Chapter 2751 Self-Recommendation

A person who has lived for three hundred years by watching movies, a confused person.

In fact, in the two-dimensional story, many times, we will discuss why the protagonist fights and completes those inhuman tasks? Is it for the country, for a certain group, or for the people he cares about, or passively accepts it?

In sports comics, it is naturally for the group, because teammates are the people the protagonist cares about the most, so they have to win. But once the scope is expanded to a certain city or a certain country, it is difficult to use it as a reason for the protagonist to risk everything. Even if the author writes it this way, readers may not accept it.

So at this time, the protagonist's motivation for behavior is either very middle school, or for beautiful girls, or passively involved in the crisis, rather than actively participating in the battle. Obviously, this is more in line with the setting of the protagonist as an ordinary person, and it can also make readers more involved in the role.

If the setting is an ordinary person, then agencies, companies, and organizations can easily become the protagonist's enemies.

In some serious works, the protagonist is often not set as an ordinary person, but a civil servant or ranger who can contact the bottom of society. Because only in this way can the protagonist show the conflict between the organization and society in action, and the protagonist group caught in the middle is also in a dilemma, and can only complete their duties without violating their own heart, but they have no ability to change the status quo. This type of work is very common, especially in cyberpunk works. The most interesting characters are law enforcers and bounty hunters who walk between the black and white worlds.

So why should the protagonist risk his life to fight? Unless he believes in "liberating the world first and then liberating himself", other reasons do not seem to be very sufficient, and people cannot sacrifice their lives for justice and forget their own lives.

The character is second-rate, for the beautiful girl, passively involved in the crisis, or his own responsibility? A motivation for the protagonist's behavior must be given, so that the protagonist's actions in the story can be understood by the audience.

But in the end of the world, I am afraid that none of the above motivations can be found. So the female director would rather watch three hundred years of movies, and has never taken any action, and has not tried to change the end of the world.

Until a few years ago, Dema burned the female director's movie inventory, so that the female director could only rely on garbage movies to make a living, and it became more and more uncomfortable.

The reason why Dema lost his faith was very simple. He found the original film of religious doctrine in the spoils of the female director. After watching it, he found that the myth of the savior killing the ice witch did not exist at all. It was just a rubbish movie. His faith collapsed completely. He realized that what he believed before was wrong, and what he did could not make the world better. He was just a simple executioner.

Now the female director was naturally dissatisfied with Dema's appearance. He did not have the temperament of a villain at all, so she selected four criminals, plus Duran who volunteered, to form a five-member villain team.

She is now going to shoot a movie of her own, and the protagonist is Agni the Flame Fist. The Flame Fist is the name of the hero she gave. Now she is training Agni to use his self-healing ability faster, and at the same time teaching him some messy things. She is developing a world view and cultivating personality for Agni, who is a blank slate.

It's just that her education is not formal at all. For example, she told Agni that people will go to the cinema after they die and watch movies forever. Agni didn't know what a cinema was or what a movie was, but he believed it. He believed that after death, people did not cease to exist, but had a destination.

This is very similar to the process of primitive people transitioning to the worship of death. Primitive people worshipped death very early. Looking at the decorations and burial objects in the graves of the dead, we can see that primitive people attached great importance to death. Many times they believed that people could continue to live in another place after death, so the burial objects were utensils for the dead.

Moreover, when people died, they were also very particular about burial. The noble people were the noble people, and the ordinary people were the ordinary people. They could not be buried together.

Agni, who had not received any education, completely controlled his behavior based on his emotions, and his most primitive motivation was to protect his sister. But his sister had died ten years ago, and then he became to fulfill his sister's promise to live. But just living is meaningless, so the first meaning is revenge.

Revenge is the motivation to live. The female director taught him fighting, the view of life and death, and acting. These have added new directions and new motivations to Agni's life.

To Agni, the female director is a prophet, a saint, someone who can lead him to achieve his goals and point him in the right direction.

However, the female director is actually just using Agni. She doesn't have the patience to teach someone who knows nothing. She just wants to fulfill her wish and make a movie. In fact, she didn't even have this wish. If the movie hadn't been burned, she might have continued to watch movies until the earth was destroyed, or until she was destroyed. Although she is alive, she doesn't want to change the world, and of course she doesn't want the world to disturb her. She wants to build a wall between herself and the world to separate herself from the world.

Unfortunately, there is no such wall. If she doesn't change the world, the world will naturally change her. Life is like sailing against the current. If you don't move forward, you will retreat. It costs money to maintain the status quo, and the cost of maintenance is getting more and more expensive. So once a person has a good idea now, it means that he is going downhill.

The female director was the same. She thought it was nice to watch movies every day, but how could there be such a happy thing in this doomsday world? So the movie was burned, and she had to make her own movie.

The Flame Fist was the protagonist she chose, and revenge was the subject she chose. As for the rest, everything was kept simple. The shooting equipment was just a DV, without lights or music. Fortunately, the special effects would be very real because all the actors have superpowers.

"This mecha is for you." The female director chose a mecha for Duran from the collection.

Duran refused and said, "No, I want to have a man-to-man battle with Agni."

"Oh, not bad, you really look like a villain. Then can you tell me why you want to fight him?" The female director asked with a shining look in her eyes. She felt that Duran's performance was very tense and seemed to fill the plot of the movie. After all, revenge is too simple. It would be better if there were some other content.

"I already know his story and know that he is very miserable, but I want to use my fist to tell him that this world is cruel, hard work may not be rewarded, good may not be rewarded, and evil may not be rewarded. I want him to know that the operation of this world cannot be changed by personal will. If he really thinks that he can reverse the world by human power, then he must defeat me first." Duran said seriously, in fact, it was a test for the protagonist, and Duran personally tested Agni's tolerance.

"Good, great, with such a concept, the battle will be more exciting." The female director immediately took out the DV and said: "I didn't record the words just now, can you say it again? More emotional, I want to record it as material."

Duran said no problem, he is an actor now, and naturally he can meet the director's needs.