Two Thousand Two Hundred and Sixty-Seven Bright and Open

"...So, where the hell am I supposed to be at a party? I mean, a real party?"

Alan Tudyk leaned on Renly like this, as if he had no bones, completely ignoring the aristocratic aura of "no strangers" all over Renly, even Mendelsohn. I can feel an invisible sense of distance, some actions and some boundaries will not be easily crossed after all; then I see the scene in front of me, this...

Although Allen is rough, it definitely doesn't mean he has no brains, otherwise, in such a complicated circle of Hollywood, he would have been unable to get along because he offended countless people. Quite the contrary, he sees better than many at critical moments.

After noticing everyone's gaze, Alan stood up straight again, and then his expression became serious. He quietly approached Renly and said in a low voice, "So, now it's back to normal mode?"

It's obviously "lowering the voice", but everyone else around can hear it - obviously, Allen did it on purpose.

Renly didn't mind either, and replied in a normal voice, "It's relaxation mode, but not out of control mode."

Allen showed a meaningful expression, and the whole person relaxed a little, but he did not lean on Renly anymore.

The interaction between the two caused Mendelssohn and Max to exchange glances, and even Felicity showed a slightly surprised look.

In the past, when filming "Crazy Love", there was still a clear difference between Renly entering the role and leaving the role. Outside of filming, Renly always adhered to the bottom line and always maintained a gentleman's demeanor; but now he It can be faintly noticed that the boundary seems to be receding.

Dubbing "Super Marines" is indeed a very pleasant and very relaxing memory. Renly can really unload the burden and enjoy the performance process, and is also immersed in the childlike world created by the animation - whether it is the last life, In this life, he never enjoyed his childhood.

This work is undoubtedly an important turning point in Renly's career, not at the level of acting, but at the level of mentality. This is an irreplaceable moment.

Naturally, Renly and the partners during the dubbing of "Super Marines" have a special way of getting along. In fact, Allen deliberately challenged Renly's "bottom line" in an innocuous way - Allen also knew that Renly didn't like physical contact, but occasionally he would deliberately break the deadlock, hoping that Renly would not be so restrained.

Now, all eyes were on Renly again.

Renly said calmly, "Obviously, Alan is right in saying: Are we sure we're going to continue standing here? Blocking the set shouldn't be advocated." Then, Renly threw at Mendelsohn "So, Mr. Mendelsohn, who came to the set first and has already made a round of tours, can you lead us to the green room? I believe there must be ample space for us to create traffic jams."

Mendelsohn did not refuse, but said generously, "Of course! No problem! Then, your exclusive lounge is the best choice. It is the largest lounge in the entire No. 14 studio, and it is still a single rest. Room. Obviously, that should be the best place to party."

As the biggest actor in the entire crew, Renly's treatment is supreme, and all hardware and software facilities are of the highest level. Other actors are not treated this way.

Mendelsohn knows this clearly. If it is other actors, he will not test, let alone complain, because he does not know their boundaries, and he will abide by the bottom line himself; but for Renly, he knows that Renly is fundamental. Not caring about that, and Renly was able to joke around, so he was just joking.

"Then it's the one-person lounge." Renly agreed neatly. "Let's see what kind of treatment Disney has given me."

The self-pitying statement successfully caused a burst of laughter again.

"Rogue One" has not yet officially started, but the first day when the crew members met together was a very smooth start.

After entering the era of Marvel movies, major Hollywood film crews are becoming more and more keen on large-scale casts with "stars studded". If a work does not have three or five first-line popular stars or familiar actors, it seems that it is not worthy of the superstar. The level of large-scale production; but after senior actors or top actors gather together, the star-studded cast lineup is often prone to small frictions, even if it does not affect the shooting, the atmosphere of the crew will inevitably be affected.

The film company clearly understands this, but this is not a problem they need to worry about - because the shooting is in progress, they do not need to deal with those trivial matters on the set; they value the results, as long as there is no big news and big contradictions , successfully completed, then everything is easy to say.

As for the effect that friction has on the mood, state, chemistry and spark of actors, that's not something the studios need to worry about.

However, this did not happen to the "Rogue One" crew. On the first day of the crew, they had a perfect start.

