1383 Reckoning After the Autumn

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"In ancient Greek mythology, no father is willing to sacrifice himself to make a son. To be precise, in most of Western culture, no father is willing to do so; on the contrary, in Eastern culture, such Sacrifice and dedication abound.

The question now is, if Fletcher knew, would he be willing to sacrifice himself? Or passive sacrifice? Does Fletcher's so-called artistic perfection require Andrew to complete it? Can Andrew be done again? Also, is the complex of murdering the father/father accomplished unilaterally, or is it guided and interacted by both sides? This has an impact on the connection of the core ideas of the entire story, and more importantly, on the shaping and perfection of the characters.

Does jk need to know? This should be up to you. "

Renly finished expressing his thoughts and fell silent; Damien did not speak, but fell into deep thought.

Damien is a director with ideas, but he is just a newcomer after all. "Boom Drummer" is only his second work. Some ideas are not mature or perfect, which is inevitable. Even the most gifted masters are prone to blunders early in their careers.

Renly is an actor with ideas. After performing so many works, he has gradually formed his own perception and understanding. For the first time as a producer, he is not quite sure how to control the works, and more is to pass on his own. ideas, and then leave enough space for the director to think and create.

Today, Renly, as the producer, had a conversation with Damien, who is the director, and neither of them realized that divergent thinking would eventually get to where it is now, so Renly didn't call Jk-Simons over.

Now, it's up to Damien to decide whether Simmons should know how the whole story unfolds. More precisely, this is determined by the story and script that Damien conceived.

Renly has always believed that a good script and a good character have a soul in themselves. It can speak, speak, and think, and it has vitality. Of course, such scripts and roles are very, very rare and not often encountered.

Why are Billy Wilder and Woody Allen considered master screenwriters? It's because most of the stories and characters they write have souls, and because they can really write brilliantly and eloquently.

Now, Damien must sort out his thoughts, how should he arrange the so-called "killing/father/complex"? How exactly should the roles of Andrew and Fletcher be set? In particular, how should the foreshadowing of the ending be arranged? This was decisive not only for the entire film, but also for the performances of the two actors.

Renly also felt a sense of pleasure after finishing all the exchanges in a dignified manner.

Recently, in order to prepare for the role of Andrew, in addition to the drum practice, Renly has also been thinking about the whole story and the entire mission relationship. Today's conversation was originally just a small exchange, but in the end it was able to collide with such intense The spark, Renly himself was agitated and excited.

Sure enough, he still misses the crew. Or to be more precise, he still misses acting.

It's really been a long time.

The conversation came to an end for a while, Damien fell into his own thoughts, Renly relaxed a little, and then he came back to his senses and noticed the existence of Melissa and Blake.

There was a hint of confusion in Ren Li's eyes. There was no impression in his mind. When did these two people appear? Also, why does it appear?

Naturally, Renly's eyes fell on Damien, and he simply thought that they should have come to say hello to the director, so he raised his head and nodded towards the two actors with a smile, and then Just stand up, get ready to leave, and leave room for them.

But then Renly realized that he was a producer. Damien is thinking now, wouldn't it be nice to let the cast interrupt Damien's musings?

Renly's movements stopped for a while, and the footsteps of leaving stayed in place, "Good morning. The work of reading the script will need to wait for a while, and it will start in about thirty minutes. You can sit down and rest now, and everyone Let's chat, jk was discussing with the clothing team about the custom clothes just now, if you are interested, Melissa can go over and ask now."

Like a spring breeze.

Renly was still the same Renly, as if the events of the morning had never happened, and there was nothing wrong with the calm attitude and proper etiquette; but it was this calmness that made people creepy. Melissa couldn't help but suspect that everything that happened in the morning was a dream.

"Renly." Blake took a half step forward, covering his fiancée's front, hesitating to say anything.

Renly raised his eyebrows slightly, and immediately caught the change in Blake's expression, deciphering the expression in that face, the corner of his mouth still kept a smile, "If I were you, I would turn around. Go to the clothing group and discuss Melissa's custom dress, instead of standing here in a daze."

