Eight Hundred and Fifty-Seven Monstrous Momentum
The 54th Grammy Awards ceremony has come to an end, and there is no doubt that Adele has become the biggest winner, becoming a representative of the new generation of singers overnight; Renly has become the biggest beneficiary.
More than just three gramophone trophies, "Don Quixote"'s album sales and single popularity have skyrocketed, and it has achieved a series of incredible results. The swipe of the Billboard chart is just one of the most well-known ones. That's it; on the online forum, the discussion of folk songs has picked up again, and even a new group of young fans has appeared.
More importantly, in music cities led by New York, Nashville, and Memphis, the proportion of folk songs in bar performances has shown a blowout rise.
It is impossible to try to reverse the decline of the entire industry by relying solely on Renly's strength; the Grammy awards and speeches at the award ceremony have sown seeds across the North American continent, quietly waiting to take root and sprout.
Bustling, bustling, and vigorous, one award ceremony is over, and there are countless awards ceremonies to follow. This is the awards season! The Grammy craze has not had time to fully settle and digest, but all the entertainment reporters have started to get busy again.
The Screen Actors Guild Awards will be held this week. This is also one of the most important weather vanes before the Oscars. It can provide an important basis for judging the trends of the four major categories of Best Picture and Actors.
In the midst of this busy and noisy scene, Entertainment Weekly quietly dropped another bombshell, with Cornell McGregor writing a four-page, horrifying feature. 's title strongly declares their presence:
"Renly Hall: The man who deceived the world!"
"At the moment in 2012, the name Renly Hall has become a phenomenon: a vivid image of art, creativity, dreams, freedom, and self-indulgence that not only represents the American dream, It also represents the dream of art, which embodies every artist's pursuit of a balance between business and art, and also embodies the vision of every ordinary person for their dreams.
In the past month, this generation Y leader has repeatedly created miracles:
The Silver Bear Award for Best Actor at the Berlin Film Festival, an Oscar nomination for Best Actor, and three Grammy trophies. In addition, 'One Man's Concert' was staged in Madison Square Garden, and the seats were full; 'Don Quixote' entered the public eye, and sales exploded; The North American box office of the two works exceeded 100 million.
Is there anyone who can match him? Has anyone not heard of this name?
Obviously, no. this man,
It represents gentleman and grace, art and profession, and future and dreams. However, hidden under this skin, it is a huge lie, a shocking deception. He deceived the whole world. He's another Frank-William-Abagnale-Jr. "
Frank - William - Abanel Jr., the youngest wanted criminal in FBI history, and later his personal experience was adapted into the movie "Getting Away" starring Leonardo DiCaprio and Tom Hanks. Simply put: he is the most handsome scammer ever.
At the beginning of the article, Cornell listed Renly's brilliant achievements in the past period of time, and listed the praise and affirmation of the media, but then a turning point, in a shocking way, forcefully and violently. Nailing Renly on the pillar of shame, using Franco Abanel as a category, simple but effective, directly integrating Renly into the character image.
"Hype", which is what Cornell accused of. He condemned Renly's malicious hype, used a series of means to package himself, created an image that the public longed to see, and achieved a series of incredible successes, even for the sake of Hype without compromise. In writing this article, Cornell is trying to uncover the truth.
The entry point of the article is "one person's concert".
Cornell once again raised his doubts and criticisms about the concert, choosing such a sensitive and special time to hold the concert, which is already suspicious; what is even more crazy is that in just four days, he actually made an appointment. For a top-level venue like Madison Square Garden, it would be almost impossible if it wasn't planned half a year or even a year in advance.
Heather Cross, mentioned by The New York Times, Cornell also conducted a detailed investigation.
Before the concert, Renly and Heather did not have any intersection at all. On social networks such as Facebook, Twitter, and photo walls, there was no trace of them, indicating that the two were once friends; further, even Renly No link to Mount Sinai Hospital could be found.
For a public figure dedicated to philanthropy, this is a great opportunity to write about, but for the past three years, no word has come out that Renly is volunteering at Mount Sinai Hospital. This is absolutely abnormal.
"How is it possible that no one recognizes Renly after 'Fast & Furious 5' and 'Crazy Love'? If he does make frequent trips to Mount Sinai Hospital." This is Cornell The original words not only questioned Heather, but also tortured the related matters of Mount Sinai Hospital, and the arrow pointed directly to the "New York Times".
