Chapter 2585 Idealistic Yuan Fang

Chapter 2381 Idealistic Yuanfang

Libo is a really good place. The mainland is scorching hot at this time, but here you can still feel the cool breeze.

Ye Mao, who plays Tang Seng, closed his eyes and was "boobooboo". Monkey, who plays Tang Seng, rolled on the ground with his head in his arms.

Ye Mao's handsome appearance basically does not require makeup, so once this film is released, Ye Mao will become the Tang Seng of the whole nation.

Ye Yuze and Yang Geyong arrived at the set in a dusty state. Ye Mao couldn't help but curl his lips when he saw his old father:

"Dad, are you going to seek scriptures? You've been away for a long time."

Ye Yuze glared at his son unhappily:

"Read your scriptures well. If you don't read them to the point of emptiness, you haven't entered the role."

Pan Hongling had just arrived at the set to deliver water, and saw Ye Mao couldn't help but rush over to her with joy. Ma Xiao and Zhao Liying immediately pulled Yang Geyong's arms and were overjoyed.

The two men comforted their respective women and followed Pan Hongling to put away their luggage. Ye Mao shouted from behind:

"You have missed a lot of scenes, be more conscious, change your clothes and prepare to work overtime for a few days."

Pan Hongling pouted. In fact, she also wanted Ye Yuze to work overtime, after all, they hadn't seen each other for so long.

But she was a woman who took the overall situation into consideration and knew the importance of things, so she put away the luggage, waited for them to take a shower, and sent them to the set.

In fact, the scenes that were missed were almost all fighting scenes. Although Ye Yuze and Yang Geyong had many roles, they were basically fighting scenes because of their martial arts foundation.

Because they didn't show their faces in other scenes, Ye Mao had arranged for others to play them. Therefore, although the two had enough scenes, the audience didn't know who they were at all?

For example, who knows who played Ben Boer Ba and Ba Boer Ben?

After a busy afternoon, they started shooting again after dark. When they finished, it was already midnight. Dragging his somewhat tired body, he returned home. Pan Hongling boiled a pot of herbal tea and waited for him.

After taking another bath, Pan Hongling brought up several steamed bacon. Every ethnic group has its own dietary characteristics. People here are used to eating all kinds of meat dried in the air.

To be honest, this kind of bacon is relatively hard. Even if it has been steamed, people with bad teeth really can't eat it.

But Ye Yuze didn't care about these, and ate with relish. Yang Geyong didn't come today because he had to deal with two women at the same time, so he went directly to the city. Otherwise, it would have a bad impact on the crew.

After eating and drinking, looking at Pan Hongling's wolf-like eyes, he sighed in his heart, the animals are ferocious!

In fact, most men have this bad habit. They will get tired of eating things they often eat, and always like to try new things, even if the "freshness" is not as good as what they usually eat.

However, after returning from traveling, Ye Yuze still has the awareness of paying public grain. Compared with Pan Hongling's bravery, Ye Yuze really missed Japanese goods for a while. Jingzi is really gentle.

That kind of tenderness is specific to every detail, and Ye Yuze will probably find it difficult to forget for a long time.

I have to admire the education of that nation, it's so damn powerful.

After a fierce battle, he was sweating profusely. Now the only thing Ye Yuze can console himself with is that he is better than Yang Geyong in this aspect.

In this regard, when facing Yang Geyong, he used to feel inferior. As he got older, Yang Geyong had begun to rely on drugs as an aid, but he was still full of energy.

Women who work for a long time have soft and resilient bodies. Ye Yuze admitted that he still coveted this body.

But he couldn't figure out why Pan Hongling couldn't get pregnant. He also understood that this woman was very caring and would work overtime just for the sake of the child.

Thinking about Jingzi, it seems that there is no reaction? Is it really old? The bullet has no penetrating power?

The new version of Journey to the West has a good response in Europe and the United States, so Yuanfang is chasing the filming more closely. The ten films she shot there have received good responses. Although they are not a big hit, they are all profitable.

The most amazing one is naturally "Havoc in Heaven". After dominating the charts for a month, it is still being shown in many places.

Therefore, Yuanfang wants to take advantage of this popularity to thoroughly root this oriental myth in the hearts of Western people.

As the TV series was broadcast, the ratings hit a new high.

Westerners are different from Chinese people. They don't like to work overtime and socialize.

