Chapter 544 Landscape Painting (1)

This answer was both within Yan Jiuxi's expectations and beyond reason!

Why do you say that?

Because Yan Jiuxi has unconditional trust in Su Mo, and Rao is like this, she predicts that Su Mo's winning rate is only 50-60%.

But if Yan Jiuxi was more rational, in her opinion, Su Mo had no chance of winning this match.

Not at all!

But in this case, Su Mo even said that he was 50% sure, which really surprised Yan Jiuxi.

At this moment, even Yan Jiuxi felt that she couldn't understand Su Mo, what kind of boy was this?

Looking at Yan Jiuxi who was stunned, Su Mo couldn't help but put his hand on her little head and rubbed it up, messing up the originally smooth hair in three or two strokes.

"Aiya, what are you doing?" Yan Jiuxi looked at Su Mo angrily, her mouth pouting enough to hang on to the oil bottle.

"Girl, this is my punishment for you."

Su Mo said lightly, "I'll be your boyfriend no matter what, and of course, I'll be your husband in the future. If you look at me with that strange look again, be careful with your family!"

"I do not have!"

Yan Jiuxi looked angry and turned her head to the side, but her heart was as sweet as honey.

yes!

No matter when, this boy is her little street!

This will never change!

"Ding bell -" the bell rang.

As soon as Annie walked in, the art classroom instantly became quiet. She stood on the building platform and glanced around, her eyes stopped for a while when she glanced over Su Mo, and there was a complicated look in her eyes.

"We drew horses last class, and everyone did a great job."

Looking back, Annie said, "I'll announce the classwork for this class, landscape painting!"

"Everyone can draw real landscapes or imaginary landscapes in their minds. The time limit is 30 minutes."

As soon as the words fell, all the students pondered, including Su Mo and Yan Jiuxi.

Landscape painting, good painting is not good at painting!

It is not difficult to draw its shape, but it is as difficult as going to the sky to draw its god!

"Little Mo, how should I paint landscape paintings?" Yan Jiuxi looked at Su Mo with a look of help. She didn't even know how to paint, so she didn't know how to write.

"That's a little troublesome to say."

"It's okay, you said."

Looking at Yan Jiuxi, who looked curious, Su Mo nodded helplessly.

"There are six points to pay attention to when painting landscapes."

"Which six?"

"The first point is conception. Conception is the soul of a work of art, the thoughts and feelings that the author wants to express. The level of the conception determines the depth of meaning and artistic charm of the painting. Master, the composition should stand according to the "intention", only then can a suitable composition be produced to complete the author's painting intention."

Originally, Su Mo thought that these Yan Jiuxi should not understand, but seeing her serious thinking, she continued: "Second point, take advantage!"

"The composition of landscape painting is primarily about taking the situation. The so-called "situation" is a kind of dynamic image. In the ancient landscape painting theory, it has been mentioned long ago: "When painting a large-scale landscape, the main thing is to gain the momentum. , Qi channels are still running through, the forest and trees gain power, although they are different from each other, but each of them is smooth; the water gains power, although it is strange but not unreasonable, even if it is ordinary, it is not mediocre. What? It also makes sense. "

"Excellent landscape paintings always make people feel bold, but some paintings make people feel like rockeries or bonsai in the garden, mainly because they do not draw the momentum that the mountains should have. The scenery, through the treatment of perspective, can show its momentum.”

"I seem to understand a little bit."

For Su Mo's remarks, Yan Jiuxi looked surprised and urged in a low voice, "Little Mo, you continue."

"The third point, the guest-host relationship." Su Mo smiled in a low voice.

"A painting must have a theme and highlight its key points. It must not be scattered and divided, and treated equally, without a main fulcrum. The theme in the painting is the subject, and the foil is the guest. To determine the guest and host, not only must the guest and host be clearly defined, but also They also have to echo each other, and they cannot be independent.”

"If there are guests and no hosts, it will be scattered, and if there are hosts and no guests, it will be monotonous. Only when the guests and hosts are arranged properly can the picture feel comfortable."

"The fourth point is the handling of virtual reality, density, and severity."

"As far as the objects of expression are concerned, under normal circumstances, trees are dense, mountains and rocks are sparse, trees and rocks are solid, and clouds and water are imaginary, but sometimes the picture needs to treat mountains and rocks as thick and solid, while trees are treated as dense and solid. Keep it simple. In general, rocks, buildings, and trees are heavy, while clouds, etc., are light.”

"But sometimes things that are still in the picture are big but light, and things that are moving are small but heavy, and it involves the balance of weight and weight. The proper configuration of weight and size in landscape painting should be achieved like the Xia Guo pole-type scale. The balance of the balance must never be taken as the average of the balance scale.”

"When considering these aspects of a painting, the two characters of virtual and real are important, and in the processing of virtual and real, the processing of the four sides and four corners of the picture is extremely important, because it is related to the far effect of the picture, that is, the first Feeling. Generally, it should be forbidden for the image to be parallel to the four sides, and the dynamic of the image to be diagonal.”

"And pay special attention to the taboos of the four sides and four corners of the virtual and solid handling of the same, pay attention to changes. The so-called "white and black", often use light ink or dry thick ink for the virtual places, and also need to use a pen

Briefly, a few strokes are enough. "

"Wow!"

Yan Jiuxi looked at Su Mo adoringly, her eyes full of little stars, "Little Mo, you know too much!"

"You!"

Su Mo smiled at the girl's Qiongbi, "Who told you to read books on a regular basis, only those autobiographies? You should read more useful books."

"The book has its own golden house, and the book has its own Yan Ruyu. I don't need to teach you this principle, right?"

"Never."

Yan Jiuxi blinked, sticking out her tongue mischievously, "It's fine if I have you, just ask if you don't understand!"

Su Mo: "..."

It seems to be the same!

This is really...

"How about two o'clock?" Yan Jiuxi smiled.

"The fifth point, perspective and light and darkness."

Su Mo shook his head and laughed, and said lightly: "In general, it is very important to adjust the light in painting, and the light source comes from a single direction, so it is unified, but landscape painting generally does not emphasize light, and the light source does not necessarily require unity, it can be from many aspects. Now, most of the lighting in landscape paintings is also top-down, or biased towards the top."

"And the last point, three stacks and two sections and opening and closing, this is very important!"

Su Mo coughed, raised her eyebrows at Yan Jiuxi, and said in the teacher's tone, "Take a note and write it down, this point will be tested in the future.