Part 6 Summary and Request for Leave and Monthly Pass

The sixth chapter has a total of 116 chapters. For me, the overall completion level has reached my expected standard.

In the fifth part, I said that the peak of the plot is in the sixth part. Note that I said the peak, not the climax, lol, because I knew clearly at the time that the refreshment and explosiveness would be a bit lacking. The core is to give strong The impact of this point, when Amon said Chernobyl, when the chief said that Omi Bella had already died, I could clearly feel the joy of writing for me.

Correspondingly, the follow-up has also exceeded 60,000, which has become the peak of the whole book, especially the Amon piece, the highest is over 63,000. As for the chapter of Omi Bella, it was not 24 hours before the conclusion was written. So I can't give the result, I only know that after an hour of uploading, there will be 32,000 additional subscriptions.

These are the two peaks of the sixth part, one end and one end, just strung together the whole article. They are the product of me having a complete idea and consciously burying the thread before I wrote the first part, even before the first part. One is something that was determined when I set up the worldview. When I typed the words crimson in the first chapter, everything corresponding to it was already in my mind. Inspiration, and then there was the Church of Harvest and Emlyn White. The corresponding clues were actually given a lot. They were rather obscure, but it was not that they didn't give any hints.

Around these two peaks, a lot of secrets have been revealed. In general, there is no problem in this one. The overall world view has begun to take shape, and a relatively complete framework has been formed. It can smoothly develop some information and clues of the old days and the outer gods, and write down the affairs of the ancient sun god family. The family, uh, it seems very flamboyant to describe it with this.

When it comes to fireworks, I have to mention the issues of war and "justice" that many friends criticize.

When I was writing martial arts, I really summed up a set of writing methodology that suits me, but at that time, many things were still vague. It was not until I started writing about mysteries, with corresponding experiments and gains, that it became clear a little bit, and I concluded that more stuff.

For me, one of the first and most important things about writing is a very simple word:

Express.

What I hope to express and convey, this is one thing that needs to be considered clearly before starting to write, and then make plot choices around it, so as not to shift the focus.

In short, it can be described with a word that everyone hates: the central idea.

So what do I want to express in the sixth part? First, the shock brought by the two peaks. Second, the insignificance and helplessness of human beings in front of the gods. Third, even if they are as small as moths, To chase the light.

The second point actually does not belong to the sixth part alone. It is something that is inevitable in the world view of the restraint system and the restraint system. The fear of the unknown is insignificant before the "unknown". Moreover, this is also related to the stalk of the second part. Inheritance.

So, before writing the sixth, or even the fifth, I was thinking about what kind of plot to use to support what I want to express, so that it can be accurately conveyed into everyone's hearts.

If you start to write about war, the focus will become various extraordinary abilities and battleships, machine guns, and cannons. This will be relatively new, and you can also bring deeper things such as sacrifice, blood, and the cruelty of war. There is a certain deviation from the emphasis I want to express, because since I have stepped onto the battlefield, I have clearly recognized the meaning and reason of death and survival. There is no sense of being at a loss, and death is also at a loss.

In the same way, the epic battles have always been described. In the sixth part, the decryption of the king of angels and gods has even begun. If it is expanded into a comprehensive, human wars will not only conflict in the style of painting, but also be more incompatible. .

With that in mind, I said long ago,

I won't describe the war in detail, but focus on the ordinary people in the war. Moreover, I deliberately blurred their faces and did not give their names. This is the reverse operation of the second faceless man. , in order to reflect the feeling of a large number of people, and reduce the corresponding pain and sadness, and focus on the dazed, numb, and confused.

The only people with a name and a surname were the landlord and the couple, and that part was to deepen the pain and discomfort, otherwise Audrey would not have enough strength to make a decision to kneel and kiss her parents.

Originally, there was no need for Audrey to appear so many times when doing charity work. In order to strengthen the numbness, rigidity, pain and dazedness, I deliberately wrote it several times, which resulted in Audrey’s inner change in those few episodes. It's a bit monotonous and repetitive. However, I don't think there is any problem with her two conversations with Klein, two confusions for different reasons, and the behavior of making a decision, and the manipulation after making a decision. Not procrastination, not cumbersome, with its own contradictions and corresponding plot tension.

All in all, I combined Audrey's inner strength and her own growth with the insignificance of the human being I wanted to express, and dealt with it in a single line, so that sometimes I wrote about her, but the real focus was not. It's not her, making her a bit like a tool person at some point, this is probably the responsibility and sacrifice that an "audience" must have, sigh, but I also thank everyone for your tolerance and support. About fifty-three thousand, let me write very calmly and calmly, which can pave the way for what I want to express.

