Chapter 2533: Battle for the Cloak (Sixty-Three)

Chapter 2507: The Battle for the Cape (Sixty-three)

Bruce's smile gradually faded, and his expression became unpredictable, but soon, Schiller shattered the objections that might be derived from his previous evaluation with one sentence.

"It was through this boring play that I recognized you, because only you can write such garbage."

Bruce narrowed his eyes slightly and stared at Schiller without blinking. Schiller shook his head slightly and said, "The worst thing about this play is that you want to show yourself all the time."

Schiller raised his eyes to look at Bruce. At that moment, Bruce felt that the skin he was wearing was completely torn apart. The gaze revealed by the pair of gray eyes had a strong sense of penetration. He even felt that he could read his brain waves out of thin air.

"I made a disguise." Schiller suddenly began to narrate in the first person, "I want to disguise myself as someone who I think is far inferior to me. In order to belittle him, I want to make a very childish and clumsy script that looks like what he would make."

"Because he is not as good as me, his ability is within my ability, so I can effortlessly imitate his ability to the fullest, so that I can perfectly disguise myself as him, and contribute these clumsiness and childishness to the world, so that everyone can discover his true face."

"But it's not possible." Schiller's tone suddenly revealed a trace of distress. He said: "It's not enough to let everyone know that he is not good enough, but also to let everyone know that there are people who are better than him, and let others know how powerful and wise I am."

"But if I want to show my power and wisdom, what should I do? How can I highlight his clumsiness and immaturity? He has to be weak, I have to be strong, I have to show his weakness, and I have to show my strength. "

"This script is the product of the tug of these two ideas. "Schiller looked at Bruce and said, "You have to show the immaturity of a certain idea to show how immature Bruce is, and you have to find a way to come up with an idea that is smarter than this immature idea to show how smart you are."

"And reflected in the play, this naive idea is that there should be responsible superheroes in this world, and they should rush to justice beyond their abilities."

"If you want to show the naivety of this idea, you naturally have to point out the loopholes in it, that is, superheroes don't care about the feelings of ordinary people for justice. They rush up recklessly, just sacrificing the safety of some people. Change to another part. "

"For this, you arranged the conflict between Jason and Thompson, so that the two of them suddenly appeared in the same place, and the teddy bear was damaged in the conflict."

"Then there was the plot where Spider-Man chased the Claw Killer, but caused a traffic jam and the overturned truck crushed your important gift, thus changing your fate."

"These two plots show that you want to write a story about a young hero who begins to reflect and finally awakens after discovering that he has hurt ordinary people."

"This story is indeed a bit clumsy and naive as you said, and it is not deep enough. Look at these two stories. Thompson and you just play a stereotyped tool person, without your own role arc, just to pave the way for the hero's growth."

"The setting of these two plots is very simple. "But soon, the desire to show your wisdom prevailed. In terms of the discussion of ideology, you felt that you could come up with a more reasonable idea to convince everyone. In terms of the plot, you also felt that you could write a better and more profound plot to show that you were more than one level higher than Bruce." "So there was the Gordon line. This was a stage built for you by your narcissistic psychology. It was written when you wanted to show your own psychology prevailed." "So, in this line, you began to explore the issue of ability and responsibility. You are an ordinary person without ability, so you naturally don't have that much responsibility." "On the other hand, there was the Superman line. When Superman lost his ability, he didn't take on much responsibility. In the end, he saved the world only because he restored his powerful ability. ”

“You acknowledge that ability and responsibility are linked, and use these two lines to reflect your point of view, but your point of view is not that the greater the ability, the greater the responsibility, but that if you don’t have the ability, you are not responsible, or even shouldn’t be responsible, and can’t think about being responsible. ”

“It’s like you paralyzed Gordon in bed, he no longer has any ability to uphold justice, but he always wants to take responsibility that he can’t take, so he is so painful. ”

“You understand this as the source of his pain, and the purpose is to warn the audience, look, this is the end of an incompetent person who wants to take responsibility. In essence, it is saying that being a hero can do nothing except make you suffer, so it’s better to face the reality and give up early. ”

“You think this is much deeper than ‘the greater the ability, the greater the responsibility’, this is not childish, this is the doctrine that adults should uphold. ”

“Then you think that in terms of the degree of eye-catching plot, you must also show that you are better than Bruce, so old cases, Bourne, physical pain, mental torture, shooting, investigation, reversal…”

"You stuffed all of this into the Gordon storyline. Your parents are intertwined with the case of Gordon being shot. Gordon's unilateral contact with the female police officer due to suspicion, his physical pain of being paralyzed in bed and unable to take care of himself, the mental torture of seeing the murderer committing crimes but being powerless, the shooting many years ago, the investigation many years later, and the nephew who was thought to be a positive character, but eventually became the mastermind behind all the tragedies."

