End of Volume Remarks

The protagonist has established a foundation and will start a new chapter.

So I would like to make a speech and say something.

The main reason is that I wrote this speech last month, but because it was written too slowly and the ink was too smeared, it has been postponed until now, and I forgot to post it yesterday.

Alas, I don’t know how to comment on my own rhythm. I don’t say anything and just give my brother two punches.

First of all, I would like to thank all readers for your support, which made this book a masterpiece early last month.

I still remember the excitement I felt at that time.

Before it was put on the shelves, the editor said that the results were good, and there were 2,600 follow-up readers, but the first order was only 1,000, so I thought the book had collapsed.

Unexpectedly, as I kept writing, my grades improved steadily, which really surprised me.

Looking back at the plot I wrote, I don’t know what to say.

100 points, I'll give it a passing grade. Although I can see it, there are indeed many problems.

This was also the time when I was writing. I didn’t have an outline or details, so I just started writing based on my interest.

When I was writing, I thought about starting from a son-in-law, from marrying a secular woman and having a baby, to having a baby with a spiritual girl, a spiritual girl, a fairy, a princess, an empress, a goddess, etc., and wrote down the levels one by one.

But once I started writing, the content and plot began to get out of my control.

And I have different ideas every day, and my thinking is constantly diverging.

When it comes to writing novels, after you finish writing, you can't correct any problems. You can only fill in the gaps later.

For example, the biggest pitfall of this book is actually the plot ideas before and after it is released.

On chapter fifty-two, I realized there was a problem.

After years of reading, my intuition tells me that the content is too bland and boring, and I need to refresh myself.

But you know, I didn’t know how to feel happy and interesting at the time.

Therefore, treat the plot of Qu Changge as an expectation and release it in advance.

I immediately smoked a peach blossom Gu, hoping to increase the feeling of pleasure.

But after I finished writing it, I still felt that it didn’t work. I thought that the protagonist was trapped in Qingzhu Mountain and had to go out to have something to do, which made me feel happy.

Hence the plot of Kowloon City.

But after leaving Qingzhushan and arriving in Kowloon Fong City, I felt that I was missing family, the warmth of home, and a lack of security.

And coming to Fang City is equivalent to opening a new map, and you have to lay out a lot of things.

As a result, when I wrote it, not only was it not enjoyable, but it was also blocked by daily trivial matters, and the content seemed very watery.

Originally, Zhang Shan, the shopkeeper of the Lingfu Shop, the two apprentices, Gao He, the next-door neighbor, etc., these characters would have had other plots.

But when I wrote this, I was actually quite anxious because I was thinking about how to start writing because the results were pretty bad.

In my heart, I wanted to give the protagonist something to do, and wanted the Lu family to push the protagonist away, and to pretend to be funny for the protagonist, so I downplayed all these bland plots.

The plot of Jindan Girl is also advanced for this reason, to enhance her strength, enhance her trump card, and give the protagonist room to express herself.

But after I finished writing this plot and wanted to prepare for it, I found that I lacked time to settle down.

Things can't come out all at once, they have to be done step by step.

At this time, I wanted to introduce the Lu family, and I wanted to make the Lu family have problems both inside and outside, so that the protagonist could do things and show his talents, so I came up with the plot of Lu Miaoyang.

But as soon as this plot came out, there was another wave of fun.

The ideas kept changing, which affected the subsequent plot path.

There is no other way but to change the text.

After this round of revisions, I gradually gave up struggling.

Because on that day, I also read the book again, and I roughly realized what the problem was.

But if you know the problem, you know it. There is no way to go back and correct it, and there is no way to get back on track at once.

Moreover, the previous plot has already dissuaded many people. If the style is drastically changed, it will be equivalent to screening readers.

This is why everyone keeps saying the pace is slow, but the pace is still like this.

When it comes to being anxious, I am definitely more anxious than you are.

After all, this book has made a good profit. I will no longer tighten screws in the future, and I may also consider buying a BYD to drive an online ride-hailing service.

But I can’t do anything about it myself, I really can’t stand it anymore.

I don’t know how to write a fun enough plot.

Moreover, in this case of rhythm, it cannot be solved by improving foundation building alone.

Because time has not progressed and the protagonist's children have not grown up, this plot will be difficult to follow.

If you rush to build the foundation, there will be no place to show off, and no plot will come out, and you will fall into the rhythm of forcing the plot again, and problems will occur again.

Moreover, there is indeed a big problem with my way of writing articles without detailed outlines or outlines. I just think of them one by one.

For example, after marrying my wife, Sister Lu Miaoge, I prepared to resolve the current matter. The protagonist immediately perfected his Qi and went to the fairy city to build the foundation.

But in Chapter 128, I was cunning and wrote a love disaster, which made me feel that this plot had to be written within ten years, so I couldn’t delay it any longer.