In fact, the cast of Rogue One was well thought out. Katherine Kennedy selected a group of actors who have a lot of reputation in independent films but are not widely known to the public, from leading actors and actresses to directors , and then to the supporting actors, the tone has been determined:

This is destined to be a commercial film with a relatively unique style and a relatively unfamiliar style. Of course, the ending of everyone perishing is not the style of traditional commercial movies.

Renly, Felicity, Mendelsohn, Max, and Ellen, all of them fit this premise, including Renly, who is the number one person in Hollywood today, all of whom have been in the independent film field for many years, their acting skills and performances They're all very experienced, and the actors' temperament is relatively uncommercial - mostly a sign of contrast with actors like Chris Hemsworth, Emma Watson, and more.

The same goes for other actors.

Riz- Ahmed (Riz-), who rose to prominence with the British black comedy "Four Lions", also collaborated with Jake Gyllenhaal on "Nightcrawler" this year.

Forest-Whitaker, the veteran actor who beat Leonardo DiCaprio to the top Oscar with "The Last Dictatorship", his representative works include "The White House Butler", "Sniper Phone Booth", "Escape the Furnace", "Death Experiment" and more.

James - Earl - Jones (-Earl-Jones) should be the biggest and top actor in the entire crew, because he is the original voice actor of Darth Vader in the "Star Wars series", and this time also Accepted the invitation and continued to voice "Rogue One".

and so on.

Jonathan-Aris, for example, I'm afraid no one knows him at all, but in fact, Renly and Mendelsohn are very familiar with him--

Renly and he have met many times in the West End of London. He is also a senior West End theatre actor. He mainly plays supporting roles in movies and TV series, many of which are important supporting roles, such as "Sherlock" and "The Night Manager". It is a very well-known series, and he is Anderson in "Sherlock", and even appeared in later film versions.

Because of this, an innate sense of intimacy is more likely to arise between actors and actresses - Felicity is not the only actor who is worried about participating in a big production for the first time, she can feel similarities in every colleague and partner The similar uneasiness, the restraint and restraint, are absolutely sympathetic.

Compared to the others, Felicity felt a lot more relaxed because of Renly's relationship, but she was able to give more experience and let everyone gradually relax.

The hustle and bustle in the entire lounge is beyond imagination.

Disney did give Renly the highest standard of treatment, and his lounge was fruitless and showed differential treatment:

At about six hundred square feet (fifty-five square meters), it is not luxurious, but the lounge is equipped with a shower toilet and kitchenette, plus a double bed and a seating area. From sheets to toiletries, to a refrigerator full of food, and a simple bar, the attention to detail shows a one-of-a-kind treatment.

Even compared with the van that Thomas Tull deliberately set up in the "Interstellar" crew, it is not inferior; but the difference is that Kathleen Kennedy has no intention of stumbling behind the scenes, which also makes the lounge not deliberately arranged. Very luxurious, more of a thoughtful approach to everything.

It is true that the other actors are inevitably jealous, and even more amazed than jealous, but Renly's generosity and sincerity, showing the lounge openly and comfortably blending into it, easily dispelled all the strange feelings - because Renly did not at all. It was necessary to do so, and that's what Disney gave him, and it's a direct reflection of his current status, where he can enjoy what he has earned without guilt.

There are countless solutions and possibilities for intricate relationships, and now, Rogue One is heading in the right direction.

In the midst of the loud noise, Felicity's eyes inadvertently noticed Renly again. He was chatting with Mendelsohn in a low voice, while Riz Ahmed sat next to him and listened quietly. It can be seen that Renly is very comfortable and comfortable. This is a side that was not shown even during the filming of "Crazy in Love", which makes people feel that kind of enjoyment from the heart.

Renly had grown and matured, but Felicity liked the current Renly even more.

She hadn't noticed it before, and most of the time she just focused on the performance and roles, immersed in the fake drama of the drama, unable to extricate herself; now she has gradually tasted it, and after forming a contrast, the former Renly always always There was a deep melancholy hidden behind that sunny smile, but that gloomy blue had faded from Renly, leaving only a faint creamy yellow that warmly sprinkled in his heart.

Alison is right, people do change. But not everyone gets shady.