1031 Tailored

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Tailored.

This is Ethan's original words. It's absolutely incredible that the Coen brothers created a work for Renly.

In the Hollywood film industry, it is not uncommon for top directors to tailor a work or a role for a specific actor. The most straightforward example is "Kill Bill", which is what Quentin Tarantino did for Works by Uma Thurman.

But putting aside the unpleasant first meeting between the Coen brothers and Renly for the time being, Renly is only twenty-two years old, and his rise is extremely rapid, but he is still too young to be the inspirational muse of art creators. Such an easy thing; what's more, the friendship between them is not a friend at all.

Even George Clooney, who is very close to the Coen brothers, has worked together on many works such as "Three Kings Escaped", "Burning After Reading", "Long Live Caesar", "True Love and Fake Love", etc. To be treated like this, but now, Renly has inspired them to receive such special treatment.

This...was a huge surprise indeed.

Andy, who was sitting in the passenger seat, couldn't help showing a confused look. Rather than surprise and excitement, he was more puzzled. In a timeline he didn't know, Renly and the Coen brothers had already developed such a deep friendship?

Immediately, Andy looked into the rear-view mirror and caught the surprise and stunned look in Renly's eyes. So Andy cast his gaze towards the Coen brothers with great interest. What kind of medicine are they selling in their gourds? What the hell is going on with today's job offer?

Ethan and Joel obviously did not expect how terrifying the bomb they threw at random. Word by word, you pieced together the blueprint for the clues to the entire story.

"I mean, you're one of the sources of inspiration, an important source! In addition to that, we also looked at a lot of sources, going back to Greenwich Village in the 1960s, and borrowing from the folk singer Dai from the 1960s. Dave-van-ronk's autobiographical memoir 'The Mayor of McDougall Street' tells the story of that era."

"Dave Van Ronk, tom-paxton, phil-ochs, Joan Baez, Bob Dylan...they were all in Greenwich Village. Fighting hard, hitting walls, breaking blood, and rampaging, not for success, not for glory, but just to find one's own worth."

"Of course, we also borrowed from the album 'Don Quixote' and the folk dilemma in the context of the entire era; finally, based on you and Van Langk, we created a virtual folk singer Set in Greenwich Village in the 1960s, though, we're not going to tell the story of how he made it, not even his personal biography, but the story of an entire era, an entire wave through him."

"Right now, we're thinking about a movie title, 'Don Quixote' is a good choice, like you said on the album, it's a lonely place that can't go back, and the Don Quixotes are Stuck in place, but otherwise..."

"Also, we're also considering an album by Van Ronk called 'About Dave-van-ronk', maybe, we could use the lead actor's name and start with ' About xxx' as a title."

...

The entire conversation was in a state of fragmentation, and it was difficult to sort out a thought or context. It was like opening a box of puzzles and dumping all the pieces with a bang.

It is even more unfriendly to those laymen or young people who do not understand folk songs, the 1960s, Greenwich Village, or the cultural wave. Unfamiliar words keep popping out one after another. I understand a single word, but the entire paragraph after being pieced together cannot understand the ins and outs of the story, let alone the meaning behind the story.

Like a book from heaven.

That's because the Coen brothers talked like this. A brainstorm broke out between Joel and Ethan, and all the information was released like a meteor shower. The whole car was filled with their voices, but only theirs Sound, no one can intervene at all, and it is extremely difficult to even keep up with the rhythm.

Although the Coen brothers' eyes always fell on Renly, they seemed to be explaining to Renly, and they seemed to be inviting Renly to join them; but their conversation was very fast-paced, and the excitement and madness really made people unable to get involved, immersed in I can't help myself in my own world.

Until the end, Joel and Ethan looked at Renly at the same time and cast an inquiring glance, which gave Renly room to interject.

Joel asked eagerly, "So, what do you think?"

Nathan, who was sitting in the back seat, was completely brain-burned. In addition to being dizzy, he had no idea what the Coen brothers had just said. He only heard a lot of unfamiliar names, and then... nothing happened; Sen cast his gaze towards Roy, but found that Roy had an unfathomable expression on his face. He didn't speak or move. He couldn't be sure whether Roy understood or didn't understand.

