year? All accomplish the award-winning feat?
With the exception of "The Red of the Blue, White and Red Trilogy", the competition among other works is relatively fierce. "Queen Margot" relies on the powerful force of the French local media to occupy the second place with a rating of 3.3. The third place is somewhat unexpected, not "Pulp Fiction", but "Alive", which was praised by the media immediately after its premiere yesterday. The high score of 3.2 surpassed many competitors in one fell swoop and became the final One of the strong contenders for the award; Pulp Fiction, which scored 3.1, was only temporarily placed in fourth place.
In addition to these four works, Russia's "Burnt. By. The. Sun" and France's "Dear. Diary" also have very good reviews. The most important thing is, At present, the Cannes Film Festival has three days to end, and it is still unpredictable what wonderful works will appear after that. At that time, the average score ranking may still change.
It can be seen that this year's Cannes Film Festival can definitely be called a gathering of good films, and the competition is extremely fierce.
"Pulp Fiction" has not been able to show absolute dominance among the praises of the media. This is also a feature of the film festival: classic masterpieces are emerging one after another, and you will never realize whether there will be a work that will stun film history tomorrow.
Although "Pulp Fiction" failed to be the king in media ratings, on the one hand, it was also because the number of "Pulp Fiction" film reviews far exceeded that of its competitors, which lowered the average score to some extent; The factors of combat, the most sought after "red" are Italian works, "Queen Margot" is a French work, relatively speaking, from China. China's "live novels" and "Pulp Fiction" from the United States are naturally at a disadvantage.
The most important point is that the theorem of "big heat must die" is often very effective at the Cannes Film Festival. Due to the particularity of the selection system of the jury, the media score does not have absolute reference value, so the final award trend remains the same. is confusing.
Of course, it is undeniable that there are a lot of people who don't like "pulp fiction".
As Roger Ebert said in his film review, the innovation and boldness of "Pulp Fiction" is undoubtedly a double-edged sword. People who like it highly respect it, and people who hate it will despise it.
The old French professional film magazine "Positif" disagreed with this film, "Quentin Tarantino, who is the screenwriter and director, seems to have been emphasizing his own style and hopes to add more to the film. personal impact, which resulted in some segments of the film - especially those involving gore and homosexuality, rape, and intense discomfort, as if it were a direct attack on those feared in society Disgraced public figures generally expect originality and novelty from offending these 'public figures', but instead lead to violently disgusting reactions.
Maybe it's not the kind. clan. Works with strong moral condemnation, such as discrimination or the Holocaust, must also be criticized for their themes and ideas, which is unacceptable. "
Not only the "feature film", but also the Italian magazine "Film", which in Italy is like the "Cinemabook" in France, once the soil for the birth of neorealism after the war.
"'Pulp Fiction' splices together countless violent and bloody scenes in a disorderly manner. Apart from the novelty of the film's narrative structure, the entire film is just like the title of the work, just a pulp fiction hidden in the corner of a second-hand bookstore, which records Unbearable, vulgar, obscene. The flow of boring words, I don't know what to say, and there is nothing good to say."
These two professional magazines are not optimistic about "Pulp Fiction", and even criticize it as useless, but "Feature Film" highly praises "Queen Margot", "Film" gives absolute praise to "Red", from It can be vaguely seen here that in addition to the respective aesthetic orientations of the magazines, the sense of competition in countries and regions must also have some influence.
Of course, the most important thing is that Europe itself is the field of art film. Compared with "Pulp Fiction", which is full of dark humor and uses movies as a means of entertainment, it is obvious that "Alive" has a strong flavor of life and deep social significance. , it is more in line with the aesthetic standards of European media.
The art form of cinema is inherently like this, some people like it, some people hate it, and everyone has the right to have an opinion about a film - whether it is good or bad, so the negative reviews of "Pulp Fiction" are not surprising. In addition to professional media, "Pulp Fiction" has also become the hottest topic at the Cannes Film Festival. Many filmmakers will also be mentioned this work in interviews, and they can naturally express their opinions.