Subsequently, Cornell put forward another "hypothesis", assuming that the "one-person concert" was indeed held for Heather, and this concert did have a special meaning.
This assumption is valid. In real life, this is true not only for artists, but also for every charity participant. Everyone has their own life. They cannot always stick to those who need help; more often, it is these objects. Sending out a distress signal, the charitable participants proactively offered help and helped as many people as they could.
Therefore, Cornell believes that Renly and Heather never knew each other, but after learning about Heather's situation and crisis, he agreed to the request for the concert and realized Heather's dream. It makes sense. But the problem is-
"Heather Cross was officially buried on Monday, February 20th, ET. But the helpful protagonist, Renly Hall, stayed in Los Angeles and went to Universal Studios with two children. Not only did he not Attending funerals and even revelling. So, does the connection between Renly and Heather really exist?"
Cornell pointed out that if Renly and Heather were really that close, with Renly's personality, it would never have missed the funeral. After all, in March last year, Renly even missed the Oscars because of his health, not to mention the Grammys who were just playing tickets across the border?
Immediately afterwards, Cornell said that the absence of the funeral was not a heinous move. But the problem is that "One Person's Concert" is full of loopholes and cannot stand at all. About Heather, about Mount Sinai Hospital, about the concert, Renly lied a lot. Now, it's time to ask the question: why? Why lie?
There are countless similar charitable activities in the entertainment industry. Artists go to the hospital to visit seriously ill children, bringing warmth and fulfilling their wishes. Later, when the child passed away, there was no need for the artist to attend the funeral. It was enough to express condolences on Twitter or Facebook.
However, Renly opted for a grand concert. Why?
Cornell did not answer, but once again listed a series of data, "After the concert, Grammy, Album of the Year, Newcomer of the Year, Best Alternative Album; Billboard Album Chart, 'Don Quixote' No. 1 ; No. 4 on the Billboard Singles Chart, 'The Beast.' Next, the SAG Awards, and... the Oscars."
Without the need for extra explanation, readers can make their own associations: malicious hype, academy PR.
Cornell then added two details:
First, Renly chose Annie and Alex as their Grammy red carpet partners, and before that, Renly's red carpet had never chosen a partner, and these two kids have also been confirmed that they are Mount Sinai patients in hospital. Replacing Heather, it became the best shield for the "charitable activities" that didn't exist.
Second, Renly attended two PR events on the night of Heather Cross's death. One with Woody Allen and one with Scott Rudin and Brad Pitt.
Consistently organized, advanced layer by layer, and shredded, Cornell's report can be said to have come prepared. On the basis of the "New York Times" and on the basis of his previous article, he further developed the ins and outs of the matter. Show the "truth" in front of every reader, moreover, in all aspects.
However, this is not the end.
In the second half of the article, Cornell once again listed the incidents that Renly suspected of maliciously hyping and creating images in the past year.
Negotiations for the sequel to "The Fast and the Furious" began with Renly's request for a higher salary, and ended with Renly choosing Warner Bros.'s work, while preparations for the "Fast and the Furious" sequel have been temporarily put on hold until now. There is no next move.
The absence of Oscar started with the promotion of "The Anti-Cancer Me", and ended with the academy's generosity and the fans' admiration and understanding. The North American box office of "Anti-Cancer Me" also successfully exceeded 100 million.
The premiere event of "I'm Fighting Cancer". It started as a low-budget work without a grand premiere, but it ended with a warm interaction between Renly and fans, and the movie's box office was brilliant.
The Natalie-Portman incident started with the scandal between Renly and Natalie, and ended with Natalie winning the Oscar, but she was still haunted by the media, and Renly became famous in one go.
In the end, Cornell raised a question, or hypothesis.
Since the "Pacific War", the discussion about Renly Hall's background has never been interrupted, but the truth has never been found. Is this a coincidence or an arrangement?
If Renly is really an ordinary family with no name, why did he refuse to make it public? And the development track in the past two years has been so smooth, almost all the way smoothly, without seeing too much effort, and without seeing too many twists and turns, and reached the peak in one go?
"No one should forget that he just turned twenty-two last November."
With a short, powerful and meaningful conclusion, Cornell drew a perfect ending for this dry report. Then, wait for it to burst. 8)