Chapter 1873 Family (5)
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But the action is not the point, the point is the psychological pressure shown by her words and deeds.
Admittedly, in shooting such a scene, the pressure is not only the acting skills of the actors themselves, the oppression brought by the claustrophobic and dark environment, but also the photographer and the lighting technician. But Xia Siyu's acting skills really make people feel this all-round sense of control.
The murderer she plays is different from others. The crime must be arranged beautifully and have a sense of ritual. Even if she is chased by the other party, she will arrange the environment artistically.
Even if she is ready to die, she will design it in advance, not only will she not look embarrassed, but she will also let the heroine and the hero walk into the trap she designed, and even die with two people as scapegoats. Moreover, as a highly intelligent prisoner, she has noticed the character weaknesses of the hero and heroine early on and used them. It seems that she has been exposed here and was found by the heroine. It is better to say that she designed to put the prey into the cage so that she can catch them all in one fell swoop.
Extremely arrogant, but calm and crazy, in the words of the play, it is "criminal aesthetics".
This powerful mental power was indeed passed on to Shang Feier. During the filming process, Shang Feier initially acted according to the script and the positions just discussed. But as she acted, it seemed that she had become the protagonist of the play. The old building was like a maze, and the murderer who didn't know where he would come out, and the male protagonist was trapped and had to be rescued. It's not just the environment that makes people depressed, the most important thing is the fear of the unknown.
This unknown was acted out at first, but as she acted, it seemed that she really walked into the world woven by Xia Siyu. The mental control and oppression are more frightening than the physical and environmental oppression.
Not only Shang Feier, Bo Yan also felt it during the filming.
He was knocked unconscious by Xia Siyu at the beginning of the play, and when he woke up, he was tied up and guessed the identity of the prisoner. But even so, it was still difficult for him to escape. When the heroine approached them, he was also ready to escape.
But the action is not the point, the point is the psychological pressure shown by her words and deeds.
Admittedly, in shooting such a scene, the pressure is not only the acting skills of the actors themselves, the oppression brought by the claustrophobic and dark environment, but also the photography and lighting. But Xia Siyu's acting skills really make people feel this all-round control.
The murderer she plays is different from others. The crime must be arranged beautifully and have a sense of ritual. Even if she is chased by the other party, she will arrange the environment artistically.
Even if she is ready to die, she will design it in advance. Not only will she not look embarrassed, but she will also let the heroine and the hero walk into the trap she designed, and even death will drag two people as scapegoats. Moreover, as a highly intelligent prisoner, she has noticed the character weaknesses of the hero and heroine early and used them. It seems that she has been exposed here and was found by the heroine. It is better to say that she designed to put the prey into the cage so that she can catch them all.
Extremely arrogant, but calm and crazy, in the words of the play, it is "criminal aesthetics".
This powerful mental power was indeed passed on to Shang Feier. During the filming process, Shang Feier initially acted according to the script and the positions that had just been discussed. But as she acted, it seemed that she had become the protagonist of the play. The old building was like a maze, and the murderer who didn't know where would come out, and the male protagonist was trapped and had to be rescued. It's not just the environment that makes people depressed, the most important thing is the fear of the unknown.
This unknown was acted out at first, but as she acted, it seemed that she really walked into the world woven by Xia Siyu. That kind of mental control and oppression is more frightening than physical and environmental oppression.
Not only Shang Feier, Bo Yan also felt it during the filming.
He was knocked unconscious by Xia Siyu at the beginning of the play, and when he woke up, he was tied up and guessed the identity of the prisoner. But even so, it was still difficult for him to escape. When the heroine approached them, he was also ready to escape. But the action is not the point, the point is still the psychological pressure shown by her words and deeds.
Admittedly, when shooting such a scene, the pressure is not only the acting skills of the actors themselves, the oppression brought by the claustrophobic and dark environment, but also the photography and lighting. But Xia Siyu's acting skills really make people feel this all-round sense of control.
The murderer she plays is different from others. The crime must be arranged beautifully and have a sense of ritual. Even if she is chased by the other party, she will arrange the environment artistically.
Even if she is ready to die, she will design it in advance. Not only will she not look embarrassed, but she will also let the heroine and the hero walk into the trap she designed, and even die with two people as scapegoats. Moreover, as a highly intelligent prisoner, she has noticed the character weaknesses of the hero and heroine early and used them. It seems that she has been exposed here and was found by the heroine. It is better to say that she designed to put the prey into the cage so that she can catch them all in one fell swoop.
Extremely arrogant, but calm and crazy, in the words of the play, it is "criminal aesthetics."
This powerful mental power was indeed passed on to Shang Feier. During the filming process, Shang Feier initially acted according to the script and the positions just discussed. But as she acted, it seemed that she had become the protagonist of the play. The old building was like a maze, and the murderer who didn't know where would come out, and the male protagonist was trapped in an unknown place and had to be rescued. Not only was the environment depressing, but the most important thing was the fear of the unknown.
This unknown was acted out at first, but as she acted, it seemed that she had really walked into the world woven by Xia Siyu. That kind of mental control and oppression was more frightening than physical and environmental oppression.
Not only Shang Feier, Bo Yan also felt it during the filming.
He was knocked unconscious by Xia Siyu at the beginning of the play, and when he woke up, he was tied up and guessed the identity of the prisoner. But even so, it was still difficult for him to escape. When the heroine approached them, he was also ready to escape. Not only Shang Feier, Bo Yan also felt it during the filming.
At the beginning of the play, he was knocked unconscious by Xia Siyu. When he woke up, he was tied up and guessed the identity of the criminal. But even so, it was still difficult for him to escape. When the heroine approached them, he was also ready to escape.