"You think this is a non-childish plot, with violence, blood, conflict, and reversal, which is much better than the growth story of a young hero."

"Back to the Superman storyline, the first half is still the point of view you output when Bruce's level of psychology prevails. The spirit of perseverance and never giving up should be the spirit to break the demons of young superheroes. , should be to follow their own compassion and justice, until the clouds clear and the moon appears. "

"You think this spirit is childish and impossible to exist in reality, so you have to shoot it like this to show how superficial Bruce's understanding of the world is. "

"But soon, the psychology of reflecting your own wisdom prevailed again. Human beings are greedy for enjoyment. No one doesn't like a peaceful life. Superheroes are also human beings. How can they not give up? Why don't they give up? "

"So you let time skip, delete Jason and Peter's memories, and build a false happy living environment for them to show that you see, the young heroes who were full of vigor and vitality back then also indulged in the peace and joy of ordinary people?"

"When a disaster occurs, Afterwards, didn't they also retreat in cowardice, put self-preservation first, and put their families first instead of saving the world? "

"In terms of plot, you think that stories about school life and Christmas are only stories that children like to watch, and on the contrary, terrorist attacks, the end of the world, greed, and chaos are what adults should watch. "

"So you arranged the terrorist attacks in the second half of this storyline-of course, it was definitely not caused by Jack, but I think you said that there would be a catastrophe. "

"When completing this play, these two psychological states have been pulling back and forth. You have to have both, both to show how naive the Bruce you play is, and to show how wise you are as Bruce. "

"So You have created such a play with inconsistent logic, unclear plot, changing scenes, jumping back and forth in time and space, foreshadowing, and awkward reversals. "

Schiller sneered and said, "But if this is just a bad movie, it's fine. What's more tragic is that this bad movie is directed by me, not you."

Bruce finally stood up. He looked outside the door and stared at Schiller and said, "I was just about to ask, what did you do?"

"Is there a possibility?" Schiller also stood up. The two looked at each other across the desk. Schiller looked into Bruce's eyes and said, "Without me, you can't even direct this bad movie. Do you know how much effort I have made to make this play complete? Do you know how much effort they have made?"

Schiller turned his head to look at the villains standing in the room. They all looked at Bruce's face, and then sighed more uniformly.

"What's going on? "Bruce just wants an answer.

Schiller also sighed softly, walked out from behind the desk and said: "Most people do have lucid dreams. One day they suddenly realize that they are dreaming, so they can become the master of the dream and control everything in the dream."

"But do you think you are the master of the dream world? Do you really think you can be like the god of dreams, even bring souls from reality, and completely ignore logic to fabricate dreams?"

Bruce frowned slowly.

Constantine suddenly appeared in the room. He dusted off the dust on his body with his fingers and said: "Of course you can't. Even if you have the ability to create a dream bubble, it will run according to the logic of the dream world, not your logic."

Schiller walked in front of Bruce, looked up at him and said: "And you think you have perfectly fabricated this dream world. It is me and this group of criminals who replaced the characters in the dream world, and worked non-stop and conscientiously to patch you up behind the scenes. "

"And me. "Constantine crossed his arms and said, "It took several days and nights of crazy operation with the only dream world authority to keep this logically broken world from collapsing."

"So why did you do this?" Bruce asked, "Since I fabricated the dream, the world's plan didn't work from the beginning, so why not let it go?"

"Of course, if you can't complete this play, if you don't show your schizophrenic self-pull in front of everyone, how can people know that you are crazy?"

"And..." Schiller turned around and smiled at Bruce and said, "How can they know how you can be so mediocre, so boring, and so stupid to have so much fun?"

He laughed, and all the crazy people in the room laughed, the Joker laughed so hard that he was out of breath, the Harley Quinn laughed and hit the wall, and even the always serious Scarecrow and Mr. Freeze couldn't help but hold their mouths tightly with their hands, and the corners of their mouths were harder to suppress than a gun.

With a bang, the door was pushed open, and the Penguin, who was still wearing sunglasses and a mob leader costume, walked in cursing.

"Damn it, you ran away after finishing the filming, leaving me there, and I was almost beaten to death by those little bastards! You..."

The Penguin looked up and saw a bloody mouth full of fangs-

I didn't laugh, I couldn't laugh.

Sorry for the late update recently, but when I write, I laugh like Nuwa mending the sky, I have to be cool and logical

Editorial department, do you have any clues?