The meaningful words made Blake stunned.

"I see!" Damien jumped up without warning, slamming his hands hard, and said cheerfully, "Renly, let's do it, keep it as it is. You do it your way, and the rest is business as usual. ."

The subtext is to hide Simmons for the time being.

Through acting and advancing the story, Jean Simmons

Fletcher, who plays, realizes the growth of Andrew little by little. He welcomes all this with joy, and looks forward to the growth of his inheritor. Until one day, Fletcher feels the threat from Andrew, and gradually begins. I felt panic and fear, but it was too late because Andrew was already full of wings.

With Simon in the drum, Renly's performance shows the tension of the layers of progress, and then achieves a natural performance effect. When the final murder/father/plot comes, Damien will inform Simon again. Stress, outlining the tragic and tragic sacrifice through the lens, further forming visual tension and conveying shock.

Undoubtedly, Damien is a talented director, and his delicate sense of the integration of characters and stories can be seen now, and later he has successfully achieved the peak of "La La Land".

Renly nodded affirmatively, "No problem."

Damien only noticed the figures of Melissa and Blake at this time, and said briskly, "Hey, you have also arrived? Welcome, take a break and adjust, and we can start reading the script."

"Damien." Melissa's voice rang out. She didn't know when she came out from behind Blake and stood in front of Damien, "Sorry, I offended Renly today, here, I Sincere apologies, I didn't mean it, I really didn't mean it. I'll never do it again."

Black realized that something was wrong. After chewing Renly's words carefully on the tip of his tongue, he finally tasted a little taste. He tried to stop Melissa, but after all, he was still half a beat, and Melissa actually blurted out like this. , which made Blake wrinkle his cheeks in annoyance, all his facial features crowded together.

damn it!

Renly is a person who keeps his word. He has no intention of punishing Melissa at all. What he said just now means:

As long as Melissa keeps her mouth shut now, he will treat it like nothing happened in the morning.

But now, Melissa took the initiative to break the news. Her original intention was to seize the opportunity and express her sincerity in front of the director; in the end, she shot herself in the foot.

Sure enough, Blake then saw endless confusion and dazedness on Damien's face, completely unaware of what was going on.

Renly still had a calm demeanor. But this time, he didn't open his mouth to defend Melissa.

He is not a saint, nor does he intend to become a saint, because he did not intend to let go of the past, but only temporarily decided to settle accounts after the autumn; now that Melissa took the initiative to reveal herself, of course he would not help cover it up, why? What's more, Melissa took the initiative to confess in a hurry, not seeking forgiveness. In essence, it was actually the villain who complained first, first to please Damien, and then to prevent Renly's follow-up reactions in advance.

A small trick, but in Renly's eyes, it is extremely clumsy:

Did Melissa forget that Renly is the producer of "Boom Drummer"; if Renly wanted to punish Melissa immediately, even if Damien pleaded, no one could stop Renly.

In other words, Melissa is now deliberately angering Renly, trying to disguise herself as a victim, the best result is to be fired from the crew, and then Melissa can become the focus of attention and stand as a weakling. On the moral high ground? Now all the performances are to persecute Renly for the camp?

This is a possibility.

Although Renly doesn't think Melissa and her agent don't have the wisdom to operate such an intricate PR and publicity strategy, it's still a potential possibility. Although it was completely ineffective for Renly, similar tricks and conspiracies were really too childish and too bloody.

Renly, who was the party involved, had the detachment of a bystander at this time, and cast a scrutiny line of sight with relish.

Facing Melissa's words, Damien was confused and confused, and Blake could only come forward in a panic to help clean up the mess, "I'm sorry, I'm really sorry."

After repeatedly expressing his apologies, Blake dragged Melissa and turned to leave. There is no need to stay now. The best result is to live in peace like this; standing here, Blake is not sure whether Melissa will make things even worse.

Melissa also tried to stay, but the gap in the power confrontation made it impossible for her to gain a firm foothold, and was hurriedly left by Blake.

Damien, who stayed in place, still couldn't react, "Uh... what's wrong?"

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