After get off work, more than half of them choose to stay at home to accompany their wives and children, especially men. Taking care of children has almost become their top priority.

This has led to the habit of everyone sitting at home and watching TV together after dinner. And parents are more concerned about their children's preferences.

Therefore, Journey to the West quickly occupied this market at a fierce speed.

During this period, it was not that no media criticized this TV series, because there is an essential difference between oriental mythology and western mythology.

Chinese gods all have very noble moral qualities, and most of them have a selfless dedication.

The value of Western mythology focuses on seeking goodness.

For example, Odin, the god of knowledge and wisdom in Norse mythology, was willing to sacrifice one of his eyes in order to drink the "fountain of wisdom".

Another example is King Oedipus's passion for knowledge, his heroic pursuit of his terrible life experience in solving the mystery of the Sphinx.

Chinese myths are collective. The protagonists of myths regard saving the Chinese nation as their responsibility.

Western myths are personal. The protagonists of the stories often seek the liberation of their individuality.

For example, Hercules in Greek mythology, he defended justice and fought against monsters based on his personal will.

The spiritual connotation of "unity of man and nature, unity of things and me" is reflected in Chinese mythology. Most mythological characters eat wind and drink dew, absorbing the essence of heaven and earth.

For example, Pangu created the world. Pangu was both a man and a god, which embodied the concept of "unity of man and nature". Pangu used his body to transform into this world, which embodied the concept of "unity of things and me". Pangu is the world, and the world is also Pangu.

Many images of gods in "Classic of Mountains and Seas" retain a strong "natural" atmosphere, and most of them are half-human and half-beast. Nuwa is a human head and a snake body, Shennong Yandi is a cow head and a human body, the fire god Zhurong is a beast face and a human body, and the river god is a human face and a fish body.

The concept of "division of heaven and man" is reflected in Western mythology. For example, the God of Genesis created Adam and Eve, but he has an absolute boundary with humans.

Nuwa created humans based on her own image, and was regarded as the original mother goddess.

Western myths also reflect the concept of "separation of objects and self". Many myths convey the exploration, development and conquest of nature.

For example, Jason went through untold hardships and sailed across the ocean to obtain the Golden Fleece. Another example is the story of Odysseus fighting against the sky and the sea. These are all spiritual portrayals of gods conquering and controlling nature.

In Chinese myths, humans are inherently good. God exists to save human suffering and sacrifices himself to help humans overcome natural disasters.

For example, the myth of Mazu is to help fishermen overcome the waves. Nuwa mending the sky and Dayu controlling the flood all reflect the spiritual essence of God saving humans, and humans themselves are simple and kind and worthy of being saved.

In Western myths, humans have original sin. In Genesis, Adam and Eve were expelled from the Garden of Eden because Eve was tempted by the snake and ate the forbidden fruit.

In addition, in the Greek flood myth, the cause of the flood on earth was the moral degeneration of human beings. The god Zeus was angry and summoned the flood to flood the earth in an attempt to destroy humans.

Therefore, in Western mythology, after the flood, people only prayed to the oracle, and life, death and future were completely controlled by the gods.

In Chinese mythology, the gods are introverted. God appears as a savior. If the world is peaceful and prosperous, the gods will hide.

For example, Mazu always comes out to bless fishermen when they encounter big winds and waves. If the wind is calm, Mazu does not need to appear.

In Western mythology, the gods are expansive.

In particular, the gods in Greek mythology often stage power struggles, which are full of blood and sometimes even violate human ethics. Western mythology also particularly worships strength, and the strong is the king of the gods.

Therefore, there are often descriptions of the gods' appearance and physique in mythology. For example, Hercules, his appearance is described as: he is more than ten feet tall, his eyes are bright, he throws and shoots arrows, and he has become the most handsome and strongest warrior in Greece at the age of 18.

The gods in Chinese mythology are the embodiment of rationality. They are often detached from the mundane world, restrained in emotions, and without love. They are the purest existence in the world.

Especially in the immortal system established by Taoism, most of the immortals have given up human love before they finally become true.

Such as Lü Dongbin. If the immortals are tempted by mortals and talk about love with mortals, they may violate the rules of heaven and be severely punished.

For example, the Seven Fairies and the Three Holy Mothers are both love tragedies in the end.

The gods in Western mythology have emotional characteristics. For example, Dionysus, the god of wine, symbolizes instinct, passion, enjoyment and indulgence in Western culture.

