Chapter 780: The Particularity of 4 Star Scenes

"The first floor is Teacher Bai, the second floor is Hongyi, and the third floor is a group of invisible monsters. What will happen on the fourth floor?"

Chen Ge stood alone in the middle of the corridor, not even daring to breathe too hard, his pupils shrank a little, and his muscles tensed.

"Now that you're here, let's take a look."

Moving his steps, Chen Ge's figure was slowly engulfed by the darkness.

In the dark corridor, the only light comes from the elevator display screen. The bright red number looks like a smiling face cut by a knife, which cannot be healed, and can only smile with pain forever.

"Crunch..."

After walking a few steps away, Chen Ge discovered another room related to art—the model storage room.

The door itself was not closed tightly, with a crack exposed, as if someone was lying behind the door and peeping.

Chen Ge slowly pushed open the wooden door, and the scene inside the house was a bit weird.

There is no experimental equipment, only pieces of "standing" white cloth, giving the impression that a person is standing in the room with the white cloth on his head.

"This is?"

Chen Ge approached resolutely, and reached out to take off the white cloth closest to him. He wanted to know what was under the white cloth, but he was afraid that the things under the white cloth were very dangerous, so he had to take the risk and wanted to take advantage of the other party's reaction. Be the first to strike first.

The white cloth slipped off, and underneath was a skinned human sculpture.

"The material doesn't seem to be plaster and artificial glue." Chen Ge frowned lightly. Under the white cloth was a mannequin without skin.

The muscles are in a state of strength, and the blood vessels are winding and passing through the flesh, which is lifelike and restores every detail.

"The art students in this school, shouldn't they just use this thing to practice drawing?"

He looked at the mannequin, and the model was also looking at him, those eyes stuck in the blood vessels and bones, staring at Chen Ge.

"There are rows of bloody paints stored in the paint storage room, and a pile of peeled models standing in the model storage room. I can't imagine what will be in the final art activity room."

Covering the white cloth again, Chen Ge learned the lesson from the last time, and left without staying in the same place too much.

When he turned to close the door, his eyes glanced at the interior of the model storage room. A white cloth fell to the ground, and the contents inside were missing.

Leaving the model storage room, Chen Ge found the drawing paper storage room on the other side of the corridor, which was full of half-processed or ready-made "oil painting paper".

Touched by hand, the surface of the treated "oil painting paper" is smooth, and I don't know what was applied on it.

What alarmed Chen Ge was the unprocessed and only half-processed "oil painting paper". The touch of these "papers" was very similar to human skin.

Without staying for long, Chen Ge wiped his hands with his overalls and exited the room.

"What is this laboratory building used for?"

Chen Ge continued to walk forward, and finally found the art activity room in the deepest part of the corridor.

"It's the same as I guessed before."

Having successfully found the art activity room, Chen Ge's goal of entering the laboratory building has been half achieved.

He stepped forward quickly and pushed the door open.

The wooden door opened in response, and there were thirteen easels in the room, and all kinds of paintings were pasted on the walls.

At first glance, this is a very ordinary studio, but if you look closely, you will find that there are countless scary details hidden in this room.

The paintings on the walls are all kinds of strange, with human faces, distorted souls, portraits, and mutated bodies. The contents of the paintings are completely different, but all the people or "ghosts" in the paintings are all upside down without exception.

The background of the painting is upright, but the people in the painting are upside down. They seem to live in another world, and only their shadows are drawn in the painting.

The paintings all over the wall brought Chen Ge an indescribable shock. Walking in it, the eyes were attracted, and there was an illusion of walking through a nightmare.

In the center of the studio, there were thirteen unfinished works on the thirteen easels, and three of them caught Chen Ge's attention.

There is a painting of two upside-down doors, one blood-red and one ordinary.

The doors of these two rooms are both open, and there is a painter holding a pen standing inside the door, looking down at himself upside down, thinking about something.

The name of the work is - Me on the other side of the door, and there is a line of blood scrawled under the title of the work - Enough despair will open the door, so if the despair is removed, will the inside of the door return to normal.

This work is the only painting with the name of the work that Chen Ge found, and the author obviously knows the existence of the door.

The second painting that caught Chen Ge's attention was a bit scary, and it was this studio.

In the first half of the painting, thirteen painters sit on chairs and draw, while the lower half of the painting is blood-red. The thirteen painters died tragically on their seats in different ways. The most suffocating thing is that in the first half of the painting, the painters painted on the drawing board the appearance of their own tragic death.

"These painters seem to know their fate, but they are still painting because the result is doomed and cannot be changed?"

The third painting that caught Chen Ge's attention was the least completed. The upper part of the painting is a child standing facing the mirror. The world around him is normal, but the mirror is blood red. He in the mirror is covered in blood, and he slaps the mirror hard.

The second half of the painting is still the child. The world around him is blood-red, only the mirror in front of him is clean and bright. He is covered in blood and slaps the mirror, trying to strangle the uninjured self in the mirror.

"I've seen a blood-red mirror in the repair room. The mirror and the door in the ghost school have the same function? No, I seem to have overlooked a very important thing!"

Chen Ge knows that the four-star scene is completely different from the previous three-star scene, and many of his previous experiences are no longer applicable.

"The door and the mirror, the bloody door and the blood-red mirror behind the door..."

The clues in his mind were slowly connected together, and Chen Ge had a bold guess in his heart.

"Perhaps I should keep this painting." There is another reason why Chen Ge attaches so much importance to the third painting. There are three characters written in the signature of the artist below this painting - Lin Sisi.

This painting may be drawn by the real Lin Sisi, and solving the mystery of Lin Sisi will be very helpful for Chen Ge to understand the world behind the door. It can even be said that this is the main task he arranged for himself.

Stretching his hand to the easel, before Chen Ge even touched the painting, a huge change occurred in the whole studio.

There were drops of water dripping from the top of his head, and Chen Ge reached out to touch it, only to realize that it was not water at all, but blood.

The air became humid, a strong stench quietly emerged, the walls began to soak in blood, and there were also deepening bloody footprints on the ground.

The original normal world seemed to be overlapping with another blood-red world, all the paintings in the studio became distorted, a black shadow suddenly flashed out of a certain painting, and went straight to the door.

That figure looked familiar to Chen Ge. He immediately stopped, grabbed the nail, and slammed into the door at full speed.