As a result, as soon as I wrote it, various ideas came up, which made me feel numb, and I am still writing now.

Otherwise, in my current opinion, this plot can be written after the protagonist has established his foundation, and the effect will even be better.

After talking so much gossip, everyone knows what will happen in the next volume.

That is, the protagonist obtains the spiritual land, establishes his own family, and starts farming and raising children for development.

Please explain why the protagonist wants to build his own family, instead of trying to occupy the magpie's nest and have the Tian family replace Qi.

Before it was even released on the shelves, many readers left messages saying that they could take over the Lu family by giving birth to babies.

But I never thought about doing this from the beginning.

First, I feel that I have a bad reputation.

Maybe the protagonist has completely risen, which is a good story.

But in the early and mid-term, I don’t think it has a good reputation.

Second, on behalf of the Lu family, the ancestors of the Lu family originally had to be sacrificed.

It's better to open a genealogy by yourself and feel that the entire family is descended from one's own blood.

And I have been thinking about getting a family tree for the protagonist, as well as similar bloodline treasures, which have some functional effects.

But the people from the original Lu family, whether they were added to it or not, looked weird.

Third, since you are an ancestor, you must have obligations and responsibilities.

Of course it doesn't matter if you have your own children.

Practicing with spiritual roots can also add bonuses to the protagonist, so the protagonist can spend money and resources desperately, and even get certain rewards from the system and use it directly on the children.

But what about the children of the original Lu family?

As an ancestor, the people he takes care of in the end are all his own descendants. I think the reputation is not very good.

If you also spend money to train the children of the Lu family.

Let's put it this way, before the protagonist gave Li Feiyu resources, three hundred spirit stones and a talisman puppet, I was afraid that he had given him too much.

It's like asking Gao He to take care of the shop and asking for double the salary. Later I will change it to 50% more.

After all, this is taking the protagonist’s money.

That is to say, if I take out all the readers’ money, how can I dare to be too generous?

So I think that if the limited resources in the early stage are allocated to the Lu family and it is fair and just, there will definitely be unpleasant plots.

It is not as simple and straightforward as building your own family.

As for the Lu family, when the protagonist family rises and becomes capable, it will be much easier to provide some support and it will also have a good reputation.

Of course, everyone has different ideas, and this is probably what I think (should I change the name of the ancestor of the Lu family to the first ancestor)

As for the rhythm of the plot, I said before that the protagonist’s cultivation speed will speed up after building the foundation.

This is not only my idea, but the setting of the book is also destined to be this way.

Because next, the children must appear.

When the children appear and begin to improve, the protagonist is improving.

The more children, the better the talent, the faster this practice, and the faster the protagonist will improve.

In the future, 840 million descendants will cultivate for the protagonist, and there will be 840 million true immortals in their bodies, tsk tsk tsk.

But I still don’t know how many words are used to form elixirs.

Because for this thing, to put it bluntly, it depends on whether there is anything to do, not the time limit in the book.

I don’t have the ability to estimate how many plots and words there are, but I’m afraid I’ll be slapped in the face if I do.

But after writing so many words, I became deeply aware of my own problems.

Therefore, we will try our best to pay more attention to this aspect, reduce some unnecessary side plots, and do not intersperse so many side plots.

But I feel that there isn’t much to do from foundation building to core formation.

In other words, the magic land may be a little slower, and it needs to be accumulated to prepare for the establishment of a family.

Once you have a spiritual land, you won’t be able to run around when you start farming.

And running around again is a bit unjustifiable.

It means growing up, accumulating food, and slowly becoming king.

In this case, if you don't go out very often, you can't have something happen to you every day.

Just some farming harvests, and when the children are older, I go out to do some things, download dungeons, and write a little plot.

In this case, the plot will naturally be relatively boring, so it must be upgraded quickly and the core will be formed as soon as possible so that there are new things to write about.

As for the pill-forming queen, there is only a rough development line.

But this may change at any time, so I won’t say more.

Refining Qi is the most difficult period for the protagonist. By relying on his own efforts, he can become a mortal and become an immortal.

The foundation is built, the family is founded, and it begins to develop steadily. It accumulates grain widely, builds high walls, and slowly becomes the king.

Forming the core is the stage when the family begins to exert its strength and stand out.

Nascent Soul, that is, he has been practicing for half his life and no one knows him, but once he gets the Dharma, the whole world is shocked.

At this time, the Lu family's geniuses emerged in large numbers, and there were some signs of the Lu family's longevity.

Probably just sauce.

Thank you to all current readers for your support!

Especially when I see some familiar readers commenting and voting when I only had a few thousand words, and they are still reading it now, I am really touched. Thank you! Thank you! Thank you!

If you have any ideas or suggestions, you can leave a message directly. I will basically read it and will reply depending on the situation. (I also want to copy some comments, please!)