Chapter 314 Lin An’s Ambition

It may not have been long since he entered the extraordinary world, but Lin An seemed to have come a long way.

Everything on the extraordinary path is so gorgeous and magical.

There is witchcraft with powerful power in high dimensions, there is a furnace that focuses on and enhances one's life breath, there is a decoction that is so magical that it can regenerate broken bones...

Even under the inheritance of his master, Professor Cao, Lin An mastered the ability of witchcraft and furnace to simultaneously mobilize superimposed spells.

But if we talk about Lin An's favorite and best technique, it is still spiritual painting.

Just like the code name he gave himself when he first joined the 'Mad Wizard's Tree Hole' organization - Painter.

The desire in the heart will really affect a person's life path invisibly.

While walking on the road of extraordinary and ordinary game development, spiritual painting really plays a great role.

Maybe this is what spirituality is about?

The tracks that people walk may be the traces in this world that are extended by their own spirituality.

Lin An didn't have much motivation to practice witchcraft. Otherwise, whether he asked Chen Shuyun and the little boss, or went to Lujiao's warehouse to search, he would still be able to find more powerful witchcraft.

The same is true for the practice of the furnace.

He often passively improves his own strength and practices because of some kind of crisis.

Only spiritual painting is full of passion from beginning to end.

From the very beginning of drawing the black cat that Chen Xin was obsessed with, to the multi-handed frog skin of Lao Liu's body, to the extensive drawings of the spirituality of tired souls in the city some time ago, and finally the environmental traces of the body being submerged into the spiritual world to absorb the spiritual energy and strengthen it, in this On the other hand, Lin An never needs urging.

There are three steps in total to comprehend the spiritual rhythm, draw it in your mind, and finally put it into writing.

He has accumulated a lot at every step.

And now, the arrogant and arrogant desire to stay in place and stare at the god-making ceremony of the 'St. Carol Monastery' is not because he wants to practice antlers to protect the world of ordinary people and guard against the other party's mischief and the arrival of the spiritual lich. responsibility.

But greed.

He named this ritual magic that connected the real world and the spiritual world, the rhythm of this ritual magic, and the traces of spirituality wandering between the two environments, the 'Bridge between Heaven and Earth'.

As for the practice method of St. Carol's Monastery, whether it is applied to weapons of faith or the idea of ​​​​creating gods, the way of mobilizing spirituality (lich) to come to oneself, it contains a certain trajectory of two individuals based on the environment. The way of chimerization, he named it 'God's descending bearing'.

And, now the monastery is transforming this monster, which is the body of the spiritual lich's clone. The collective will contained in it disciplines the individual, Lin An named it the 'collective consciousness embodiment' .

Yes, in Lin An's eyes, the god-making ceremony in front of him was particularly like the way a furnace operates to condense the core of the furnace.

However, whether it is antlers or rabbit eyes, the "dragon" in different forms embodies the "collective consciousness" of the collective humanistic inheritance environment of the Eastern Tu Empire's thousands of years of cultural heritage.

The 'god' in front of us, the 'collective consciousness' it embodies, is the collective belief of St. Carol's Monastery.

That's the truth.

‘Bridge between heaven and earth’, ‘divine bearing’, and ‘collective consciousness embodiment’, these three spiritual drawings are what Lin An is doing.

The reason why he wanted to show off his antlers was because, on the one hand, he was influenced by his uncles and uncles, who were used to continuing the domineering and arrogant side of the antlers in front of 'external forces', giving a heavy stereotype to his own power.

At the same time, you should also use the pair of antlers to sink into the spiritual world and stir up spiritual energy to assist you in drawing these three spiritual rhythms with high intensity.

Lin An can even imagine how much magical power it will bring when he thoroughly studies these three gadgets.

This power does not bless his individuality.

Instead, it is applied to game development.

The ‘Bridge of Heaven and Earth’ connects the real world and the spiritual world with traces of spirituality, and its game materials are constructed from spiritual portraits.

The 'divine descending bearer' combined with his previously thought about submerging the body into the spiritual world to leverage the spiritual energy to strengthen is enough to allow game players to invisibly enter a unique enhanced state at the moment when their emotions burst out.

That is to say!

Playing games, as long as you have emotions, you can become stronger!

As for what emotions to create in players, this requires Lin An, the game producer, to coordinate the planning department and the art department to guide the game content.

Finally, this kind of strengthening is disciplined in the form of ‘collective consciousness embodiment’.

Does this mean that if the audience for the game developed by Lin An increases, tens of thousands of "Antlers" will appear.

No!

more than!

It is said that the most popular game in China has nearly 200 million players worldwide.

What kind of concept would that be?

Lin An, who gradually regarded himself as a standard Antler man, also had an extremely strong desire for Antlers to open up a path for the world.

He also has no ambitions.

There is no intention to provide any guidance to these players.

He just thinks that doing this is very awesome, very cool, and his cock will explode!

That's enough, isn't it?

At this moment, no one at the scene noticed that Lin An was staring at everything in front of him so intensely.

Under the vision of spiritual purpose, all kinds of spirituality are surging one by one, in piles.

Wizard organizations, witch-hunting knights, the twisted souls of consumable wizards leveraged by ritual magic, and the clones of lichs in the spiritual world...

The hairy heart in his hand was running quietly.

This is his furnace weapon, an extension of his own will. It is more magical than the ordinary antler furnace weapon and also possesses the characteristics of witchcraft and extra-dimensional spellcasting.

No one can notice.

Rays of green light extended from the hairy heart in his hand to each individual.

The hair on my heart is floating.

Lin An was like a spider on a huge spider web, gently moving the lines on the web and feeling the rhythm on it.

Soon, the spiritual drawing of the rhythm "God descends and carries" was completed first.

Witch-hunting knights in monasteries, some special examples of wizard forces, monster bodies of lich clones, there were so many examples before him that it was enough for him to compare them horizontally and try to figure them out from all angles.

The drawing of the rhythm of "collective consciousness embodiment" is also halfway through.

The complete form of the statue in the sky, the Lich clone on the ground being affected by discipline, and his own furnace core antlers gave him the possibility of vertical comparison.

This requires him to read the entire 'god-making ceremony' completely to capture more details.

Only the most fundamental ‘Bridge between Heaven and Earth’ is not progressing well.

This thing is too complicated.

The witchcraft ritual itself is paradoxical, not to mention that there are so many consumable wizards involved in the ritual itself.

Not to mention, the subtleties of the sewer space that maintain the witchcraft ritual itself, and the various links that drive this ritual, are not in front of you.

Just look at the situation at hand.

The 'divine bearing' and 'collective consciousness embodiment' used by the power of St. Carol's Monastery are easier to understand because of the furnace cultivation method that Lin An himself learned.

Lin An's lack of knowledge in witchcraft and witchcraft rituals caused difficulties on the 'Bridge of Heaven and Earth'.

For the 'Bridge of Heaven and Earth' part, we may need to go deep into the local wizard organization and find a way to see the true face of how the other party actually operates this wizardry ritual.

Thinking of this, Lin An raised her eyebrows and looked thoughtfully at Mrs. Sally Byrd beside her.

This lady is feeling distressed because of the consumption of witchcraft ritual consumables by the 'god-making ceremony' in front of her.

Perhaps we need to find a better entry point to get in-depth contact with the Bader family, the Goblin Castle Wizard Organization, and the extraordinary trade market.

As for this entry point, perhaps the dean of the 'only wizard college in the country' would be a very good name.