Chapter 78 Whose Church

A church... Same as my judgment... Klein looked at the ruins in front of him, and said a few words to himself silently.

At this time, a little crimson moonlight that penetrated the deposited fog and sprinkled on those half-collapsed buildings was much richer than before, and it was closer to blood color.

Klein maintained Gehrman Sparrow's iconic sternness, and said without emotional ups and downs:

"Where did you explore before?"

While speaking, Klein glanced at the long-suffering but unbroken lantern in the hands of "The Hanged Man". The light reflected by the flames subconsciously tightened his muscles and membranes.

Although the flame was always isolated by thick glass and metal fences, it still made him a little afraid.

Alger didn't pay attention to Gehrman Sparrow's subtle changes, raised his right hand holding the short blade, pointed to the most intact and grandest building in the ruins and said:

"There."

Only the main body of that building remains, and people have no way of knowing what its original layout looked like. It can only be judged from the current remnants that it has thick walls, grandeur and huge windows, and narrow windows. The tower and bell tower are simple in appearance and ancient in shape.

"This is an architectural style in the early Quaternary Era. It is recorded in the records of the Church of Storms. It is said that in that period, all major churches widely adopted similar shapes to build churches." Alger was deeply impressed by this ruins. , Over the years, I have read a lot of books and grasped a certain situation, "Its biggest feature is that it is the unity of life and death, but I can't be sure that the interior of this ancient church is the same as my It's the same as the description, because I haven't gone deep into it."

This may be the architectural style left over from the third era... Klein made some guesses, and walked to the ruins of the ancient church with an unusually tall doorway first, leaving the lantern behind him, only enjoying the light, not the flames.

The two quickly walked along the exaggerated gray-white stone steps to the door opening, and saw the remaining classical stone pillars and concentric multi-layered arches inside.

Klein didn't rush in. He reached into his pocket with his left hand, took out a gold coin, and let it flip and jump between his fingers, seemingly muttering something.

Suddenly, he bounced the gold coin with a bang, spread his palms and waited for the other person to fall, then turned his head to the "Hanged Man" and said:

"On what basis do you judge that the value of the depths of this church is no less than that of the 'blasphemy card'?"

After finishing speaking, he glanced at the gold coin that had fallen into his palm, and casually put it away.

Alger pointed inside and said:

"As I said, I was not as strong as Qilingus at the time, and I was naturally not as deep as him. I couldn't know what he saw. I can only judge from some of his words that there are very precious and important things in it, and at least It can only be obtained if there is a real Sequence 5 level.

"However, the murals near the entrance and the traces on the ground may be able to explain some problems."

Klein nodded, and walked into the deep doorway where the crimson moonlight couldn't directly shine. The black windbreaker he was wearing was slightly raised back. Alger followed behind with a lantern and a short blade in his hand.

Passing through the door opening, Klein used the crimson moonlight hanging from the breach in the dome to see clearly that there was a rather deep hall in front of him, and the classical stone pillars supporting it had collapsed and broken in half.

At the end of it is not a holy altar, and there are no stairs to go up. It is dark, and it is difficult to see the details. It seems to be going deep into the ground.

It's not the temple and the tomb... Both the temple and the tomb are underground? I can't judge, I have to go down to know... Klein subconsciously glanced left and right, and found a side door on each side, but the area they lead to has completely collapsed, and there is no way to go.

The murals near the entrance and the traces on the ground... He remembered what the "Hanged Man" said just now, took two steps diagonally, and released the invisible "Wraith" Senor, with the help of his night vision ability,

Look at the remaining murals on the wall.

The background of the mural is a majestic and majestic mountain peak, with a huge cross covered with layers of brilliance on the top.

In front of the cross stands a majestic and unusual figure, surrounded by angels with two wings, four wings and six wings.

This... Klein just took a cursory glance and felt a strong sense of familiarity.

He had seen similar murals before, in the tomb of Amon the Blasphemer!

Taking a closer look, Klein quickly found out the difference. There are no two babies representing Amon and Adam, nor are there any twelve-winged angels. Rustic and simple stone slabs.

The stone slab was painted extremely vaguely, but there was a feeling of both ancient and young, sacred and evil, with extremely contradictory meanings.

Slate... Klein's pupils dilated slightly, and a proper noun flashed in his mind:

"Desecrate the Slate"!

This should be the ancient Sun God, the creator of everything worshiped by the City of Silver... Sure enough, the "Slate of Blasphemy" is closely related to Him... I don't know if this is the first "Slab of Blasphemy" or the second... Klein roughly understood who this church belonged to, and began to believe that there might be something very precious and important hidden deep in the ruins.

He withdrew Senor's gaze and made the "Secret Puppet" look at the ground instead.

In addition to being covered with cracks, there were still some strange traces left on the stone slabs. They were dark red in color, the size of a human forehead, and overlapped from time to time, stretching all the way to the end of the hall.

