Chapter 494
At this time, I was very curious why the security design here was strange. What was the meaning of putting it here?
Because I saw that there was nothing strange about the painting.
It seemed to be a landscape painting, and the polish was very full. It should be of some value, but it was not very precious. I looked at the signature mark. It should be a painting drawn by a poor scholar.
Is it really a sky-high price?
"Director, I don't understand why this painting was placed here?" Li Da Kui also asked this question.
The director did not seem to be in a hurry to answer us. He just squinted his eyes, then stared at the painting and said, "Look carefully, is there anything different about this painting?"
He seemed to be telling us how to appreciate this painting. Although we are not students or professors studying art, because of the needs of archaeology, we still need considerable experience and research on some calligraphy and paintings.
This way, we will not miss cultural relics.
I once again set my eyes on the painting in front of me.
The painting seemed like a paradise, with green mountains, green water, white pagoda...
There was also a river, but I felt very strange, I seemed to have seen this place somewhere, and it was very familiar.
"White pagoda?"
Obviously, we all noticed the white pagoda, and at this time Li Da Kui said, "Where is this place?"
I was still not sure that this was the strange place we left. Although the approximate geographical location was correct, this building was thousands of years ago after all, so I didn't dare to jump to conclusions.
"But what do you think of the painting?"
The curator actually asked us this question directly.
"I think it's still a very ordinary thing, but it's obvious that the curator can collect things, there must be something special." Li Da Kui naturally knew that the curator in front of him had a good eye, and the things he collected were definitely not without a name.
"Hahaha...it seems you still know."
The curator laughed at this time, with his back to us, and then said, "I got this painting with great difficulty. It is said to be in the ruins of an ancient country, which seems to be the same place you mentioned. I just feel very strange..."
The curator only spoke out his thoughts at this time. He naturally felt very strange, because apart from anything else, even the dynasty of this painting.
That ancient country is in the northwest desert, but why does the Central Plains life picture album appear? Is there any meaning?
This pattern is said to be a picture of a princess buried with her, so it is very precious. At that time, there were many treasures that could be buried in that ancient country, and any of them could match the quality of this picture, but the princess just liked this picture.
It seems that there must be something else in it.
"Have you studied it?"
I asked the curator.
"But there are still some clues." The curator said, "What is the most important thing in ancient China? Of course, it is the Feng Shui pattern."
He said that the pattern on this pattern is a place where dragons and crouching tigers are hidden, so there must be something else here.
"And, if nothing unexpected happens, I think there must be a big tomb here." The curator analyzed.
"You guessed right."
I finally connected with this village now. I think this picture is a picture of the hidden dragon and crouching tiger in the village, and the white tower is exactly the same. Now I am completely sure of my guess.
At this time, it is not convenient for me to hide anything. Li Da Kui and I directly talked to the curator about the village.
Then the curator was stunned after listening to it. He didn't come back for a long time. It took about ten minutes for him to recover. Looking at the picture, he said, "If what you said is true, then this time must not be missed."
He said, "Have you been in?"
"But someone has been in, but..."
"What happened?" The curator said at this time, as if he was very worried that the ancient tomb was robbed. If there is really a robbery hole, it will be troublesome.
After all, what we are most afraid of in this line is these tomb robbers, who will destroy a large number of cultural relics and some historical civilizations.
"Although they went in, they all died." I added.
"What?"
The curator seemed a little surprised at this time, and then thought for a while, "By the way, when they came out, did you see anything they took?"
"No."
Li Da Kui and I answered in unison.
"Describe their deaths." The curator didn't seem to miss any details.
No wonder, he was a well-known scholar in China and abroad in the early years. It is said that when the Egyptian pyramids were excavated, he also traveled a long distance to participate, and he was a special guest.
Many years have passed in the blink of an eye, and he has never given up his professional habits.
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