In the end, on the Backlund battlefield, from the perspective of Audrey, one was to undertake the changes in the battle of gods, and the other was to put away the things that had laid the groundwork before.

When the audience walked through the streets and alleys, walked home, and saw that the citizens, the nobles, and the demigod were all dazed and numb, and suddenly said the phrase "I don't know the cause of death, and I don't know why I was born." When I sighed, I felt that the corresponding plot was not written in vain, and I felt that the plot floating in the sky returned to the earth, very heavy, very heavy, very stable, very solid, so that's good.

In addition, this just happened to form three progressions of emotions at the end. Audrey's line reflects dazed, insignificant, sadness to Bernadette's line of pursuit, firmness, no matter how dark or hopeless, we have to move forward, and then to The City of Silver has struggled to explore in the dark for thousands of years, and finally opened the door, saw the light, and saw something called hope.

For this reason, the Great Emperor line that I originally wanted to write in the sixth volume was pushed back to the seventh volume.

Well, the progression of these three emotions can also be arranged in reverse, which is very hopeless and does not fit the title of "Light Chaser".

Regarding the death of the chief, because there was Lovia's death in front of me, I did not express my sadness repeatedly, and did more sensationalism. I just described his state with restraint, so that the corresponding pain could be hidden deeper, let the light be the dominant, and Regret, relief, and hope are expressions of emotion.

One of the problems with the sixth volume is that there are too many battles to do, some of them are intensive, and the "relaxation" in the middle is not enough, which is easy to make reading tired. This is a problem that needs to be paid attention to in the seventh volume.

Also, if you don’t write about the war, you will lose the opportunity to unfold the whole world and make the stage of the plot look small. However, this is also what I expected, because there are twenty-two paths, different countries, and many stories of gods and angels. If you expand one by one and let Xiaoke run all over the map, it will be very cumbersome and bloated. Every place can only be touched by water, and it is better not to write.

Therefore, I clearly set up the situation in Intis, Fenebot and other places in detail, but I didn't start it. A certain Mi-5 classmate can testify. During the preparation of the mystery, she asked me how to write the outline. I directly copied a small part of Intis's settings to show her, it should be a more detailed version.

This is a point I made sure before the secret book was published. Try not to run the map, work intensively, and be able to write the atmosphere and characteristics of a country, bring out some characteristics of other countries and other ways, and fully outline the world view and world framework. Then Even if the book Mystery has completed its mission, um, you should be able to feel that I am writing it.

As for the development of other ways in other countries, I hoped to use a tricky method to solve it, that is, under this world view, I would write a second, or even a third, of Intis, Fenepot, and various secrets. Organization, West Continent, etc. have written useless settings for use, from another perspective, another entry point to expand and improve the entire mysterious world.

I have even thought about some stories that may or may not be written, such as a member of a certain old family who secretly infiltrated and wanted to destroy, but suffered an accident, lost his memory, and was picked up by the Church of the God of Knowledge and Wisdom, every day.” Addicted" to textbooks and exams, such as starting as a hunter, getting mentored by Santa Niz, tearfully licking Anderson, fighting wits with the Red Angels, etc, etc.

This may become the main line of the second part. As for the third part, it is probably the story of the Western Continent, the mystery of the oriental wind. When I saw you tossing about the "Original" route, all of them were smiling. Of course, the Western Continent For the power system setting, I just left the interface, but I haven't done any refinement.

Well, the third part may not be written. At present, I can only promise the second part, and it is not about to write the next one. I plan to change the theme, change my mood, and write about other things. After all, I have accumulated a lot of inspiration. I have come up with two interesting ideas, one is a wasteland and the other is a fairy. It is still difficult to decide which one to write. After the mystery is finished, I will consider it in detail and collect materials.

Let’s chat here, get back to the point, the old rules, rest for three and a half days, and resume the update at 7 o’clock on Sunday evening (actually, it is four days, but I have written more than 3,000 words in summary, so it can be counted as one chapter)

As for the name of the seventh part, I saw that many of my friends have guessed it, "The Hanged Man".

Finally, since a single chapter has been opened, how can you not ask for a monthly pass? At seven o'clock on Sunday evening, upload the first chapter of the seventh "The Hanged Man" on time, asking for a monthly pass!

In addition, the order is more than 98,600, please ask for a genuine subscription, I hope it will exceed 100,000 soon~

Finally, ask for a monthly ticket~