One Thousand Four Hundred and Sixty-Eight Congenial

"What? Paramecium? Hell!" Christopher was also furious at Renly's accusation, and he blurted out the foul language in a panic, "You're the first guy to accuse my movie of being a paramecia! Damn it! Are you sure you're watching my movie? My script?"

Facing the angry Christopher, Renly was still unhurried. When arguing, such a gesture and expression really made the other party angrier. It's really annoying to look so calm!

"If I haven't watched your movies or read your scripts, and now I can understand all your core ideas clearly, then this is not a paramecia, what is it?" Renly's GPA should be very good for the "Death to Pay" course.

At this time, Renly was still sitting calmly in the chair, with his right leg on his left knee, neat clothes, mellow coffee, and a smile on his face, not even a trace of sweat on his forehead.

But Christopher looked embarrassed and emotional, his big back was drooping in a mess, his tennis shirt was soaked with sweat, and his armpits and back were filled with large dark patches.

"You...you are arguing!" Christopher is also a bit lacking in words. He is not a personality good at debate. It can be seen from "following" this debut work, not to mention, now the whole Hollywood dares to do this to Christopher There are not many actors who clapped and shouted.

But Christopher still didn't give up, "I don't mean to give up philosophical speculation, but that there is no need to deepen it! It's just too cumbersome!"

"It's too cumbersome, or can't it be done?" Renly's retort hit Christopher like an arrow, "Stanley Kubrick didn't pack a lot of lines in '2oo1: A Space Odyssey' On the contrary, he also deliberately shortened the lines, but passed the philosophical speculation through the editing and connection of the pictures, which will not be too cumbersome, nor does it need to be too cumbersome, because the construction process of these pictures is the process of philosophical speculation! "

"How to construct (ho)?" Christopher replied straightly. In the case of extreme excitement and impulsiveness, the thinking ability of the mind will also be affected.

"I don't know." Renly replied neatly, "I'm not the director, how do I know?"

"But you're not a screenwriter, why was the discussion so heated just now?" Christopher also showed his perseverance and pursuit.

Renly shrugged, "Why can't it be in the form of flashbacks? For example, Cooper's mind repeats the image of Murphy running in front of him, or the image of Murphy stepping on water in red rain boots, and then again and again. Otherwise, it's the picture of Murphy holding a pencil seriously and drawing, I mean, it's a small detail that becomes the most important concern."

"And for Murphy, she could do it the other way. Encountering a book, or seeing a certain act of a middle-aged man, or encountering some familiar deja vu at work. The scene, or the little movement Cooper made in the five-dimensional space was really imprinted in her mind, and she couldn't help thinking of her father again. And so on."

"Murphy is different from Cooper. Cooper is trapped in space. He can only rely on flashbacks, but Murphy is still on Earth. Her life can still be full of hints and associations. Even Cooper was in five What you do in dimensional space can also cause the butterfly effect."

"Through these two different montages, the maintenance and fetters of the family are presented. More importantly, the dislocation of time is emphasized - Cooper's memory is always the scene of Murphy's childhood, but Murphy has already Growing up, in Murphy's eyes, what she saw was the images her father sent back from space."

"I mean, without affecting the rhythm of the plot,

On the premise of not affecting the commercial properties of the film, after amplifying the power of time to the extreme, it deepens the emotional bond through the performance of the two actors. As for how to compose the picture, how to think, and what kind of spiritual refraction those pictures reveal, That's the director's job. "

Renly's language is not fast, and always maintains a special rhythm, clear and structured.

This time, Christopher did not interrupt, but listened carefully, carefully pondering the feasibility, and further pondering the composition of the picture.

Objectively speaking, the composition of the picture is not Christopher's strength, but the strong imagination, spatial deconstruction and temporal linearity. In this regard, the Canadian director Denis Villeneuve has the potential to be among the great.

