Chapter 1815: Vulgar Fear (Twenty-Three)

The murder scene in the dark depths is no longer there.

Wardrobe, full-length mirror, single bed, no TV, there is no doubt that it is a female bedroom.

As for why he dared to assume the gender so boldly?

Simple, the hair on the struggling head feels so familiar - Salma.

If I guess correctly, I am afraid that I have broken into her house.

Including the feedback from my hands at this moment, it is also very clear that I am not pressing the back of the head but the mouth.

No matter how you look at it, it is a plot of trespassing and being discovered, and quickly covering your mouth to avoid being heard by others.

I have to say that the script character arranged for me is getting more and more excessive.

As for why I am not surprised but happy in the face of this situation?

First of all, with the experience of many transitions before, when the light suddenly changed and even the "corpse" moved, Fu Qian's first reaction was not haunted or something, but switching scenes.

Secondly, this is the result he expected.

…

Putting the notes under the corpse's head is not a performance art, but a test with a clear purpose.

Originally, after some exploration, the truth of Twilight School has been found out.

The culprit has undoubtedly locked onto Wen, who fell from the building, and only needs to confirm his identity later.

However, as I opened my notebook, everything had another explanation.

In the end, those self-questions and self-answers that were almost unrecognizable, each stroke seemed to piece together another Eva under the quiet appearance.

Fierce, crazy, and at a certain moment, with such a face, she sent a sharp knife into Salma's chest.

At the beginning of the script, seeing that I returned to the fourth floor, I rushed up and pulled myself away.

In addition to taking me away from danger with kindness, Eva's action seemed to have another explanation-

After a conflict, she finally calmed down and chose to leave quickly, but she met me, an uninvited guest, on the way.

Not understanding why she was here, she chose to play a victim frightened by a supernatural event.

Unfortunately, this move met an opponent.

Seeing that she also ignored him, was neither afraid nor fled, and even returned to the upstairs, she finally couldn't help but rush back and extended a "saving hand" to herself, so as to avoid the scene in the bathroom being discovered too quickly.

And then she told a supernatural story and took herself on an escape journey.

Then because of her own hiding, she failed to open the iron door, and had to turn around in the building to find another way.

As a result, in this process, she ran into more strange characters.

For example, the dead Joshua and two assistants.

And it is obvious that Eva did not really regard them as ghosts as she showed.

After she left the utility room, she followed so quickly instead of running away, which to a certain extent reflected this point.

Compared with getting to a safe place as soon as possible, she was more concerned about the development of the matter.

And the follow-up was very simple. By mistake, the blame was all pushed to Wen, and "the truth was revealed."

For Eva, it was a happy ending that she dared not even think of.

Of course, Wen is not absolutely innocent. Before the three people went downstairs, in the "truth" that he summarized from their perspective, except for the initial killing of Salma to help Eva take the blame, the other things were most likely done by him.

Attack Joshua, hide the body, and even cut Salma's face.

Of course, the last one is not so certain. After Eva calmed down, her disgust for Salma became stronger, and she continued to slash her face. Wen had extreme resentment towards his girlfriend for some reason. After seeing her tragic death, he was not only not sad, but even cruelly killed her.

And this is exactly the essence of what I want to say-from the first script, I seem to be facing the superposition of many "possibilities".

At the party, it may be a prank against me, or it may be that they really want my help.

In the old house, is the jellyfish vampire lying to me, and did Wen leave or not?

After realizing this, Fu Qian finally had a guess about the "correct" way to complete the script-is it possible that there is no real truth?

All I need to do is match up the "possibilities" in each script, just like putting together the same-colored faces of a Rubik's Cube.

...

What would happen if I didn't take out the notes from my bag and just left the building?

Because I didn't find out the "truth", would the script not change?

I'm afraid not.

Don't forget that at the end of the old house, Wen's real whereabouts were not confirmed.

Fu Qian's understanding of this is that after getting to know the basic elements of each copy, the plot should be consistent and there should be no conflicts.

For example, suppose the vampire at the end of the old house actually deceived me, and Wen did not escape, but fell into a mechanism in the house and died, and I didn't find it, then the one who fell out of the window and died just now could be him, and the mission would not fail.

But if the house didn't collapse at that time, so that I patiently searched and found Wen's body, then Wen would never fall out of the window just now.

In other words, my behavior of continuously stirring up trouble and forcing people out will directly lead to mission failure.

A simpler example is that if at the very beginning of the mission, when you first meet Eva at the party, you directly draw your knife and slit her throat, then she must never appear again in the script after that.

And considering that she should be the core element of the script like Twilight School, the most likely result is that the task will be restarted directly.

In a nutshell, it's like picking out a set of logically self-consistent stories from a bunch of stories, each of which has multiple versions, and binding them together.

Of course, this is essentially a brainstorming of the tasker, and there is not enough evidence to prove it.

So after having this idea, a series of tests also appeared.

First, she did not leave with the three people, and the script showed that it was not over.

Even after opening the notes and learning another truth, it did not happen.

And finally, after putting the evidence of the real murderer under the victim's head, so that the subsequent police would almost certainly find it, the script ended directly.

Fu Qian's understanding of this is that the reason why it can be ended without leaving the building is because the act of putting the notes has eliminated other possibilities in the script judgment.

That is, the ending of redress is directly locked.

...

The "correct" method seems to have been found vaguely.

Although the situation now does not look good.

"Salma?"

It is obvious that there is not only this victim in the house.

While struggling, there were doubtful voices coming from outside, as if they noticed the movement, and even the door handle was being turned.

"Wen is missing."

Fu Qian said in a low voice, taking a step forward and holding the door with his back.