At this moment, Klein naturally imagined a scene in his mind:

Devout believers crawled on the ground and crawled forward. Every time they walked a certain distance, they hit the ground heavily with their foreheads, bleeding out.

Seeing that Gehrman Sparrow turned his eyes and stopped looking at him, Alger asked tentatively:

"The ancient sun god?"

At the same time, he inexplicably felt a cold wind blowing from the side of Gehrman Sparrow, and suspected that there were hidden shadows or wraiths around him.

Reminiscent of the strange control of the mutated curly-haired baboon, Alger vaguely guessed something, but didn't say it.

Hearing the question of "The Hanged Man", Klein originally wanted to chuckle and reply, "You can also call him the Lord who created everything, the omniscient and omnipotent God", but immediately realized that the tone and wording were closer to "The Fool", Instead of Gehrman Sparrow, he restrained himself, just nodded slightly and said:

"It's not hard to see."

Alger breathed a sigh of relief silently, looking forward to the item buried deep in the church.

The two made a decision at the same time, and Qi Qi walked to the end of the hall.

When he got closer, Klein finally saw clearly that there were steps going down there.

"Underground area?" He asked succinctly.

Alger shook his head and said:

"I can't be sure, I haven't been down there.

"Although Qilingus tried to go deep, he returned here in less than ten minutes, and his breath became quite weak."

Klein nodded thoughtfully, and said casually:

"You seem to be very familiar with him."

If someone else said that, Alger would definitely not have heard it, and would not respond positively, but in his heart, "The World" Gehrman Sparrow is the favored person of Mister Fool, and his question may represent that The meaning of existence must be treated with caution.

After deliberating for a few seconds, Argel said in a low voice:

"I was from the same town as him, and served as servant in the same chapel.

"The pastor there is irritable and violent and likes to punish the servants. Qilingus couldn't accept it, so he ran away secretly and became a pirate."

There is still such a past... Mr. "The Hanged Man" is also a person with a story... Klein did not make any in-depth inquiries, and walked down the stairs step by step in the extremely quiet ruined church.

Although the sound of his footsteps was very slight, in such an environment, it was still distinct and far away.

Soon, the two finished walking the stairs, and saw another doorway with an arch.

On both sides of the doorway stood two black shadows, standing quietly, silently, and never changing.

Klein and Alger stopped at the same time, looked at the two black shadows, and found that they were two stone statues.

They are all men, with gray and white bodies. One is wearing a bucket-shaped full-body armor, and the other is wearing a jacket with a more modern style. Their expressions are full of pain, and their eyes protrude, as if they are staring at something.

Seeing this scene, Klein suddenly became clever, remembering his previous experience in the outside world:

He and Alger also showed signs of petrification, but luckily they got rid of the influence in time and didn't really turn into statues!

This...wouldn't be humans who had the same experience... If we were petrified just now, wouldn't we also be "moved" into the ground of this ancient church, guarding a doorway unchanged for hundreds of thousands of years? Isn't the power of petrification afraid of this ruin? Klein was inexplicably frightened, and his scalp felt a little numb.

He controlled the fluctuation of his expression, turned his head and glanced at "The Hanged Man", and found that the pupils of this rough sea man had also enlarged, and the hand holding the short blade was obviously much tighter.

Mr. "The Hanged Man" also had the same guess, so I don't need to explain anything... Klein pointed to the door and said:

"There may be more stone statues inside."

Alger nodded, half worried and half jokingly said:

"Just hope you don't see us."

If we firmly believe that we have got rid of the effect of petrification, and at the same time see our own statue in the underground area, it will be a horror story... Klein thought for two seconds, and said to "The Hanged Man":

"Do you have night vision?"

What he really meant was that the light of the horse lantern is very conspicuous in the purely dark underground part, and it is easy to cause unnecessary changes, so if you have night vision capabilities, it is best to turn off the fire light.

And this hidden meaning, he believes that Mr. "The Hanged Man" can taste it.

Argel replied frankly:

"Have."

A "sailor" pathway sequencer who can dive deep must have the ability of "night vision".

Klein glanced at him and didn't speak, but the meaning he expressed was very obvious:

Then why do you still use horse lanterns?

Alger solemnly responded:

"One is to mislead the enemy. When they see me using a lantern for lighting, they will instinctively think that I have no 'night vision' ability. After they destroy the lantern and try to create a dark environment, I can give them a surprise. "

How insidious... Klein couldn't find the words to respond.

Alger continued:

"The second is to guard against a situation similar to the City of Silver. There may be extreme danger hidden in the pure darkness."

Makes sense... Klein didn't signal the other party to turn off the lantern, and he passed the two stone sculptures first, and walked into the doorway leading to the underground area under their frozen and painful eyes.

Because he didn't know what the petrified statues represented, nor did he know whether the petrified people were completely dead, so Klein didn't try to smash them to harvest the possible Extraordinary properties and magical items.

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