Chapter 389 Experience School (6)

"The experiential school, as the name suggests, emphasizes the deep experience of the actor's inner emotions, and integrates the actor's heart with the character. The famous Stanislavsky's "Actor's Self-cultivation" is that. The method school is that actors use their body and Expressions are used to express the character’s heart, and it is required to be consistent with the character’s performance regardless of the front and back of the stage. Famous representatives include Marlon Brando. Expressionism is to clearly distinguish the self from the character. Self. Emphasize the form of expression of body movements and focus on the outside."

Every study of theoretical knowledge is the most likely to make people doze off. But Bo Yan didn't want to drop the book bag, but just to ask her: "What's your situation?"

After Xia Siyu answered, he could use different methods of various schools of thought to teach her in a targeted manner, which would get twice the result with half the effort.

Xia Siyu hesitated: "The first type."

That is the experiential school, which integrates one's own experience into the characters, and uses one's own life experience to understand the feelings of the characters.

No wonder she acted in all chick movies, but because of the self-substitution, the character also has a soul. Although the proprietress of "The Tempest" is a bit charming and enchanting, she also has a personality of daring to love, dare to hate, and say what she says, which is compounded by her personality.

Bo Yan said: "There is nothing wrong with the experiential school. The problem is that you want to create different characters, some very plump characters, and you have no life experience or experience. You can't get close to the hearts of these characters by relying on your own imagination. World, this is your flaw."

The role she wants to play in "Spring" is a capitalist daughter in a special era, a female college student in a big city, and an intellectual woman whose family has been persecuted and sent to the northwest mountainous area. It is not difficult to play a capitalist daughter, and a female college student also has to act proud and bookish. As for going to the Northwest Mountains to experience the hard life, she can do it too. But it was a special era, with conflicts of thoughts, confusion and persistence, and arrogance faintly hidden in the body.

There is also the feeling for the hero.

The hero and the heroine didn't know each other before—it wouldn't be right to say that they didn't know each other. The hero was instigated and did something that many impulsive young people did in that era. He led people to criticize the professor. And this professor happens to be the heroine's mother. But before smashing it, the hero felt repentant and didn't continue to attack, but his other partners followed and injured the heroine's mother.

This is the fuse of the matter.

Later, when the university was closed, the male protagonist followed him back home, and met the female protagonist who was sent down.

The two had hatred, but because they were the only people in the area who could talk. The male protagonist learned knowledge, and when he returned to the local area, he was regarded as a five-category black villain, and was punished together with the female protagonist. The same situation made the two gradually approach each other. After driving away the hooligans who bullied the heroine, the hero couldn't help being a hooligan again and forced her.

The hostess loves and hates him, and when faced with the villagers' crusade, they are unanimous to the outside world. In private, except for spending the night together at night, they have no emotional communication with each other.

In the end, the heroine returned to the city, and the child was left to the hero to deal with. The male protagonist guards the small house where the children lived with them, waiting day and night for the female protagonist to come back. But whether the heroine will come back, only God knows.

In fact, after reading the script, Bo Yan felt that this was the portrayal of them.