Fortunately, they didn't need to understand, as long as Renly understood.

That's the question, does Renly understand?

"I think George Slender

After learning this news, he should be so excited that he fainted. ' Renly said half-jokingly, this time it was the Coen brothers' turn to be confused: George Slender? Who was that?

Renly didn't explain, but thought for a moment.

In fact, he didn't understand; more precisely, he did, but he couldn't understand the frenzy in the Coen brothers' bones.

The ballad wave of the 1960s, the rock wave of the 1970s, and the hippie culture active in that era have deeply influenced the history of the entire United States——

The simplest and crudest example is that Steve Jobs, Bill Gates and others are deeply imprinted with that era, Steven Spielberg, George Lucas, James Cameron. Long, Martin Scorsese and other directors bear the indelible mark of that era, as well as film music literature and even politics/politics, all of them.

Renly knew the rise and fall of that era, the ups and downs of those waves, but after all, he was just a bystander, not a participant. At least, not like the Coen brothers.

Joel was born in 1954 and Ethan was born in 1957. Like Spielberg and other golden generation directors, they all really walked through the 1960s and 1970s, and gradually began to form their own art in the 1980s. Pursue. Folk wave, rock wave, hippie culture, all in their blood.

But Renly is just a bystander, tracing the glory and madness of that era from the records of books and videos, just like the story of "Midnight in Paris", everyone is dissatisfied with real life and pinned their spirits on a certain A perfect golden age; and every age is escaping reality and fantasizing about another golden age.

For Renly's generation, they will always miss the brilliance and brilliance of the 1990s; for the generation in the 1990s, they will never forget the blooming of a hundred flowers and the contention of a hundred schools of thought in the 1980s; similarly, for the Coen brothers , they always recall the purity and simplicity of the sixties and seventies.

In a sense, the souls of Renly and the Coen brothers are similar, they miss the source of their artistic inspiration, and they stick to their innermost paradise. They just show different characteristics of the age, but now they use the folk songs. The carrier awakens the resonance of each other. It reminded Renly of George Slender, the old man who missed the music market in the '80s.

After a little joke, Renly had no intention of explaining, changed the subject with a smile, and continued.

"In the past, music and movies were the carriers of art, carrying the creator's thoughts and flexibility, as well as the emotions of life and the weight of society. At that time, the dream was pure and simple, just to realize self-worth; but Now, music and movies have gradually become the carrier of business, shouldering the burden of profit first and entertainment to the death, and it is difficult to move forward. As a result, dreams have become complicated and chaotic. Are we chasing fame and fortune, or are we chasing freedom? ."

"Once upon a time, dreams made life bearable, even though they were struggling in poverty and hardship, they still had high expectations for the hot land of Greenwich Village; but now, dreams make life unbearable. , the cruel reality makes the dream nowhere to be placed, Washington Square is still the same Washington Square, but it has been surrounded by McDonald's and Starbucks, and bars like Pioneer Village have gradually disappeared in the long river of history."

Renly's eyes fell on Joel and Ethan, "So, you want to tell the story of that era, the era of pure simplicity. Everyone rushed into the wave like moths to the flame, becoming the whole part of the times."

"Of course, not everyone can be successful, there is only one Bob Dylan, but behind him, there are a hundred thousand people with the same dream. The only difference is that some people persevere. But some people gave up. Times have changed, those who gave up in the past still chose to give up after all; and those who persisted in the past seem to have chosen to give up. In that turbulent era, it will always be like this. It's gone forever."

Renly's words had a hint of sadness, which made Joel and Ethan look extremely excited.

Joel's big mouth almost screamed, "God, God! That's it, this is exactly the same idea in our minds! Exactly! How could it be! God, this is your movie, I am Seriously, Renly, I'm serious! Please make sure to star in this work, for sure!"

This work of the Coen Brothers, Renly remembers freshly, because it is his personal favorite Coen Brothers, the film is called "The Ballad of the Drunken Country".

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