Chapter 1535 Untitled (4)
The most terrifying thing is that the more emotional she is and the more explosive she needs to be, the more she can get through in one take. Since the first scene and the first shot, she was pointed out by Bo Yan that she needed to hold back in her performance. Once she entered the performance state, her entire emotions automatically moved towards that state. After many rehearsals, she was able to find the best emotions when the official filming began.
Moreover, she had rehearsed the play "Sunrise" for more than half a year. Although she could not say that she could recite the dialogues in it by heart, she was not far behind. She even knew the lines of the artists who acted opposite her. She knew where they should pause, where they should move, and where they should break. As long as the other party was not lame, she could usually get through the first few takes quickly.
Although Bo Yan must adapt the film, the adaptation cannot be completely overturned. The general lines and plot are still there. She had played this emotional outburst in a play. When filming the movie, she also deliberately suppressed her emotions, not as flamboyant as in the play. Although the scope of work is not large, her fingers that just moved flexibly are also useful at this time. When expressing emotions, she makes some small movements to conceal her true emotions.
Sometimes this kind of expression is behind her back, and sometimes it is blocked by objects, so Bo Yan can't see it. But behind the monitor, Wang Ju and Shang Feier both saw it.
Wang Ju was fine, Shang Feier was simply shocked.
In any case, if these small movements were discussed beforehand and she performed them, it would be nothing strange. If she had her own design when reading the script, it would also be understandable. The most frightening thing is that she didn't design it at all, she completely regarded herself as a character in the play, and these movements were unconscious.
But the body is language, and sometimes, unconscious movements can reach the heart more directly. These details may not be seen by Bo Yan in the main monitor when shooting, but they can be captured in other shots in post-editing and used.
Judging from this scene alone, her current performance is no less than her mother. Even Shang Feier herself, she put herself into the role, and some places can't be so detailed.
Although she hasn't won any award for best actress yet, as long as the movie isn't too bad when it's released, she should be able to win something with this movie.
And.
Shang Fei'er looked at the monitor, and she had a hunch that as long as Xia Siyu didn't slack off, her achievements would definitely surpass her, her mother, and even the top actresses in China who had retired.
She used to be jealous of Xia Siyu, jealous of her innate talent, jealous that she didn't need to work so hard to achieve a situation that many people couldn't reach in their lifetime.
But, anyway, just by watching the monitor here, she felt that Xia Siyu's picture at this time was no longer acting, but art.
Art has nothing to do with nationality, gender, or right and wrong. For many actors, being able to perform smoothly is considered successful, and if they add their own design, it's already good. But if it's art, when you watch her play, it doesn't feel like watching a movie at all, it's like appreciating a work of art. In the two hours of watching the movie, you seem to have had a dream, in which she is a living person, with joys, sorrows, anger, life, old age, sickness and death.