Chapter 710 No End (Part 1)

"Ding -咚-"

It was another paragraph of a slow movement. Fan Ning played a group of crystal chords, praising poetic resonance, and echoed in the empty church square.

In the 19th song, I was asleep, but my heart was sober.

Or, it can also be called "gaze in dreams."

Here are bright candlelight, swaying flames, and people with sincerity and affection have heard the "theme of mysterious love". Slowly flowing out a soft and quiet music.

Then according to the title "Twenty" of "Twenty Sacred Thinks", it has reached the end of this part.

But the title of this song is not marked on the directory in advance.

"The 20th song,‘ the church ’s gaze’. ”

Bishop Walter, who was instructed in advance, opened his mouth at this moment.

"The gaze of the church?" The believers glanced at each other.

"Very good, very good." The 19th generation of Yining felt that it was unexpected and reasonable. Every believers are an extension of 'candle', so the church is the manifestation of the enlarged array of the mystery of "candle". In this way, staring at the church is like gazing a living life body. It is tangible! "

"But why don't this song indicate the title in advance? Is there any other intention."

"Master Lavison gives the priests so and comments with the audience--" Just Walter stood up again and continued to speak.

"The secret of lighting is about the future of the future, so this is a prophecy. This is a music structure that you have never seen before and no one can understand first."

Immediately, Fan Ning's left hand played a long -themed group of the theme of the race of irreversible rhythm in the bass area.

This sound group is extremely unstable and expands symmetrically by the "fiber" on the left and right sides, and at the same time, it is also separated from the fast -moving group from the middle of the sound field.

The triumphant and victory of a certain religious spirit beyond time and space, it is both peaceful and ecstatic!

"This is. Is this?"

"Isn't this a typical way of writing?"

"Why is it the head of the lane? Am I leaking?"

All these artists who claim to be "pioneers", "radical", and "transcendence" are stunned by this opening!

In order of music structure, normal thinking must be "presentation-expansion-reproduction".

You have to throw out a theme first before you can fiercely present contradictions and changes?

And this "church's gaze" turned out to be a structure before the show! Specifically, the music is composed of the sonal style of the omission of the reproduction department, and the presentation department and the development department appear upside down!

Is this "normal" artist's mind? Intersection

How to evaluate this? What kind of evaluation? What do you use to compare?

You can't "examine" something that you don't understand at all.

Is this called "inspection"?

Sitting in front of Lakus and other members of the special patrol hall "inspection group", he was silent.

"This is called 'prophecy'!"

The believers took it seriously and felt that after these days of teaching, they had already understood four or five points.

"This is the disclosure of 'Secret of Lighting' and 'Harmony Pray"! "

After the beginning of the long sound group, Fan Ning's fingertips again appeared a summary "Heavenly Father theme", which presented three times, and between three times, all of which were connected by whistling.

These Chinese color variations are characterized by the "asymmetric expansion" woven body of the left hand and are characterized by the sound of the right hand. The two overlap each other, so in such a turbid continuous sound group, the "Father theme" is from the B major from B. By the BD major, it gradually rises to the F major, showing an exciting and dizziness spiritual shock!

As the end of the "Silent Thinking of the Twenty Babies", the "church's gaze" has become the largest and longest movement of the middle. The composer intends to use the various hidden comprehensive comprehensive comprehensive comprehensive use of the first nineteen songs in this chapter. A large number of concentrated and concentrated changes are concentrated, showing the significance of summary, unification, and echo!

"Well!"

"Oh !!!"

"Oh!!!! !-----"

When the bells based on the continuous sound of the sound of the sound are sounded again, the vocabulary of "harmonious prayer" appears again, and the increasing rhythm is settled, and the music is pushed to the #c of the ultimate goal.

This long -grewy section is like this to hit the bell one after another, and on the top of the towering mountains, it conveys bright majesty and gospel!

The first expansion of the expansion is so knotted, and then the upside -down show is presented in the 161 section with an extremely glorious posture!

The "Father's theme" finally developed from the previous chord to a complete melody, and positioned the tone at the original #F major to repeat the strong chords to imitate the material of copper, gongs, bells, and bird songs. Among them, showing unparalleled sacred and epic temperament

The final ending also ended with the theme of "Father's Father", but it became beyond and complete, thus becoming a great victory representing love and joy. In the end, tears full of joy came like a tide!

Above the broad church square set off an extremely warm and great applause!

"Lavoisier used a more subtle and philosophical modern musical language than any other work, eloquently and movingly opened our eyes and ears, and reached an unexpected theological realm!"

Melartin, along with several bishops, signaled the audience to stop applauding and waving their hands several times.

Because the performance was not over yet, the first half was not over yet, and there was still enough time for the sermons and lectures in the second half.

But the applause of tribute showed no sign of stopping for a while.

Until Fanning on the stage put down his fingers again and forced the noise to be suppressed by music.

The last part of "The Art of Fugue" finally came!

Counterpoint 12 and 13, Fanning used superb counterpoint technology to show the world two fugues written with strict reflection techniques.

It's not just a reflection of the theme.

But the whole piece is a reflection of each other!

That's right, two groups, reflecting each other, that is to say, the two counterpoints actually have two each, and there are actually four in total!

For example, Counterpoint 12 is a pair of four-part fugues that are "mirrored" with the third degree of d minor as the axis.

They are so clearly visible that even people who don't know the five-line notation can see at a glance that the direction of those "tadpoles" is completely mirrored to each other as long as they get the music and put the scores on the same page and position together.

Because it is a strict reflection transposition, the two fugues are exactly the same in structure, and the only difference is in the tonality.

The presentation of the "archetype" part is to keep the key of the main key d minor and transfer to the dominant key a minor, while the "reflection part" is transferred to the subdominant key g minor after the main and dominant are reversed. The "archetype" theme of the development part enters twice from g minor and bB major, while the "reflection" part is converted to the dominant direction of a minor and F major.

This is almost a thorough revelation of the mystical ideas of "self" and "other self", "representation" and "will" in the language of theology!