The gods in ancient Greek mythology have families like mortals, have seven emotions and six desires, talk about love, and are jealous.

For example, the god Zeus, who flirts with women everywhere and has countless romantic affairs, while Zeus' wife Hera is jealous.

In this regard, Ye Mao has made some changes, and many love stories are interspersed throughout the Journey to the West.

Between gods and gods, between gods and humans, between humans and demons, between gods and demons.

Although these stories are not tolerated by the heavenly rules, Ye Mao also tries his best to maintain his perfection.

You should know that Chinese Buddhism is abstinent. Although there are many dual cultivation techniques in Tibetan Buddhism, the Pure Land School in the mainland never allows these things to exist.

The love described by Ye Mao is naturally completely contrary to these doctrines. Just ask, Tang Monk, Sun Wukong, Bajie, and Sha Monk, one by one, are in love. Isn't that a violation of the precepts?

How can these guys who violate the rules and precepts seek the true scriptures?

This is also the reason why they are unwilling to broadcast in China. Afraid of being criticized.

There are no such troubles abroad, and they will definitely be criticized, but the debate will definitely be about other topics.

In fact, there is a big difference between the goddesses in Chinese mythology and the goddesses in the West.

The goddesses in Chinese mythology are often very virtuous, most of them have no obvious personality, they are submissive, support their husbands and raise their children, and do housework. The most typical one is the snail girl.

Even if the gods come to the world, they will fulfill their wife's obligations and take their husbands as the backbone. For example, the Seven Fairies married Dong Yong.

The goddesses in Western mythology are often more independent, and they are more active and free in love and marriage.

For example, Hera, the Queen of Heaven in Greek mythology, dared to fight to maintain her status, and Zeus, the King of Heaven, was also afraid of her. Therefore, Hera is called the patron saint of Western families.

These differences make many Western women dislike it. You know, the feminist ideology there is more serious.

However, Yuanfang still intends to infiltrate some things in Chinese culture into the West. Why can they engage in cultural invasion? Why can't I fight back strategically?

Everyone knows that war is terrible, but cultural invasion is even more terrible. It can change people's minds and make them involuntarily controlled by them.

At present, these phenomena are becoming more and more serious in China, especially among the younger generation. Many people think that the moon in the West is rounder than that in China.

And what Yuanfang wants to do is also what those public intellectuals are doing. Popularize China's cultural system and cognition among Westerners so that they can have a sense of identity.

Of course, this kind of thing is naturally not something that can be done by one or two movies or TV series, but Yuanfang doesn't care.

China has a complete cultural heritage of thousands of years, and mythological stories are like carp crossing the river. I bombard step by step. I don't believe that I can't cultivate a group of public intellectuals?

After all, education starts with children. She has plenty of time. For this reason, she joined the American nationality so that some things will not become sensitive.

After all, I am an American. What's wrong with shooting some foreign cartoons? This immigrant country has no heritage. It's all patchwork.

Yuanfang is very smart and sometimes deliberately stirs up some arguments. Anyway, she has plenty of resources at Fox News Group.

Why shouldn't she use such a powerful tool? She can promote whatever she wants.

The success of Journey to the West has given her confidence. She has read a lot of Chinese myths and is ready to decide what to shoot next?

But there is one thing that makes her feel a little embarrassed, that is, her brother-in-law Ye Mao.

She naturally knows what kind of family the Ye family is. Although Ye Mao is very talented in this area, if he is allowed to work in this industry professionally in the future, I am afraid that his parents-in-law will not be happy.

Recently, Yuanfang is going to return to China to recruit a group of talents. She has also paid attention to the online novels that are emerging in China. The imagination of those writers often makes her dumbfounded. If she organizes an essay contest or something? It is estimated that she will definitely find a group of geniuses.

Therefore, after the reserves of Journey to the West are sufficient, she will return to China with her children. After all, her daughter has only seen her grandmother and grandmother now.

She didn't even pay a visit to the old queen mother, the Dinghaishenzhen of the Ye family. She knows better than anyone the status of Queen Mother Kai in the hearts of her father-in-law and husband.

It can be said that without the approval of the old queen mother, the child is not a real member of the Ye family. This is not something Yuanfang can bear.

A few people returned to the capital, but Yuanfang did not return to Junken City, but directly found Shanda Network, because Qidian Chinese Network belongs to this company.

Thank you for the monthly tickets, I was moved to tears, come on

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