In 2010's "Scorched Earth City", Dennis's lens temperament has been revealed. This year, he and Jake Gyllenhaal have collaborated on two works, "The Enemy" and "Prisoner", to a higher level; here After that, the three works of "Frontier Runner", "Arrival" and "Blade Runner 2o49" are even more step by step, moving forward fast on the road of masters.

However, Dennis' shortcomings are also very obvious: rhythm control. He often has to sacrifice his own narrative rhythm for the poetic and core elaboration of the picture, which runs through all his works, which has also become a shackle to his further achievements in business. And this is precisely Christopher's advantage.

As people have said, it is very difficult to just explore the limit at the commercial level or the artistic level. Not every director can find the key to creation; let alone between business and art Finding balance is an eternal problem.

Renly is an actor, he is responsible for telling his own understanding and opinions, but all this is limited to paper, he is a complete rookie in the actual combat stage, the director's job is definitely not as simple as imagined; now watching Christopher fall into While thinking about it, Renly didn't interrupt.

Christopher's expression is very exciting, he is excited and depressed for a while, excited and confused for a while, even his one-man show is full of fun.

But in the end, Christopher exhaled a long breath, "No, this can't be done, do you know how difficult it is to build a shot? It's not just as simple as depth of field and composition, every character, every accessory, every detail exists. It's a very, very big project. If you just rudely stuff those memories in, the whole thematic core can become cumbersome."

"When we were filming 'Inception', we spent countless hours trying to conceive of the totems of everyone after entering the dream, as well as all the scenes in the dream. In fact, Jonathan and I originally hoped to be able to The dream scene is also set up to make more sense, but it needs to take into account psychology, philosophy, history, culture, etc., and it is not that easy.”

"I remember that after the film came out, some film critics said that the entire film of 'Inception' was built on a whimsical idea, but as a director, he still relied too much on the text and failed to derive the deep meaning of the shots. I scolded that film critic in front of Emma at the time, I was shooting a commercial film, not Shakespeare."

"But... Now I understand a little bit. What you mean is that through the settings of some screen content, there is no need to change the script, and it doesn't need to be too cumbersome, to convey the director's thoughts through the lens, that's what you mean, right?"

As he spoke, Christopher looked up at Renly and cast an inquiring glance.

Renly deliberately made a "sudden realization" appearance, "Oh, are you talking to me? Because you looked like you were talking to yourself just now..." Christopher rolled his big white eyes speechlessly. Li didn't continue joking, "Yes, that's what I meant. I know, this is a very difficult, complex and very advanced subject, but... Mr. Nolan."

"Chris."

"...Chris," Renly paused, then the guest nodded and changed his name.

"I always think that the reason why you took over the 'Interstellar' project is that you hope to explore more in the film, and at the same time pursue more at the directorial level.

I have always believed that the reason why a movie is called a director’s art is not the script nor the actors, and even the story must be taken as the second priority. The pictures and shots are the most important, scheduling, composition, editing, setting Wait, this is the most directorial artistry. "

Facing Renly's words, Christopher did not criticize or affirm, but chuckled lightly, "According to what you mean, Michael Bay is also a good director?"

"I personally still like 'Brave Island' and 'Transformers'." Renly gave a positive reply.

Christopher thought about it seriously, but found that he had no way to refute it. People can complain that Michael Bay is still a three-pronged axe, but it cannot be denied that he is still the first-class in the industry in terms of shot scheduling and blasting scenes.

As a result, Christopher laughed dumbly and nodded in agreement. He now finally really understands why people in the industry always emphasize that "Renly is an actor with ideas."

Renly's interpretation of performance, role, core, etc., is indeed unique; more importantly, Renly has his own profound analysis of the relationship between the role and the plot, which is important for the integrity of the film. , is irreplaceable. In the process of cooperation between directors and actors, different sparks can often collide.

Christopher even believes that even if Renly works with a director like James Cameron who emphasizes visual effects and weakens actors, he can interpret his own characteristics.

It's like "Degree and Passion 5".

"If you were to play Cooper, do you have any special ideas?" Christopher brought up the matter for the first time today.

Genius remembers the address of this site in one second: Mobile version reading URL: